Alyshia Galvez is faculty fellow and assistant professor in the Center for Latin American and Caribbean Studies at New York University.

• 1. Introduction, Alyshia Galvez, New York University, US2. Re-defining Andean Sacred Landscapes and Identities: Authenticity, Migration, and Visual Reproduction in Andean Religious Rituals, Gisela Canepa-Koch, PUCP, Peru3. The Celebration of Iemanja, New Year's Eve in Rio de Janeiro: Tradition, Negotiation, and the Transformation Of An African Goddess, Zeca Ligiero, UNI-RIO, Brazil4. The Pilgrimage of Zapopan: Popular Fervor or Deception?, Celina Vazquez, Universidad de Guadalajara, Mexico 5. The Drama of Death: Popular Religion and Performing the Good Death in Oaxaca, Kristin Norget, McGill University, Canada6. Performing Imperialist Fundamentalism(s), Linda Kintz, University of Oregon, US7. 'She Made Us Human': The Virgin of Guadalupe, Popular Religiosity and Activism in Mexican Devotional Organizations in New York City, Alyshia Galvez, New York University, US8. The Second Coming: Religion as Entertainment, Jean Franco, Columbia University, US9. Performances of Spiral Time, Leda Martins, Universidade Federal de Minas Gerais, Brazil10. Afterword: Place-a-luiah!! Reverend Billy Claims a Democratic Public Space, Diana Taylor, New York University, New York, US

Alyshia Galvez is faculty fellow and assistant professor in the Center for Latin American and Caribbean Studies at New York University.

• 1. Introduction, Alyshia Galvez, New York University, US2. Re-defining Andean Sacred Landscapes and Identities: Authenticity, Migration, and Visual Reproduction in Andean Religious Rituals, Gisela Canepa-Koch, PUCP, Peru3. The Celebration of Iemanja, New Year's Eve in Rio de Janeiro: Tradition, Negotiation, and the Transformation Of An African Goddess, Zeca Ligiero, UNI-RIO, Brazil4. The Pilgrimage of Zapopan: Popular Fervor or Deception?, Celina Vazquez, Universidad de Guadalajara, Mexico 5. The Drama of Death: Popular Religion and Performing the Good Death in Oaxaca, Kristin Norget, McGill University, Canada6. Performing Imperialist Fundamentalism(s), Linda Kintz, University of Oregon, US7. 'She Made Us Human': The Virgin of Guadalupe, Popular Religiosity and Activism in Mexican Devotional Organizations in New York City, Alyshia Galvez, New York University, US8. The Second Coming: Religion as Entertainment, Jean Franco, Columbia University, US9. Performances of Spiral Time, Leda Martins, Universidade Federal de Minas Gerais, Brazil10. Afterword: Place-a-luiah!! Reverend Billy Claims a Democratic Public Space, Diana Taylor, New York University, New York, US

Alyshia Galvez is faculty fellow and assistant professor in the Center for Latin American and Caribbean Studies at New York University.

• 1. Introduction, Alyshia Galvez, New York University, US2. Re-defining Andean Sacred Landscapes and Identities: Authenticity, Migration, and Visual Reproduction in Andean Religious Rituals, Gisela Canepa-Koch, PUCP, Peru3. The Celebration of Iemanja, New Year's Eve in Rio de Janeiro: Tradition, Negotiation, and the Transformation Of An African Goddess, Zeca Ligiero, UNI-RIO, Brazil4. The Pilgrimage of Zapopan: Popular Fervor or Deception?, Celina Vazquez, Universidad de Guadalajara, Mexico 5. The Drama of Death: Popular Religion and Performing the Good Death in Oaxaca, Kristin Norget, McGill University, Canada6. Performing Imperialist Fundamentalism(s), Linda Kintz, University of Oregon, US7. 'She Made Us Human': The Virgin of Guadalupe, Popular Religiosity and Activism in Mexican Devotional Organizations in New York City, Alyshia Galvez, New York University, US8. The Second Coming: Religion as Entertainment, Jean Franco, Columbia University, US9. Performances of Spiral Time, Leda Martins, Universidade Federal de Minas Gerais, Brazil10. Afterword: Place-a-luiah!! Reverend Billy Claims a Democratic Public Space, Diana Taylor, New York University, New York, US