30 Minute Artist: Painting Water in Watercolour

Terry Harrison grew up in Norfolk, UK. His early art education was basic and he never dreamed that he would one day become an artist. At fifteen, Terry moved to Hampshire and, inspired by his brilliant art teacher, won a place at Farnham Art School at the age of sixteen. After graduating he became a graphic artist but continued to paint in his spare time. In 1984 Terry gave up his job to paint full time and never looked back, teaching and demonstrating his watercolour techniques throughout the world, developing his own range of brushes and paints and writing over 20 best-selling books that have been translated into many languages. Sadly, Terry passed away in 2017 but his legacy lives on. His gift for explaining his methods in an easy and accessible way has encouraged countless people to take up painting, and his beautiful works of art, inspired by the English countryside that he loved, will continue to be enjoyed by people all over the world.

Mar 13This is a new series that Terry Harrison (whose idea it was) is justifiably proud of. There’s nothing new in the limited-time idea and I have in the past criticised some of its implementations for pandering to the “time-restricted artist”. I’m sorry, but art is something you devote time to. The whole point of it, of any recreation, is that it gives you a chance to relax and recharge. If you’re that busy-busy-busy, you probably have a time-management issue that bish-bosh painting won’t solve. But enough of that, because that’s not the matter in hand. The proper use of the half-hour painting is to discourage fiddling and promote the skill of getting things down quickly, as you see them. It’s about spontaneity and freshness, and therefore to be applauded. The structure here is really rather neat. The first half of the book is taken up with a series of exercises, Quick Techniques as they’re described here. These are all about ways of seeing and thinking, but also about methods of working – rocks and waves or foliage and petals in a few quick brushstrokes. The idea is to suggest your subject rather than capture it in every minor detail. Following that is a series of projects that bring everything together. There’s always a slight contradiction when you have printed demonstrations in a book that’s supposed to be about spontaneity, but you have to describe the process somehow and these short (4 page) sections are very effective at showing you how to work within the time allowed. I suspect the best way of making this work is to read the chapter through and then work with it as just notes. If you don’t head straight for home, but keep looking at the map, the oven-timer is going to ring while you’re still getting the tops off the tubes! There’s a nice busy feel to both these books that somehow encourages the whole idea they’re trying to promote and, price-wise, they’re a steal.

• Introduction 6How to use this book 8Materials 10Colour 14Quick techniques 16Painting ripples 16Lifting out ripples 16Reflections in still water 18Wet on dry reflections 18Puddles 20Rippled reflections 22Waterfall 24Fast-flowing stream 26The sea from the beach 28Breaking waves 30Painting choppy water 32Lifting out choppy water 32Crashing wave 34Wave breaking on rock 36Beach with surf 38Masking the horizon 40Sunset on the sea 42Bridge 44Building and reflection 46Riverbed 48Marsh 50Boat 52Sky reflections 54Projects 56Track with Puddles 56Ford 60Wooded Waterfall 64Lazy River 68Stormy Sea 72Cliffs 76Fisherman 80Misty Lake 84Fishing Boat 88Sunset Estuary 92Index 96