Sustaining Indigenous Songs

Georgia Curran is an anthropologist with interests in Indigenous music, languages and rituals. She lived in the Central Australian desert settlement of Yuendumu between 2005-2007 and has since continued to work on collaborative research projects with Warlpiri people. She is currently a research associate at the Sydney Conservatorium of Music.

“In summary, the book is well-structured, theoretically solid, and ethnographically nuanced and delivers what its title promises: indeed, its strongest feature is the account of continuity and change in Warlpiri ceremonies with a focus on songs. While it will be of value to anthropologists interested in themes such as Aboriginal people, anthropology of music and performance studies, it can also offer a nuanced, albeit challenging in a few parts, introduction to the Aboriginal world(s) for the general audience.” • Anthropological Notebooks“I believe the book to provide quite a fascinating and up-to-date glimpse of Warlpiri music, a people who have had many academic collaborators, but whose musical traditions have not received sustained attention in recent years.” • Peter Toner, St. Thomas University“This is a richly detailed ethnography of Warlpiri ritual and song… [It] offers a deeply textured analysis of the Kurdiji ceremony which unpacks the ceremonial structure of kin relations, the dances of ‘travelling ancestral women’ and the semantics of the song series performed by the men.” • Fiona Magowan, Queen’s University Belfast

• List of Illustrations, Maps and FiguresForewordOtto Jungarrayi SimsAcknowledgmentsNotes on TextIntroductionChapter 1. Song and ceremony in Indigenous AustraliaChapter 2. Yuendumu: A Brief Social HistoryChapter 3. Warlpiri Songs: Rights, Genres, and Ceremonial ContextsChapter 4. Kurdiji, a Ceremony for "Making Young Men"Chapter 5. Holding Warlpiri Songs: Addressing Musical EndangermentConclusionAppendix of songs from the Kurdiji CeremonyGlossaryReferencesIndex