Ricardo Klein is a Sociologist from the University of the Republic, Uruguay, and holds a PhD in Cultural Management and Heritage from the University of Barcelona. He is a Senior Lecturer at the Department of Sociology and Social Anthropology at the University of Valencia, Spain, and member of the Center for Studies on Culture, Power and Identities (UV).Caitlin F. Bruce holds a PhD in Communication from Northwestern University, USA. She is an Associate Professor in the Department of Communication at the University of Pittsburgh and affiliate faculty with the Center for Latin American Studies, the Cultural Studies Center, and the Women's, Gender, and Sexuality Studies Program at the University of Pittsburgh,  USA.

• 1. Graffiti, Street Art, Tourism and Creative Cities in a Global Frame: The City as Discovery.- 2. Porto. Tensions between urban renewal and the use of street art as a tourist attraction.- 3. Cleveland: Philanthropic Tourism or Community Counter Reading: Race and Place in Rust Belt Rediscovery.- 4. Paris. Paris/Aubervilliers. In Situ Art Festival: Urban Art as Transitional Form for Urban Development.- 5. Buenos Aires. Shared imaginaries, tourism, and the creative city.- 6. Barcelona. The constitution of alternative tourism and the diversification of street art.- 7. Pittsburgh. Carrie Furnaces Urban Art Tour: Connecting Graffiti Culture and Industrial Patrimony through Aesthetics of Authenticity in Pennsylvania.- 8. Bogotá. Visual Noise and Activist Pedagogy through Street Art.- 9. Montevideo. A cultural city, receptive to urban art and tourism.- 10. Tensions, challenges, and future perspectives on the city as discovery.

Ricardo Klein is a Sociologist from the University of the Republic, Uruguay, and holds a PhD in Cultural Management and Heritage from the University of Barcelona. He is a Senior Lecturer at the Department of Sociology and Social Anthropology at the University of Valencia, Spain, and member of the Center for Studies on Culture, Power and Identities (UV).Caitlin F. Bruce holds a PhD in Communication from Northwestern University, USA. She is an Associate Professor in the Department of Communication at the University of Pittsburgh and affiliate faculty with the Center for Latin American Studies, the Cultural Studies Center, and the Women's, Gender, and Sexuality Studies Program at the University of Pittsburgh,  USA.

• 1. Graffiti, Street Art, Tourism and Creative Cities in a Global Frame: The City as Discovery.- 2. Porto. Tensions between urban renewal and the use of street art as a tourist attraction.- 3. Cleveland: Philanthropic Tourism or Community Counter Reading: Race and Place in Rust Belt Rediscovery.- 4. Paris. Paris/Aubervilliers. In Situ Art Festival: Urban Art as Transitional Form for Urban Development.- 5. Buenos Aires. Shared imaginaries, tourism, and the creative city.- 6. Barcelona. The constitution of alternative tourism and the diversification of street art.- 7. Pittsburgh. Carrie Furnaces Urban Art Tour: Connecting Graffiti Culture and Industrial Patrimony through Aesthetics of Authenticity in Pennsylvania.- 8. Bogotá. Visual Noise and Activist Pedagogy through Street Art.- 9. Montevideo. A cultural city, receptive to urban art and tourism.- 10. Tensions, challenges, and future perspectives on the city as discovery.

Ricardo Klein is a Sociologist from the University of the Republic, Uruguay, and holds a PhD in Cultural Management and Heritage from the University of Barcelona. He is a Senior Lecturer at the Department of Sociology and Social Anthropology at the University of Valencia, Spain, and member of the Center for Studies on Culture, Power and Identities (UV).Caitlin F. Bruce holds a PhD in Communication from Northwestern University, USA. She is an Associate Professor in the Department of Communication at the University of Pittsburgh and affiliate faculty with the Center for Latin American Studies, the Cultural Studies Center, and the Women's, Gender, and Sexuality Studies Program at the University of Pittsburgh,  USA.

• 1. Graffiti, Street Art, Tourism and Creative Cities in a Global Frame: The City as Discovery.- 2. Porto. Tensions between urban renewal and the use of street art as a tourist attraction.- 3. Cleveland: Philanthropic Tourism or Community Counter Reading: Race and Place in Rust Belt Rediscovery.- 4. Paris. Paris/Aubervilliers. In Situ Art Festival: Urban Art as Transitional Form for Urban Development.- 5. Buenos Aires. Shared imaginaries, tourism, and the creative city.- 6. Barcelona. The constitution of alternative tourism and the diversification of street art.- 7. Pittsburgh. Carrie Furnaces Urban Art Tour: Connecting Graffiti Culture and Industrial Patrimony through Aesthetics of Authenticity in Pennsylvania.- 8. Bogotá. Visual Noise and Activist Pedagogy through Street Art.- 9. Montevideo. A cultural city, receptive to urban art and tourism.- 10. Tensions, challenges, and future perspectives on the city as discovery.