Florencia San Martín is assistant professor of art history at Lehigh University. She is the coeditor of The Routledge Companion to Decolonizing Art History and is currently writing a monograph on Chilean artist Alfredo Jaar.Carla Macchiavello Cornejo is associate professor of art history at The Borough of Manhattan Community College. She is coeditor of the book Turba Tol Hol Hol and has a forthcoming book on Chilean art during the dictatorship (Ediciones Metales Pesados). Paula Solimano is director of museography and exhibitions at the Museum of Memory and Human Rights in Santiago, Chile. Her work focuses on theories of affect and belonging, methodologies of humor and play, and sound and archives in contemporary Latin American art and culture.

Florencia San Martín is assistant professor of art history at Lehigh University. She is the coeditor of The Routledge Companion to Decolonizing Art History and is currently writing a monograph on Chilean artist Alfredo Jaar.Carla Macchiavello Cornejo is associate professor of art history at The Borough of Manhattan Community College. She is coeditor of the book Turba Tol Hol Hol and has a forthcoming book on Chilean art during the dictatorship (Ediciones Metales Pesados). Paula Solimano is director of museography and exhibitions at the Museum of Memory and Human Rights in Santiago, Chile. Her work focuses on theories of affect and belonging, methodologies of humor and play, and sound and archives in contemporary Latin American art and culture.

Florencia San Martín is assistant professor of art history at Lehigh University. She is the coeditor of The Routledge Companion to Decolonizing Art History and is currently writing a monograph on Chilean artist Alfredo Jaar.Carla Macchiavello Cornejo is associate professor of art history at The Borough of Manhattan Community College. She is coeditor of the book Turba Tol Hol Hol and has a forthcoming book on Chilean art during the dictatorship (Ediciones Metales Pesados). Paula Solimano is director of museography and exhibitions at the Museum of Memory and Human Rights in Santiago, Chile. Her work focuses on theories of affect and belonging, methodologies of humor and play, and sound and archives in contemporary Latin American art and culture.