Placing Prints: New Developments in the Study of Print, 1400–1800

Bryony Bartlett-Rawlings, Ph.D. (2019, Courtauld Institute of Art) is an independent art historian and lecturer. She has worked in the V&A and Courtauld Gallery collections and lectured on the history of prints. She has published on print production and reception in the Renaissance and early modern era.Naomi Lebens, Ph.D (2016) is the Head of Cultural Services at Royal Holloway, University of London, with senior curatorial responsibility for the art collection, archive and temporary exhibition programme. She has worked on themes of playfulness, education and invention in early modern print.

• List of IllustrationsAbbreviationsNotes on ContributorsIntroductionBryony Bartlett-Rawlings and Naomi LebensPart 1: The Art of Print: Approaches and Attitudes1 Mark(et)ing Expertise: the Goldsmith-engraver in the Low Countries and the Use of House MarksOliver Kik2 Theory of Printmaking in the Early Modern AgeBarbara Stoltz3 Poussin and the Theory of HatchingBen Thomas4 Paul Sandby and Reproductive PrintmakingAnn V. Gunn5 Not for the Feeble of Mind! Color-printed Illustrations in European Medical Literature, 1500[–]1850Ad StijnmanPart 2: The Reception of Print: Circulation and Use6 Multiplied Madonnas—Strategies of Commercializing Raphael in PrintAnne Bloemacher7 Copying Motifs and Reworking Printing Plates as Part of the French Royal Propaganda in the First Half of the 17th CenturyMałgorzata Biłozór-Salwa8 Displaying Gift-Giving: Thesis Prints in the Spanish NetherlandsGwendoline de Mûelenaere9 Jan Ponętowski’s Print Albums in the Jagiellonian Library in Cracow: an Early Print Collection in Moravia and the Kingdom of PolandMagdalena Herman10 A “Great and Valuable Collection”: Sir Joshua Reynolds (1723[–]1792) and His PrintsDonato EspositoBibliographyIndex