Manosh Chowdhury is Professor of Anthropology at Jahangirnagar University, Bangladesh. His research interests include popular culture, social inequality, Marxism, nationalism, media studies, literature, social space, gender, and cinema.

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• Chapter 1. On Knowledge Production in the Global South.- Chapter 2. Bhakti and Conjugality in Tagore Songs.- Chapter 3. Subaltern Desire and the Liberal Discourses of Love.- Chapter 4. Subtlety of Love, Sexuality and (Women) Subjectivity in Subaltern Songs.- Chapter 5. Fall of the ‘Robinhood’ in Bangladeshi Films.- Chapter 6. Obscenity Debate in Bangladeshi Film.- Chapter 7. In Search of an ‘Art History’ and Myth of Intertextuality.- Chapter 8. Ghost City in Bangladeshi Paintings.- Chapter 9. Negotiating Space for Selves within and beyond Gender Dynamics.- Chapter 10. On Theatre Acting and Body: A Dialogue with Eugenio Barba.- Chapter 11. The Renewed ‘Social Life’ of Maize.- Chapter 12. Leisure Class and Reconfigured Cultural Desire.- Chapter 13. Fearing Yourself and ‘Freedom’ in Academia.

Manosh Chowdhury is Professor of Anthropology at Jahangirnagar University, Bangladesh. His research interests include popular culture, social inequality, Marxism, nationalism, media studies, literature, social space, gender, and cinema.

Select Guide Rating

• Chapter 1. On Knowledge Production in the Global South.- Chapter 2. Bhakti and Conjugality in Tagore Songs.- Chapter 3. Subaltern Desire and the Liberal Discourses of Love.- Chapter 4. Subtlety of Love, Sexuality and (Women) Subjectivity in Subaltern Songs.- Chapter 5. Fall of the ‘Robinhood’ in Bangladeshi Films.- Chapter 6. Obscenity Debate in Bangladeshi Film.- Chapter 7. In Search of an ‘Art History’ and Myth of Intertextuality.- Chapter 8. Ghost City in Bangladeshi Paintings.- Chapter 9. Negotiating Space for Selves within and beyond Gender Dynamics.- Chapter 10. On Theatre Acting and Body: A Dialogue with Eugenio Barba.- Chapter 11. The Renewed ‘Social Life’ of Maize.- Chapter 12. Leisure Class and Reconfigured Cultural Desire.- Chapter 13. Fearing Yourself and ‘Freedom’ in Academia.

Manosh Chowdhury is Professor of Anthropology at Jahangirnagar University, Bangladesh. His research interests include popular culture, social inequality, Marxism, nationalism, media studies, literature, social space, gender, and cinema.

Select Guide Rating

• Chapter 1. On Knowledge Production in the Global South.- Chapter 2. Bhakti and Conjugality in Tagore Songs.- Chapter 3. Subaltern Desire and the Liberal Discourses of Love.- Chapter 4. Subtlety of Love, Sexuality and (Women) Subjectivity in Subaltern Songs.- Chapter 5. Fall of the ‘Robinhood’ in Bangladeshi Films.- Chapter 6. Obscenity Debate in Bangladeshi Film.- Chapter 7. In Search of an ‘Art History’ and Myth of Intertextuality.- Chapter 8. Ghost City in Bangladeshi Paintings.- Chapter 9. Negotiating Space for Selves within and beyond Gender Dynamics.- Chapter 10. On Theatre Acting and Body: A Dialogue with Eugenio Barba.- Chapter 11. The Renewed ‘Social Life’ of Maize.- Chapter 12. Leisure Class and Reconfigured Cultural Desire.- Chapter 13. Fearing Yourself and ‘Freedom’ in Academia.