Carlos Garrido Castellano is Senior Lecturer/Associate Professor at University College Cork and Senior Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg.

‘This fascinating and totally original book confirms Carlos Garrido Castellano’s standing as amongst the most ambitious and accomplished critics of contemporary Spain. Interdisciplinary in approach, his work is characterised by sophisticated but jargon-free theoretical approaches alongside painstaking archival and ethnographic research. This, alongside a refreshingly self-reflective approach to his own positionality, ensures that his work will retain its academic and ideological charge beyond the current political moment. Highly recommended.’ - Professor Duncan Wheeler, University of Leeds

• AcknowledgementsChapter 1: Introduction. Tuning In. The Radical Sociality of Carnival SonicsChapter 2: Variations on Non-ComplianceChapter 3: Precarious Subject Formation, Social Media Economies and the Un/Making of the PopularChapter 4: On Displaced Abjection and Feminist Carnival InsurgenceChapter 5: Dancing Carnivalesque SocialityChapter 6: Animals, Drowned Sounds, and Planetary HopesCoda: The Laughing Chorus and the Radical Companionship of Transhistorical, Transcontinental EchoesReferences

Carlos Garrido Castellano is Senior Lecturer/Associate Professor at University College Cork and Senior Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg.

‘This fascinating and totally original book confirms Carlos Garrido Castellano’s standing as amongst the most ambitious and accomplished critics of contemporary Spain. Interdisciplinary in approach, his work is characterised by sophisticated but jargon-free theoretical approaches alongside painstaking archival and ethnographic research. This, alongside a refreshingly self-reflective approach to his own positionality, ensures that his work will retain its academic and ideological charge beyond the current political moment. Highly recommended.’ - Professor Duncan Wheeler, University of Leeds

• AcknowledgementsChapter 1: Introduction. Tuning In. The Radical Sociality of Carnival SonicsChapter 2: Variations on Non-ComplianceChapter 3: Precarious Subject Formation, Social Media Economies and the Un/Making of the PopularChapter 4: On Displaced Abjection and Feminist Carnival InsurgenceChapter 5: Dancing Carnivalesque SocialityChapter 6: Animals, Drowned Sounds, and Planetary HopesCoda: The Laughing Chorus and the Radical Companionship of Transhistorical, Transcontinental EchoesReferences

Carlos Garrido Castellano is Senior Lecturer/Associate Professor at University College Cork and Senior Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg.

‘This fascinating and totally original book confirms Carlos Garrido Castellano’s standing as amongst the most ambitious and accomplished critics of contemporary Spain. Interdisciplinary in approach, his work is characterised by sophisticated but jargon-free theoretical approaches alongside painstaking archival and ethnographic research. This, alongside a refreshingly self-reflective approach to his own positionality, ensures that his work will retain its academic and ideological charge beyond the current political moment. Highly recommended.’ - Professor Duncan Wheeler, University of Leeds

• AcknowledgementsChapter 1: Introduction. Tuning In. The Radical Sociality of Carnival SonicsChapter 2: Variations on Non-ComplianceChapter 3: Precarious Subject Formation, Social Media Economies and the Un/Making of the PopularChapter 4: On Displaced Abjection and Feminist Carnival InsurgenceChapter 5: Dancing Carnivalesque SocialityChapter 6: Animals, Drowned Sounds, and Planetary HopesCoda: The Laughing Chorus and the Radical Companionship of Transhistorical, Transcontinental EchoesReferences