Katherine Astbury is Reader in French Studies at the University of Warwick, UK. Specialising in literary, theatrical and cultural production during the French Revolution and First Empire, she is the author of Narrative Responses to the Trauma of the French Revolution (2012) and a critical edition of Pixerécourt’s La Forteresse du Danube (2016). She has worked with a number of heritage organisations in the UK to bring their Revolutionary and Napoleonic collections and histories to new audiences, including Waddesdon Manor and Portchester Castle.Mark Philp is Professor of History and Politics at the University of Warwick, and an Emeritus Fellow of Oriel College, University of Oxford, UK. Recent publications include Political Conduct (2007), Reforming Ideas in Britain: Politics and Language in the Shadow of the French Revolution, 1789-1815 (2013), and, co-edited with Joanna Innes, Re-imagining Democracy in the Age of Revolutions: America, France, Britain, Ireland 1750-1850 (2013).

• Introduction; Kate Astbury and Mark Philp.- ​Part One: Napoleon’s legitimacy in France.- The Hundred Days and the Birth of Popular Bonapartism; Michael Sibalis.- Back by Popular Demand? The Problem of French Public Opinion during Napoleon’s Hundred Days; John Dunne.- The Melancholy of the Revolution: Maine de Biran facing Napoleon's Hundred Days; Alessandra Aloisi.- Part Two: Legitimacy beyond France.- German Central Europe and the Hundred Days; Leighton James.- Venetian élite reactions to the Hundred Days: news circulation and political commentaries between astonishment and fear; Valentina Dal Cin.- Napoleon’s Hundred Days and the shaping of a new Dutch Identity; Lotte Jensen.-  ‘A People Grown Old in Revolutions’: Conflicting Temporalities and Distrust in 1815 Italy; Martina Piperno.- The Hundred Days, the Congress of Vienna and the Atlantic Slave Trade; Alan Forrest.- Part Three: Contesting Napoleon’s legitimacy.- ‘All the world’s a stage & all the men are merely players’: theatre-going in London during the Hundred Days; Susan Valladares.- Dancing the ‘Waterloo Waltz’: Commemorations of the Hundred Days: Parallels in British Social Dance and Song; Erica Buurman with Oskar Cox Jensen.- Napoleon in Swansea: Reflections of the Hundred Days in the Welsh newspaper Seren Gomer; Mary-Ann Constantine.- George Cruikshank and the British satirical response to the Hundred Days; John Moores.- Index.

Katherine Astbury is Reader in French Studies at the University of Warwick, UK. Specialising in literary, theatrical and cultural production during the French Revolution and First Empire, she is the author of Narrative Responses to the Trauma of the French Revolution (2012) and a critical edition of Pixerécourt’s La Forteresse du Danube (2016). She has worked with a number of heritage organisations in the UK to bring their Revolutionary and Napoleonic collections and histories to new audiences, including Waddesdon Manor and Portchester Castle.Mark Philp is Professor of History and Politics at the University of Warwick, and an Emeritus Fellow of Oriel College, University of Oxford, UK. Recent publications include Political Conduct (2007), Reforming Ideas in Britain: Politics and Language in the Shadow of the French Revolution, 1789-1815 (2013), and, co-edited with Joanna Innes, Re-imagining Democracy in the Age of Revolutions: America, France, Britain, Ireland 1750-1850 (2013).

• Introduction; Kate Astbury and Mark Philp.- ​Part One: Napoleon’s legitimacy in France.- The Hundred Days and the Birth of Popular Bonapartism; Michael Sibalis.- Back by Popular Demand? The Problem of French Public Opinion during Napoleon’s Hundred Days; John Dunne.- The Melancholy of the Revolution: Maine de Biran facing Napoleon's Hundred Days; Alessandra Aloisi.- Part Two: Legitimacy beyond France.- German Central Europe and the Hundred Days; Leighton James.- Venetian élite reactions to the Hundred Days: news circulation and political commentaries between astonishment and fear; Valentina Dal Cin.- Napoleon’s Hundred Days and the shaping of a new Dutch Identity; Lotte Jensen.-  ‘A People Grown Old in Revolutions’: Conflicting Temporalities and Distrust in 1815 Italy; Martina Piperno.- The Hundred Days, the Congress of Vienna and the Atlantic Slave Trade; Alan Forrest.- Part Three: Contesting Napoleon’s legitimacy.- ‘All the world’s a stage & all the men are merely players’: theatre-going in London during the Hundred Days; Susan Valladares.- Dancing the ‘Waterloo Waltz’: Commemorations of the Hundred Days: Parallels in British Social Dance and Song; Erica Buurman with Oskar Cox Jensen.- Napoleon in Swansea: Reflections of the Hundred Days in the Welsh newspaper Seren Gomer; Mary-Ann Constantine.- George Cruikshank and the British satirical response to the Hundred Days; John Moores.- Index.

Katherine Astbury is Reader in French Studies at the University of Warwick, UK. Specialising in literary, theatrical and cultural production during the French Revolution and First Empire, she is the author of Narrative Responses to the Trauma of the French Revolution (2012) and a critical edition of Pixerécourt’s La Forteresse du Danube (2016). She has worked with a number of heritage organisations in the UK to bring their Revolutionary and Napoleonic collections and histories to new audiences, including Waddesdon Manor and Portchester Castle.Mark Philp is Professor of History and Politics at the University of Warwick, and an Emeritus Fellow of Oriel College, University of Oxford, UK. Recent publications include Political Conduct (2007), Reforming Ideas in Britain: Politics and Language in the Shadow of the French Revolution, 1789-1815 (2013), and, co-edited with Joanna Innes, Re-imagining Democracy in the Age of Revolutions: America, France, Britain, Ireland 1750-1850 (2013).

• Introduction; Kate Astbury and Mark Philp.- ​Part One: Napoleon’s legitimacy in France.- The Hundred Days and the Birth of Popular Bonapartism; Michael Sibalis.- Back by Popular Demand? The Problem of French Public Opinion during Napoleon’s Hundred Days; John Dunne.- The Melancholy of the Revolution: Maine de Biran facing Napoleon's Hundred Days; Alessandra Aloisi.- Part Two: Legitimacy beyond France.- German Central Europe and the Hundred Days; Leighton James.- Venetian élite reactions to the Hundred Days: news circulation and political commentaries between astonishment and fear; Valentina Dal Cin.- Napoleon’s Hundred Days and the shaping of a new Dutch Identity; Lotte Jensen.-  ‘A People Grown Old in Revolutions’: Conflicting Temporalities and Distrust in 1815 Italy; Martina Piperno.- The Hundred Days, the Congress of Vienna and the Atlantic Slave Trade; Alan Forrest.- Part Three: Contesting Napoleon’s legitimacy.- ‘All the world’s a stage & all the men are merely players’: theatre-going in London during the Hundred Days; Susan Valladares.- Dancing the ‘Waterloo Waltz’: Commemorations of the Hundred Days: Parallels in British Social Dance and Song; Erica Buurman with Oskar Cox Jensen.- Napoleon in Swansea: Reflections of the Hundred Days in the Welsh newspaper Seren Gomer; Mary-Ann Constantine.- George Cruikshank and the British satirical response to the Hundred Days; John Moores.- Index.