Marie-Louise Nosch is Professor at the SAXO Institute, University of Copenhagen and was the Director of the Danish National Research Foundation’s Centre for Textile Research from 2005 to 2017. She studied history in France and Italy and received her PhD from Universität Salzburg, Austria. She is recognised as a leading authority on the history and analysis of ancient textiles with specialist interest in Aegean epigraphy, Mycenaean textile production and clothing in ancient Greece. She is the editor of many titles in the Ancient Textiles series.

• SourcesEditorial notePreface1. Introduction 2. The Terminology of Textiles in the Linear B Tablets, including Some Considerations on Linear A Logograms and Abbreviations (with Maurizio Del Freo and Francoise Rougemont, from C. Michel and M.-L. Nosch (eds), Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia BC. 2010)3. Textile Terminologies (with Cécile Michel, from C. Michel and M.-L. Nosch (eds), Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia BC. 2010)4. Weaving the Threads: Methodologies in Textile and Dress Research for the Greek and Roman World – The State of the Art and the Case for Cross-disciplinarity (with Mary Harlow, from M. Harlow and M.-L. Nosch (eds), Greek and Roman Textiles and Dress: An Interdisciplinary Anthology. 2014)5. Experimental Testing of Bronze Age Textile Tools (with Linda Olofsson and Eva Andersson Strand, from E. Andersson Strand and M.-L. Nosch (eds), Tools, Textiles and Contexts: Investigating Textile Production in the Aegean and Eastern Mediterranean Bronze Age. 2015)6. Haute Couture in the Bronze Age (from M. Gleba, C. Munkholt and M.-L. Nosch (eds), Dressing the Past. 2008)7. The Loom and the Ship in Ancient Greece. Shared Knowledge, Shared Terminology, Cross-Crafts, or Cognitive Maritime-Textile Archaeology? (from H. Harich-Schwarzbauer (ed.), Weben und Gewebe in der Antike: Materialität – Repräsentation – Episteme – Metapoetik/Texts and Textiles in the Ancient World: Materiality – Representation – Episteme – Metapoetics. 2015)8. Mycenaean Wool Economies in the Latter Part of the 2nd Millennium BC Aegean (from C. Michel and C. Breniquet (eds), Wool Economy in the Ancient Near East and the Aegean: From the Beginnings of Sheep Husbandry to Institutional Textile Industry. 2014)9. Textiles and Clothing Imagery in Greek and Latin Literature: Structuring, Ordering and Dissembling (with Giovanni Fanfani and Mary Harlow, from G. Fanfani, M. Harlow and M.-L. Nosch (eds), Spinning Fates and the Song of the Loom: The Use of Textiles, Clothing and Cloth Production as Metaphor, Symbol and Narrative Device in Greek and Latin Literature. 2016)

Marie-Louise Nosch is Professor at the SAXO Institute, University of Copenhagen and was the Director of the Danish National Research Foundation’s Centre for Textile Research from 2005 to 2017. She studied history in France and Italy and received her PhD from Universität Salzburg, Austria. She is recognised as a leading authority on the history and analysis of ancient textiles with specialist interest in Aegean epigraphy, Mycenaean textile production and clothing in ancient Greece. She is the editor of many titles in the Ancient Textiles series.

• SourcesEditorial notePreface1. Introduction 2. The Terminology of Textiles in the Linear B Tablets, including Some Considerations on Linear A Logograms and Abbreviations (with Maurizio Del Freo and Francoise Rougemont, from C. Michel and M.-L. Nosch (eds), Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia BC. 2010)3. Textile Terminologies (with Cécile Michel, from C. Michel and M.-L. Nosch (eds), Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia BC. 2010)4. Weaving the Threads: Methodologies in Textile and Dress Research for the Greek and Roman World – The State of the Art and the Case for Cross-disciplinarity (with Mary Harlow, from M. Harlow and M.-L. Nosch (eds), Greek and Roman Textiles and Dress: An Interdisciplinary Anthology. 2014)5. Experimental Testing of Bronze Age Textile Tools (with Linda Olofsson and Eva Andersson Strand, from E. Andersson Strand and M.-L. Nosch (eds), Tools, Textiles and Contexts: Investigating Textile Production in the Aegean and Eastern Mediterranean Bronze Age. 2015)6. Haute Couture in the Bronze Age (from M. Gleba, C. Munkholt and M.-L. Nosch (eds), Dressing the Past. 2008)7. The Loom and the Ship in Ancient Greece. Shared Knowledge, Shared Terminology, Cross-Crafts, or Cognitive Maritime-Textile Archaeology? (from H. Harich-Schwarzbauer (ed.), Weben und Gewebe in der Antike: Materialität – Repräsentation – Episteme – Metapoetik/Texts and Textiles in the Ancient World: Materiality – Representation – Episteme – Metapoetics. 2015)8. Mycenaean Wool Economies in the Latter Part of the 2nd Millennium BC Aegean (from C. Michel and C. Breniquet (eds), Wool Economy in the Ancient Near East and the Aegean: From the Beginnings of Sheep Husbandry to Institutional Textile Industry. 2014)9. Textiles and Clothing Imagery in Greek and Latin Literature: Structuring, Ordering and Dissembling (with Giovanni Fanfani and Mary Harlow, from G. Fanfani, M. Harlow and M.-L. Nosch (eds), Spinning Fates and the Song of the Loom: The Use of Textiles, Clothing and Cloth Production as Metaphor, Symbol and Narrative Device in Greek and Latin Literature. 2016)

Marie-Louise Nosch is Professor at the SAXO Institute, University of Copenhagen and was the Director of the Danish National Research Foundation’s Centre for Textile Research from 2005 to 2017. She studied history in France and Italy and received her PhD from Universität Salzburg, Austria. She is recognised as a leading authority on the history and analysis of ancient textiles with specialist interest in Aegean epigraphy, Mycenaean textile production and clothing in ancient Greece. She is the editor of many titles in the Ancient Textiles series.

• SourcesEditorial notePreface1. Introduction 2. The Terminology of Textiles in the Linear B Tablets, including Some Considerations on Linear A Logograms and Abbreviations (with Maurizio Del Freo and Francoise Rougemont, from C. Michel and M.-L. Nosch (eds), Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia BC. 2010)3. Textile Terminologies (with Cécile Michel, from C. Michel and M.-L. Nosch (eds), Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia BC. 2010)4. Weaving the Threads: Methodologies in Textile and Dress Research for the Greek and Roman World – The State of the Art and the Case for Cross-disciplinarity (with Mary Harlow, from M. Harlow and M.-L. Nosch (eds), Greek and Roman Textiles and Dress: An Interdisciplinary Anthology. 2014)5. Experimental Testing of Bronze Age Textile Tools (with Linda Olofsson and Eva Andersson Strand, from E. Andersson Strand and M.-L. Nosch (eds), Tools, Textiles and Contexts: Investigating Textile Production in the Aegean and Eastern Mediterranean Bronze Age. 2015)6. Haute Couture in the Bronze Age (from M. Gleba, C. Munkholt and M.-L. Nosch (eds), Dressing the Past. 2008)7. The Loom and the Ship in Ancient Greece. Shared Knowledge, Shared Terminology, Cross-Crafts, or Cognitive Maritime-Textile Archaeology? (from H. Harich-Schwarzbauer (ed.), Weben und Gewebe in der Antike: Materialität – Repräsentation – Episteme – Metapoetik/Texts and Textiles in the Ancient World: Materiality – Representation – Episteme – Metapoetics. 2015)8. Mycenaean Wool Economies in the Latter Part of the 2nd Millennium BC Aegean (from C. Michel and C. Breniquet (eds), Wool Economy in the Ancient Near East and the Aegean: From the Beginnings of Sheep Husbandry to Institutional Textile Industry. 2014)9. Textiles and Clothing Imagery in Greek and Latin Literature: Structuring, Ordering and Dissembling (with Giovanni Fanfani and Mary Harlow, from G. Fanfani, M. Harlow and M.-L. Nosch (eds), Spinning Fates and the Song of the Loom: The Use of Textiles, Clothing and Cloth Production as Metaphor, Symbol and Narrative Device in Greek and Latin Literature. 2016)