These viharas made in rock openings share equal importance with the structural and rock-cut viharas found elsewhere. Vindhyan plateau in Central India is dotted with a number of rock art sites showcasing the life of early men in form of hunting pursuits, dancing activities and war affairs. Since these sites are marked with shelters formation located on hilly terrain amidst deep jungles, they are ideally suited for Buddhist mendicants. In process, rock shelters lying here have been transformed and adapted as dwelling units ideally suited to mendicants for their reclusive landscape. The whole landscape has been exploited to facilitate their requisite needs and pious deeds in observance of the Dhamma initiated by Lord Buddha. Here rock art sites manifesting Buddhist monasticism reveal Buddhist edifices, symbolic representations through petroglyphs and pictographs related with Buddha's doctrine. Ruined structures of stupas, chaityas, platforms, benches and boundary wall (simarekha) occur here scattered in dry stone masonry.

These viharas made in rock openings share equal importance with the structural and rock-cut viharas found elsewhere. Vindhyan plateau in Central India is dotted with a number of rock art sites showcasing the life of early men in form of hunting pursuits, dancing activities and war affairs. Since these sites are marked with shelters formation located on hilly terrain amidst deep jungles, they are ideally suited for Buddhist mendicants. In process, rock shelters lying here have been transformed and adapted as dwelling units ideally suited to mendicants for their reclusive landscape. The whole landscape has been exploited to facilitate their requisite needs and pious deeds in observance of the Dhamma initiated by Lord Buddha. Here rock art sites manifesting Buddhist monasticism reveal Buddhist edifices, symbolic representations through petroglyphs and pictographs related with Buddha's doctrine. Ruined structures of stupas, chaityas, platforms, benches and boundary wall (simarekha) occur here scattered in dry stone masonry.

These viharas made in rock openings share equal importance with the structural and rock-cut viharas found elsewhere. Vindhyan plateau in Central India is dotted with a number of rock art sites showcasing the life of early men in form of hunting pursuits, dancing activities and war affairs. Since these sites are marked with shelters formation located on hilly terrain amidst deep jungles, they are ideally suited for Buddhist mendicants. In process, rock shelters lying here have been transformed and adapted as dwelling units ideally suited to mendicants for their reclusive landscape. The whole landscape has been exploited to facilitate their requisite needs and pious deeds in observance of the Dhamma initiated by Lord Buddha. Here rock art sites manifesting Buddhist monasticism reveal Buddhist edifices, symbolic representations through petroglyphs and pictographs related with Buddha's doctrine. Ruined structures of stupas, chaityas, platforms, benches and boundary wall (simarekha) occur here scattered in dry stone masonry.