Ruxandra Trandafoiu is Professor of Media and Communications at Edge Hill University. She is the author of Diaspora Online: Identity Politics and Romanian Migrants (Berghahn Books, 2013) and The Politics of Migration and Diaspora in Eastern Europe: Media, Public Discourse and Policy (Routledge, 2022), as well as several edited collections and numerous articles exploring the relationship between media and migration.

• AcknowledgementsIntroductionRuxandra TrandafoiuPart I: MigrationChapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of MobilityChris CampanioniChapter 2. Hybridity in Mission London: Challenging the Othering DiscourseAntonina AnisimovichChapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German CinemaOwen EvansChapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)Ali H. KocatürkPart II: DislocationChapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with BordersAndreas HudelistChapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak PartitionSony Jalarajan Raj and Rohini SreekumarChapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian CinemaGaia Peruzzi, Marco Bruno and Alessandra MassaChapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El HagarRuxandra Trandafoiu and Roger ShannonPostscriptInterview Transcripts with Egyptian-British Filmmaker Khaled El HagarConducted by Roger ShannonIndex

Ruxandra Trandafoiu is Professor of Media and Communications at Edge Hill University. She is the author of Diaspora Online: Identity Politics and Romanian Migrants (Berghahn Books, 2013) and The Politics of Migration and Diaspora in Eastern Europe: Media, Public Discourse and Policy (Routledge, 2022), as well as several edited collections and numerous articles exploring the relationship between media and migration.

• AcknowledgementsIntroductionRuxandra TrandafoiuPart I: MigrationChapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of MobilityChris CampanioniChapter 2. Hybridity in Mission London: Challenging the Othering DiscourseAntonina AnisimovichChapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German CinemaOwen EvansChapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)Ali H. KocatürkPart II: DislocationChapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with BordersAndreas HudelistChapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak PartitionSony Jalarajan Raj and Rohini SreekumarChapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian CinemaGaia Peruzzi, Marco Bruno and Alessandra MassaChapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El HagarRuxandra Trandafoiu and Roger ShannonPostscriptInterview Transcripts with Egyptian-British Filmmaker Khaled El HagarConducted by Roger ShannonIndex

Ruxandra Trandafoiu is Professor of Media and Communications at Edge Hill University. She is the author of Diaspora Online: Identity Politics and Romanian Migrants (Berghahn Books, 2013) and The Politics of Migration and Diaspora in Eastern Europe: Media, Public Discourse and Policy (Routledge, 2022), as well as several edited collections and numerous articles exploring the relationship between media and migration.

• AcknowledgementsIntroductionRuxandra TrandafoiuPart I: MigrationChapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of MobilityChris CampanioniChapter 2. Hybridity in Mission London: Challenging the Othering DiscourseAntonina AnisimovichChapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German CinemaOwen EvansChapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)Ali H. KocatürkPart II: DislocationChapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with BordersAndreas HudelistChapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak PartitionSony Jalarajan Raj and Rohini SreekumarChapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian CinemaGaia Peruzzi, Marco Bruno and Alessandra MassaChapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El HagarRuxandra Trandafoiu and Roger ShannonPostscriptInterview Transcripts with Egyptian-British Filmmaker Khaled El HagarConducted by Roger ShannonIndex