Principles of Visual Anthropology

Paul Hockings is Professor (emeritus) of Anthroplogy at the University of Illinois-Chicago, USA.

• INTRODUCTIONVisual Anthropology in a Discipline of Words Margaret MeadETHNOGRAPHIC FILMING AND THE CINEMAThe History of Ethnographic Film Emilie de BrigardFeature Films as Cultural Documents John H. WeaklandMcCarty’s Law and How to Break it Mark Mc CartySOME RECENT APPROACHES TO ANTHROPOLOGICAL FILMThe Camera and Man Jean RouchObservational Cinema Colin YoungBeyond Observational Cinema David MacDougallIdea and Event in Urban Film John Marshall and Emile de BrigardResearch Filming of Naturally Occuring Phenomena: Basic Strategies E. Richard Sorenson and Allison JablonkoVISUAL ANTHROPOLOGY AND THE PASTEthnographic Film and History Jean Dominique LajouxReconstructing Cultures on Film Asen BalikciThe Role of Film in Archeology Stuart StrueverEthnographic Photography in Anthropological Research Joanna Cohan SchererOur Totemic Ancestors and Crazed Masters Jean RouchSOME SPECIALIZED USES OF FILM AND VIDEOTAPEPhotography and Visual Anthropology John Collier Jr.Videotape: New Techniques of Observation and Analysis in Anthropology Joseph H. SchaefferFilming Body Behavior J. H. ProstAudiovisual Tools for the Analysis of Culture Style Alan LomaxFilm in Ethnographic Research Timothy Asch and Patsy AschTHE PRESENTATION OF ANTHROPOLOGICAL INFORMATIONEthnographies on the Airwaves: The Presentation of Anthropology on American, British, Belgian and Japanese Television Faye GinsburgThe First Videotheque Yasuhiro OmoriFunding Ethnographic Film and Video Productions in America Sabine Jell-BahlsenEthnographic Filmmaking for Japanese Television Yasuko IchiokaMatters of Fact Roger SandallTHE FUTURE OF VISUAL ANTHROPOLOGYThe Tribal Terror of Self-Awareness Edmund CarpenterVisual Record, Human Knowledge, and the Future E. Richard SorensonConclusion: Ethnographic Filming and Anthropological Theory Paul Hockings