Aeon J. Skoble – författare

Douglas B. Rasmussen and Douglas J. Den Uyl's recent book Norms of Liberty: A Perfectionist Basis for Non-Perfectionist Politics (Penn State University Press, 2005) is being received in philosophy and political theory as an important and original defense of liberalism. The book offers a neo-Aristotelian ethic of human flourishing as a basis for a liberal conception of human rights. One of the authors' central contentions is that a key problem for any (liberal) political philosophy is how to establish a political/legal order which in principle does not require that any one person or group's well-being be given structured preference over that of any other. This companion volume, an interpretive and critical reader, features essays from both philosophers and political scientists, as well as an omnibus reply by Rasmussen and Den Uyl. Norms of Liberty makes challenging arguments about key issues, which makes a multi-disciplinary reader a valuable asset for both students and scholars. Reading Rasmussen and Den Uyl is designed both to explicate the book's arguments and to explore possible objections.

Tibor R. Machan, one of the most prolific and wide ranging philosophers of our time, has been known internationally for decades through his public speaking, opinion columns, and of course his scholarly writing. This collection of essays seeks to explore Machan’s philosophical ideas by considering some of the basic issues with which he has been concerned throughout his long and highly productive career. The essays range from those concerned with the nature of reality and knowledge to those dealing with the nature of the political/legal order. Topics such as the character of human nature, free choice and responsibility, the justification of individual rights, and the place of justice in the contemporary welfare state—among other basic issues—are discussed in these essays. Because Machan himself dealt with questions of central importance, the essays should appeal to a wide range of interests and disciplines in philosophy and related fields. But the essays are also written by people accomplished in their own right and thus seek not only to comment on Machan, but to make their own contribution to enduring philosophical issues. The volume should be of value to both students and faculty alike.

A light-hearted introduction to philosophy through the antics of the Simpsons, television's animated family. These essays on the silly, absurd, hyper-ironic and strangely philosophical world that is Springfield - the town without a state - explore philosophy and the major philosophers of Western thought: is Bart a pragmatist? Why is Mr Burn's quest for happiness continually frustrated? The contributors discuss the thought of key philosophers including Aristotle, Marx, Camus, Sartre, Heidegger and Kant, and tackle issues like irony and the meaning of life, American anti-intellectualism, and existential rebellion. The volume also includes an episode guide and a chronology of philosophers which gives the names and dates of the major thinkers in the history of philosophy, accompanied by a representative quote from each.

Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care? Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.

This book, in the tradition of Robert Nozick’s Anarchy, State, and Utopia, sheds new light on persistent philosophical questions about the nature and justification of political authority. Skoble’s discussion draws upon law, economics, and game theory to examine limited-state and anarchist theories from the standpoint of liberty and human rights. It includes a careful elucidation, based on the analysis in F. A. Hayek’s Constitution of Liberty, of the nature of coercion and the extent to which it can realistically be minimized. Skoble sets out the differences between libertarian and communitarian perspectives on the nature of society and the state, and, finally, compares the merits and demerits of violent and nonviolent strategies for political change.

The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, including such shows as Dragnet, The Fugitive, Miami Vice, The X-Files, CSI, and 24.

Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works -- Ali (2001), Miami Vice (2006), and Public Enemies (2009).The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.