Slavoj Zizek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a sen-ior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End Times, First as Tragedy, Then as Farce, Less Than Nothing, six volumes of the Essential Zizek, and many more.

The ferociously productive Slovenian philosopher now takes up one of those heavy, predictable, unpromising topics-totalitarianism-and manages to produce a whirling carnival of political critique, cultural interpretations, and ornery bombast.

Slavoj Zizek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a sen-ior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End Times, First as Tragedy, Then as Farce, Less Than Nothing, six volumes of the Essential Zizek, and many more.

The ferociously productive Slovenian philosopher now takes up one of those heavy, predictable, unpromising topics-totalitarianism-and manages to produce a whirling carnival of political critique, cultural interpretations, and ornery bombast.

Slavoj Zizek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a sen-ior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End Times, First as Tragedy, Then as Farce, Less Than Nothing, six volumes of the Essential Zizek, and many more.

The ferociously productive Slovenian philosopher now takes up one of those heavy, predictable, unpromising topics-totalitarianism-and manages to produce a whirling carnival of political critique, cultural interpretations, and ornery bombast.