”The publication of Arvydas Sliogeris’s The Thing and Art: Two Essays on the Ontotopy of the Work of Art is an important event. A central figure in Lithuanian philosophy, Sliogeris’s work makes its appearance in the series edited by Leonidas Donskis, ‘‘On the Boundary of Two Worlds: Identity, Freedom, and Moral Imagination in the Baltics.’’ It is a work that can be singled out for the brilliance of his style, as well as for the philosophical preoccupations that would, on the surface, define it as’’ postmodernist. ‘‘Yet a profound conservatism inspires Sliogeris’s work, which is at odds with postmodernist critiques of origins and universalism. Still, in one sense, he shares the contemporary preoccupation with the development of a non-aesthetical philosophy of art.” in: The European Legacy, Vol. 17, No. 6, pp. 827–829, 2012

• Introduction by Leonidas DonskisThe Thing and Relation in R.M. Rilke’s PoetryP. Cézanne and the End of Classical Western PaintingNotesList of Works Cited

”The publication of Arvydas Sliogeris’s The Thing and Art: Two Essays on the Ontotopy of the Work of Art is an important event. A central figure in Lithuanian philosophy, Sliogeris’s work makes its appearance in the series edited by Leonidas Donskis, ‘‘On the Boundary of Two Worlds: Identity, Freedom, and Moral Imagination in the Baltics.’’ It is a work that can be singled out for the brilliance of his style, as well as for the philosophical preoccupations that would, on the surface, define it as’’ postmodernist. ‘‘Yet a profound conservatism inspires Sliogeris’s work, which is at odds with postmodernist critiques of origins and universalism. Still, in one sense, he shares the contemporary preoccupation with the development of a non-aesthetical philosophy of art.” in: The European Legacy, Vol. 17, No. 6, pp. 827–829, 2012

• Introduction by Leonidas DonskisThe Thing and Relation in R.M. Rilke’s PoetryP. Cézanne and the End of Classical Western PaintingNotesList of Works Cited

”The publication of Arvydas Sliogeris’s The Thing and Art: Two Essays on the Ontotopy of the Work of Art is an important event. A central figure in Lithuanian philosophy, Sliogeris’s work makes its appearance in the series edited by Leonidas Donskis, ‘‘On the Boundary of Two Worlds: Identity, Freedom, and Moral Imagination in the Baltics.’’ It is a work that can be singled out for the brilliance of his style, as well as for the philosophical preoccupations that would, on the surface, define it as’’ postmodernist. ‘‘Yet a profound conservatism inspires Sliogeris’s work, which is at odds with postmodernist critiques of origins and universalism. Still, in one sense, he shares the contemporary preoccupation with the development of a non-aesthetical philosophy of art.” in: The European Legacy, Vol. 17, No. 6, pp. 827–829, 2012

• Introduction by Leonidas DonskisThe Thing and Relation in R.M. Rilke’s PoetryP. Cézanne and the End of Classical Western PaintingNotesList of Works Cited