Helena Wulff is Professor of Social Anthropology at Stockholm University. Her research focusses on expressive cultural forms in a transnational perspective. Studies on the transnational world of dance and social memory have generated questions in relation to place, mobility and emotions, as well as to visual culture and writing. Among her publications are The Emotions: A Cultural Reader (editor, 2007, Berg), Ballet Across Borders: Career and Culture in the World of Dancers (Berg, 1998, reprinted 2001), and Youth Cultures: A Cross-Cultural Perspective (edited with Vered Amit-Talai, 1995, Routledge).

"Wulff does convincing and interesting work in making the argument that all Irish dance is influenced by links to the land and/or notions of Irishness, tradition, authenticity, and collective identity...[that] becomes increasingly complicated given issues of immigration, colonization, diasporic communities, multiculturalism, and cosmopolitanism."  ·  H-Net Reviews"There is an admirable reconception of performance, which moves away from the usual tightly bodily based formulas towards an appreciation of storytelling and characterization... These re-thinkings have significant implications for seeing tradition as a resource and/or as a mode of engagement."  ·  JRAI

• AcknowledgementsChapter 1. Into the Rhythm of the DanceChapter 2. Tradition ReinventedChapter 3. Memories in MotionChapter 4. The Link to the LandChapter 5. Storytelling DanceChapter 6. Winning the WorldChapter 7. The Riverdance MomentChapter 8. Rooted CosmopolitanismAfterword: Yo-yo FieldworkBibliographyIndex

Helena Wulff is Professor of Social Anthropology at Stockholm University. Her research focusses on expressive cultural forms in a transnational perspective. Studies on the transnational world of dance and social memory have generated questions in relation to place, mobility and emotions, as well as to visual culture and writing. Among her publications are The Emotions: A Cultural Reader (editor, 2007, Berg), Ballet Across Borders: Career and Culture in the World of Dancers (Berg, 1998, reprinted 2001), and Youth Cultures: A Cross-Cultural Perspective (edited with Vered Amit-Talai, 1995, Routledge).

"Wulff does convincing and interesting work in making the argument that all Irish dance is influenced by links to the land and/or notions of Irishness, tradition, authenticity, and collective identity...[that] becomes increasingly complicated given issues of immigration, colonization, diasporic communities, multiculturalism, and cosmopolitanism."  ·  H-Net Reviews"There is an admirable reconception of performance, which moves away from the usual tightly bodily based formulas towards an appreciation of storytelling and characterization... These re-thinkings have significant implications for seeing tradition as a resource and/or as a mode of engagement."  ·  JRAI

• AcknowledgementsChapter 1. Into the Rhythm of the DanceChapter 2. Tradition ReinventedChapter 3. Memories in MotionChapter 4. The Link to the LandChapter 5. Storytelling DanceChapter 6. Winning the WorldChapter 7. The Riverdance MomentChapter 8. Rooted CosmopolitanismAfterword: Yo-yo FieldworkBibliographyIndex

Helena Wulff is Professor of Social Anthropology at Stockholm University. Her research focusses on expressive cultural forms in a transnational perspective. Studies on the transnational world of dance and social memory have generated questions in relation to place, mobility and emotions, as well as to visual culture and writing. Among her publications are The Emotions: A Cultural Reader (editor, 2007, Berg), Ballet Across Borders: Career and Culture in the World of Dancers (Berg, 1998, reprinted 2001), and Youth Cultures: A Cross-Cultural Perspective (edited with Vered Amit-Talai, 1995, Routledge).

"Wulff does convincing and interesting work in making the argument that all Irish dance is influenced by links to the land and/or notions of Irishness, tradition, authenticity, and collective identity...[that] becomes increasingly complicated given issues of immigration, colonization, diasporic communities, multiculturalism, and cosmopolitanism."  ·  H-Net Reviews"There is an admirable reconception of performance, which moves away from the usual tightly bodily based formulas towards an appreciation of storytelling and characterization... These re-thinkings have significant implications for seeing tradition as a resource and/or as a mode of engagement."  ·  JRAI

• AcknowledgementsChapter 1. Into the Rhythm of the DanceChapter 2. Tradition ReinventedChapter 3. Memories in MotionChapter 4. The Link to the LandChapter 5. Storytelling DanceChapter 6. Winning the WorldChapter 7. The Riverdance MomentChapter 8. Rooted CosmopolitanismAfterword: Yo-yo FieldworkBibliographyIndex