Lisa Stuckey is an art and cultural studies researcher and a senior scientist at the Institute of Arts and Society at the University of Applied Arts Vienna. Stuckey pursued her doctorate in philosophy at the Academy of Fine Arts Vienna with a junior fellowship from the IFK International Research Center for Cultural Studies. For her dissertation on “Investigative Aesthetics,” situated between arts and jurisdiction, Stuckey received the Austrian State Prize “Award of Excellence 2021.” It was published under the title Forensische Verfahren in den zeitgenössischen Künsten: Forensic Architecture und andere Fallanalysen (De Gruyter, 2022). In 2024, Stuckey was a research fellow at the Centre for Advanced Study inherit. heritage in transformation at Humboldt-Universität zu Berlin.Alexander Damianisch heads the Department Support Art and Research at the University of Applied Arts Vienna (Angewandte), where he advances the development of art and research projects, manages funding strategies, and supports postgraduate research activities. He is a member of the Angewandte Interdisciplinary Laboratory executive board and the European League of Institutes of the Arts representative board. He engages in teaching, moderation, writing, and consulting, is an active member of the ELIA Careers in the Arts working group, and has pioneered Special Interest Groups within the Society for Artistic Research (SAR). He also facilitated high-level funding agency dialogues as a former SAR executive board member.

• Chapter1: Introduction.- Chapter2: Coinciding: The Potential of Coincidental Determination.- Chapter3: Creating: Artistic Making Between Intellectual Creation and Biological Procreation.- Chapter4: Desynchronizing: Environment, Sexuality, Paranoia Challenging the Con Temporaneity of the Normative Concept of Synchronization.- Chapter5: Disorienting: Curiosity and the Work of Unknowing.- Chapter6: Dizzying: Knowing Dizziness and Loss in the Presence of the Abyss.- Chapter7: Escaping: Escaping or the Spirit of the Fugue.- Chapter8: Figuring: Diagramming Contingent Agencies.- Chapter9: Generating: Imagine Feminine Artificial Intelligence.- Chapter10: H(a)unting: Tracing the Unresolvable.- Chapter11: Recycling: Imperfection, Temporal Asymmetry, Drift.- Chapter12: Remedying: Philosophical, Legal, and Future Heritage Perspectives on Transformative Remedies Remedial Transformation.- Chapter13: Scratching: To Start from Scratch as an Artistic Research Method.- Chapter14: Spectralizing: The Many Hauntings of the More than.- Chapter15: Toppling: The Slipperiness of a Falling Monument.- Chapter16: Transforming: Explorative Considerations of Co Agency.- Chapter17: Understanding: Proposing Pragmas for the Poetics of Understanding.- Chapter18: Weakening: Aesthetics of Powerlessness.- Chapter19: Witnessing: Curiosity and the Nonhuman.

Lisa Stuckey is an art and cultural studies researcher and a senior scientist at the Institute of Arts and Society at the University of Applied Arts Vienna. Stuckey pursued her doctorate in philosophy at the Academy of Fine Arts Vienna with a junior fellowship from the IFK International Research Center for Cultural Studies. For her dissertation on “Investigative Aesthetics,” situated between arts and jurisdiction, Stuckey received the Austrian State Prize “Award of Excellence 2021.” It was published under the title Forensische Verfahren in den zeitgenössischen Künsten: Forensic Architecture und andere Fallanalysen (De Gruyter, 2022). In 2024, Stuckey was a research fellow at the Centre for Advanced Study inherit. heritage in transformation at Humboldt-Universität zu Berlin.Alexander Damianisch heads the Department Support Art and Research at the University of Applied Arts Vienna (Angewandte), where he advances the development of art and research projects, manages funding strategies, and supports postgraduate research activities. He is a member of the Angewandte Interdisciplinary Laboratory executive board and the European League of Institutes of the Arts representative board. He engages in teaching, moderation, writing, and consulting, is an active member of the ELIA Careers in the Arts working group, and has pioneered Special Interest Groups within the Society for Artistic Research (SAR). He also facilitated high-level funding agency dialogues as a former SAR executive board member.

• Chapter1: Introduction.- Chapter2: Coinciding: The Potential of Coincidental Determination.- Chapter3: Creating: Artistic Making Between Intellectual Creation and Biological Procreation.- Chapter4: Desynchronizing: Environment, Sexuality, Paranoia Challenging the Con Temporaneity of the Normative Concept of Synchronization.- Chapter5: Disorienting: Curiosity and the Work of Unknowing.- Chapter6: Dizzying: Knowing Dizziness and Loss in the Presence of the Abyss.- Chapter7: Escaping: Escaping or the Spirit of the Fugue.- Chapter8: Figuring: Diagramming Contingent Agencies.- Chapter9: Generating: Imagine Feminine Artificial Intelligence.- Chapter10: H(a)unting: Tracing the Unresolvable.- Chapter11: Recycling: Imperfection, Temporal Asymmetry, Drift.- Chapter12: Remedying: Philosophical, Legal, and Future Heritage Perspectives on Transformative Remedies Remedial Transformation.- Chapter13: Scratching: To Start from Scratch as an Artistic Research Method.- Chapter14: Spectralizing: The Many Hauntings of the More than.- Chapter15: Toppling: The Slipperiness of a Falling Monument.- Chapter16: Transforming: Explorative Considerations of Co Agency.- Chapter17: Understanding: Proposing Pragmas for the Poetics of Understanding.- Chapter18: Weakening: Aesthetics of Powerlessness.- Chapter19: Witnessing: Curiosity and the Nonhuman.

Lisa Stuckey is an art and cultural studies researcher and a senior scientist at the Institute of Arts and Society at the University of Applied Arts Vienna. Stuckey pursued her doctorate in philosophy at the Academy of Fine Arts Vienna with a junior fellowship from the IFK International Research Center for Cultural Studies. For her dissertation on “Investigative Aesthetics,” situated between arts and jurisdiction, Stuckey received the Austrian State Prize “Award of Excellence 2021.” It was published under the title Forensische Verfahren in den zeitgenössischen Künsten: Forensic Architecture und andere Fallanalysen (De Gruyter, 2022). In 2024, Stuckey was a research fellow at the Centre for Advanced Study inherit. heritage in transformation at Humboldt-Universität zu Berlin.Alexander Damianisch heads the Department Support Art and Research at the University of Applied Arts Vienna (Angewandte), where he advances the development of art and research projects, manages funding strategies, and supports postgraduate research activities. He is a member of the Angewandte Interdisciplinary Laboratory executive board and the European League of Institutes of the Arts representative board. He engages in teaching, moderation, writing, and consulting, is an active member of the ELIA Careers in the Arts working group, and has pioneered Special Interest Groups within the Society for Artistic Research (SAR). He also facilitated high-level funding agency dialogues as a former SAR executive board member.

• Chapter1: Introduction.- Chapter2: Coinciding: The Potential of Coincidental Determination.- Chapter3: Creating: Artistic Making Between Intellectual Creation and Biological Procreation.- Chapter4: Desynchronizing: Environment, Sexuality, Paranoia Challenging the Con Temporaneity of the Normative Concept of Synchronization.- Chapter5: Disorienting: Curiosity and the Work of Unknowing.- Chapter6: Dizzying: Knowing Dizziness and Loss in the Presence of the Abyss.- Chapter7: Escaping: Escaping or the Spirit of the Fugue.- Chapter8: Figuring: Diagramming Contingent Agencies.- Chapter9: Generating: Imagine Feminine Artificial Intelligence.- Chapter10: H(a)unting: Tracing the Unresolvable.- Chapter11: Recycling: Imperfection, Temporal Asymmetry, Drift.- Chapter12: Remedying: Philosophical, Legal, and Future Heritage Perspectives on Transformative Remedies Remedial Transformation.- Chapter13: Scratching: To Start from Scratch as an Artistic Research Method.- Chapter14: Spectralizing: The Many Hauntings of the More than.- Chapter15: Toppling: The Slipperiness of a Falling Monument.- Chapter16: Transforming: Explorative Considerations of Co Agency.- Chapter17: Understanding: Proposing Pragmas for the Poetics of Understanding.- Chapter18: Weakening: Aesthetics of Powerlessness.- Chapter19: Witnessing: Curiosity and the Nonhuman.