Visar resultat för..."Juvenilia"

Ken Chen is the 2009 winner of the annual Yale Younger Poets competition. These poems of maturation chronicle the poet’s relationship with his immigrant family and his unknowing attempt to recapture the unity of youth through comically doomed love affairs that evaporate before they start. Hungrily eclectic, the wry and emotionally piercing poems in this collection steal the forms of the shooting script, blues song, novel, memoir, essay, logical disputation, aphorism—even classical Chinese poetry in translation. But as contest judge Louise Glück notes in her foreword, “The miracle of this book is the degree to which Ken Chen manages to be both exhilaratingly modern (anti-catharsis, anti-epiphany) while at the same time never losing his attachment to voice, and the implicit claims of voice: these are poems of intense feeling. . . . Like only the best poets, Ken Chen makes with his voice a new category.”

Jane Austen's remarkable juvenilia date from 1787, when she was eleven, to 1793, when she was seventeen. She preserved these early writings in three manuscript notebooks, entitled, with mock solemnity, 'Volume the First', 'Volume the Second', and 'Volume the Third'. Most of these works are short fictions, but Austen also wrote the opening of what could have become a full-length novel, 'Catharine', as well as dramatic sketches, verses, and a few non-fictional pieces. Astonishingly sophisticated and inventive, these writings are now receiving the scholarly attention they deserve. This edition provides a fresh transcription of Austen's manuscripts, with comprehensive explanatory notes, an extensive critical introduction, covering the context and publication history of the juvenilia, a chronology of Austen's life and an authoritative textual apparatus. It also prints, for the first time, the copious satirical marginalia that Austen wrote on her copies of Oliver Goldsmith's History of England.

You know the terror that for poets lurks Beyond the ferry when to Minos brought. Poets must utter their Collected Works, Including Juvenilia...--from "Letter to Lord Byron" (1936) Regardless of how poets feel about their youthful attempts at verse, their early poems not only enrich our understanding of their artistic growth, but also reveal much about the nature of literary genius. No other twentieth-century poet has left behind such a wealth of early poetry as did W. H. Auden. By bringing together for the first time all the poems written by Auden between the ages of fifteen and twenty-one (1922-1928), this book allows us a rare, detailed look at the literary personality, development, and preoccupations of a major poet. Auden's readers will be fascinated to find in these poems the earliest evidence of his interest in psychoanalysis, his conflicted attitude toward his homosexuality, his self-conscious approach to poetry, and his life-long journey toward a religious sense of the world. This collection includes over two hundred poems, most of them never published before, concluding with the contents of Auden's privately printed volume, Poems (1928).The poems are generously annotated with information on Auden's education, reading, literary concerns, and personal life. In her introduction, Katherine Bucknell traces important themes relating to the poet's entire career, and describes crucial but hitherto unknown aspects of his youth during his years at Gresham's School and at Christ Church, Oxford. Throughout this work we see in Auden an admirable instinct for experiment, a thorough testing of tradition, and a gathering mastery of technique and thematic argument.

Jane Austen's remarkable juvenilia date from 1787, when she was eleven, to 1793, when she was seventeen. She preserved these early writings in three manuscript notebooks, entitled, with mock solemnity, 'Volume the First', 'Volume the Second', and 'Volume the Third'. Most of these works are short fictions, but Austen also wrote the opening of what could have become a full-length novel, 'Catharine', as well as dramatic sketches, verses, and a few non-fictional pieces. Astonishingly sophisticated and inventive, these writings are now receiving the scholarly attention they deserve. This edition provides a fresh transcription of Austen's manuscripts, with comprehensive explanatory notes, an extensive critical introduction, covering the context and publication history of the juvenilia, a chronology of Austen's life and an authoritative textual apparatus. It also prints, for the first time, the copious satirical marginalia that Austen wrote on her copies of Oliver Goldsmith's History of England.