Tessel M. Bauduin is Postdoctoral Research Associate in Art History at the University of Amsterdam, The Netherlands.  Henrik Johnsson is Associate Professor of Scandinavian literature at the University of Tromsø, Norway.

• 1. Introduction: Conceptualizing Occult Modernism.- 2. A History of Research into Occult Modernist Literature.- Part I Artistic Practices.- 3. Visionary Mimesis and Occult Modernism in Literature and Art Around 1900.- 4. August Strindberg’s Art in Modernist and Occult Context.- 5. ‘Only Poets and Occultists Believe in Them Just Now’: Fairies and the Modernist Crisis of Authorship.- Part II Aesthetics.- 6. Return from Oblivion: Joséphin Péladan’s Literary Esotericism.- 7. Ghosts Before Breakfast: The Appetite for the Beyond in Early Avant-Garde Film.- 8. Marie Wilson and Nanos Valaoritis in Conversation: Surrealism, Imagetext, and Occult Aesthetics in Terre de Diamant.- Part III Occulture.- 9. Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes.- 10. Retrogardism and Occulture in Håkan Sandell’s Poetry.

Tessel M. Bauduin is Postdoctoral Research Associate in Art History at the University of Amsterdam, The Netherlands.  Henrik Johnsson is Associate Professor of Scandinavian literature at the University of Tromsø, Norway.

• 1. Introduction: Conceptualizing Occult Modernism.- 2. A History of Research into Occult Modernist Literature.- Part I Artistic Practices.- 3. Visionary Mimesis and Occult Modernism in Literature and Art Around 1900.- 4. August Strindberg’s Art in Modernist and Occult Context.- 5. ‘Only Poets and Occultists Believe in Them Just Now’: Fairies and the Modernist Crisis of Authorship.- Part II Aesthetics.- 6. Return from Oblivion: Joséphin Péladan’s Literary Esotericism.- 7. Ghosts Before Breakfast: The Appetite for the Beyond in Early Avant-Garde Film.- 8. Marie Wilson and Nanos Valaoritis in Conversation: Surrealism, Imagetext, and Occult Aesthetics in Terre de Diamant.- Part III Occulture.- 9. Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes.- 10. Retrogardism and Occulture in Håkan Sandell’s Poetry.

Tessel M. Bauduin is Postdoctoral Research Associate in Art History at the University of Amsterdam, The Netherlands.  Henrik Johnsson is Associate Professor of Scandinavian literature at the University of Tromsø, Norway.

• 1. Introduction: Conceptualizing Occult Modernism.- 2. A History of Research into Occult Modernist Literature.- Part I Artistic Practices.- 3. Visionary Mimesis and Occult Modernism in Literature and Art Around 1900.- 4. August Strindberg’s Art in Modernist and Occult Context.- 5. ‘Only Poets and Occultists Believe in Them Just Now’: Fairies and the Modernist Crisis of Authorship.- Part II Aesthetics.- 6. Return from Oblivion: Joséphin Péladan’s Literary Esotericism.- 7. Ghosts Before Breakfast: The Appetite for the Beyond in Early Avant-Garde Film.- 8. Marie Wilson and Nanos Valaoritis in Conversation: Surrealism, Imagetext, and Occult Aesthetics in Terre de Diamant.- Part III Occulture.- 9. Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes.- 10. Retrogardism and Occulture in Håkan Sandell’s Poetry.