Ann Rigney – författare

Sir Walter Scott (1771-1832) was once a household name, but is now largely forgotten. This book explores how Scott''s work became an all-pervasive point of reference for cultural memory and collective identity in the nineteenth century, and why it no longer has this role. Ann Rigney breaks new ground in memory studies and the study of literary reception by examining the dynamics of cultural memory and the ''social life'' of literary texts across several generations andmultiple media. She pays attention to the remediation of the Waverley novels as they travelled into painting, the theatre, and material culture, as well as to the role of ''Scott'' as a memory site in the public sphere for a century after his death. Using a wide range of examples and supported by manyillustrations, Rigney demonstrates how remembering Scott''s work helped shape national and transnational identities up to World War I, and contributed to the emergence of the idea of an English-speaking world encompassing Scotland, the British Empire, and the United States. Scott''s work forged a potent alliance between memory, literature, and identity that was eminently suited to modernization. His legacy continues in the widespread belief that engaging with the past is a condition fortranscending it.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.How are social movements remembered and how does that memory impact later mobilizations? Does the memory of earlier defeats inspire or inhibit civil resistance? How does forgetting figure in these dynamics? In Remembering Hope, Ann Rigney examines the role of storytelling in transferring hope in social transformation from one generation of activists to another. She uses the tools of cultural memory studies to explain how shared narratives about protest are produced using words, images, video, and performance. Referring to a wide range of cultural forms--periodicals, documentaries, archives, photography, but also graffiti and calendars--Rigney argues that storytelling itself intervenes in the present by mobilizing the power of cultural expression to reconnect with the aspirations and energies of predecessors. The changing memory of the Paris Commune is used as a red thread to tie together case studies, ranging from nineteenth-century socialists and anarchists to the Occupy movements of the 2010s and contemporary climate activism, and bring to light both continuities and transformations over time. Rigney's long-term approach shows that cultural memory and activism are deeply entwined across generations, that protest survives in memory even when the streets are emptied, and that culturally mediated stories provide a resource for activists in articulating new agendas. It reveals how cultural memory work has been used as a form of resistance to historical outcomes and as a tool for kick-starting older campaigns in new contexts. Above all, by demonstrating the cultural transmission of hope, it challenges the assumption that grievance rather than active citizenship has always been at the heart of collective memory.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.How are social movements remembered and how does that memory impact later mobilizations? Does the memory of earlier defeats inspire or inhibit civil resistance? How does forgetting figure in these dynamics? In Remembering Hope, Ann Rigney examines the role of storytelling in transferring hope in social transformation from one generation of activists to another. She uses the tools of cultural memory studies to explain how shared narratives about protest are produced using words, images, video, and performance. Referring to a wide range of cultural forms--periodicals, documentaries, archives, photography, but also graffiti and calendars--Rigney argues that storytelling itself intervenes in the present by mobilizing the power of cultural expression to reconnect with the aspirations and energies of predecessors. The changing memory of the Paris Commune is used as a red thread to tie together case studies, ranging from nineteenth-century socialists and anarchists to the Occupy movements of the 2010s and contemporary climate activism, and bring to light both continuities and transformations over time. Rigney's long-term approach shows that cultural memory and activism are deeply entwined across generations, that protest survives in memory even when the streets are emptied, and that culturally mediated stories provide a resource for activists in articulating new agendas. It reveals how cultural memory work has been used as a form of resistance to historical outcomes and as a tool for kick-starting older campaigns in new contexts. Above all, by demonstrating the cultural transmission of hope, it challenges the assumption that grievance rather than active citizenship has always been at the heart of collective memory.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.How are social movements remembered and how does that memory impact later mobilizations? Does the memory of earlier defeats inspire or inhibit civil resistance? How does forgetting figure in these dynamics? In Remembering Hope, Ann Rigney examines the role of storytelling in transferring hope in social transformation from one generation of activists to another. She uses the tools of cultural memory studies to explain how shared narratives about protest are produced using words, images, video, and performance. Referring to a wide range of cultural forms--periodicals, documentaries, archives, photography, but also graffiti and calendars--Rigney argues that storytelling itself intervenes in the present by mobilizing the power of cultural expression to reconnect with the aspirations and energies of predecessors. The changing memory of the Paris Commune is used as a red thread to tie together case studies, ranging from nineteenth-century socialists and anarchists to the Occupy movements of the 2010s and contemporary climate activism, and bring to light both continuities and transformations over time. Rigney's long-term approach shows that cultural memory and activism are deeply entwined across generations, that protest survives in memory even when the streets are emptied, and that culturally mediated stories provide a resource for activists in articulating new agendas. It reveals how cultural memory work has been used as a form of resistance to historical outcomes and as a tool for kick-starting older campaigns in new contexts. Above all, by demonstrating the cultural transmission of hope, it challenges the assumption that grievance rather than active citizenship has always been at the heart of collective memory.

Sir Walter Scott (1771-1832) was once a household name, but is now largely forgotten. This book explores how Scott's work became an all-pervasive point of reference for cultural memory and collective identity in the nineteenth century, and why it no longer has this role. Ann Rigney breaks new ground in memory studies and the study of literary reception by examining the dynamics of cultural memory and the 'social life' of literary texts across several generations and multiple media. She pays attention to the remediation of the Waverley novels as they travelled into painting, the theatre, and material culture, as well as to the role of 'Scott' as a memory site in the public sphere for a century after his death. Using a wide range of examples and supported by many illustrations, Rigney demonstrates how remembering Scott's work helped shape national and transnational identities up to World War I, and contributed to the emergence of the idea of an English-speaking world encompassing Scotland, the British Empire, and the United States. Scott's work forged a potent alliance between memory, literature, and identity that was eminently suited to modernization. His legacy continues in the widespread belief that engaging with the past is a condition for transcending it.

Sir Walter Scott (1771-1832) was once a household name, but is now largely forgotten. This book explores how Scott's work became an all-pervasive point of reference for cultural memory and collective identity in the nineteenth century, and why it no longer has this role. Ann Rigney breaks new ground in memory studies and the study of literary reception by examining the dynamics of cultural memory and the 'social life' of literary texts across several generations and multiple media. She pays attention to the remediation of the Waverley novels as they travelled into painting, the theatre, and material culture, as well as to the role of 'Scott' as a memory site in the public sphere for a century after his death. Using a wide range of examples and supported by many illustrations, Rigney demonstrates how remembering Scott's work helped shape national and transnational identities up to World War One, and contributed to the emergence of the idea of an English-speaking world encompassing Scotland, the British Empire and the United States. Scott's work forged a potent alliance between memory, literature, and identity that was eminently suited to modernization. His legacy continues in the widespread belief that engaging with the past is a condition for transcending it.

The role which narrative discourse plays in the writing of history is an area of increasing interest to historians and literary theorists, resulting in some of the most stimulating and controversial historiographical work in recent years. The rhetoric of historical representation represents one of the first attempts to carry out a sustained textual analysis of historiographical practice. Ann Rigney focusses on three celebrated nineteenth-century histories of the French Revolution, written by Alphonse de Lamartine, Jules Michelet and Louis Blanc. What distinguishes her account is the sensitivity and sophistication with which she handles the semiotic issues each text raises. She shows how a greater understanding of the specific features of historical narration can be achieved through a comparative analysis of the different representations of a common event. This fresh new perspective on a long-standing historiographical debate brings into relief the ways in which the narrative medium can be used to invest events with one significance rather than another.

Imperfect Histories puts "imperfection" at the heart of a theory of historical representation. Ann Rigney shows how historical writing involves dealing with intractable subjects that resist our efforts to know and to shape them. Those who write history, she says, engage in an ongoing struggle to match up what they find relevant in the past with the information and interpretive models at their disposal. Chronic dissatisfaction is at the heart of historical practice. This is especially evident in the various attempts made over the last two centuries to write an "alternative" history of everyday experience. Focusing on historical writing in the last decades of the eighteenth century and the first half of the nineteenth, Rigney analyzes a wide range of works by Walter Scott, Jules Michelet, Augustin Thierry, and Thomas Carlyle. She shows how the attempt to write an alternative history brought historical writing into a close yet fraught relationship with literature. The result is a new account of that relationship as it took shape in the romantic period and as it continues to influence contemporary practices.

Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory politics, or has the digital production and massive online exchange of images made it harder to identify and remember a movement via a single powerful image? Bringing together experts in visual culture, cultural memory, social movements, and digital humanities, this collection presents new empirical, theoretical, and methodological insights into the visual memory of protest.

This collection addresses two interrelated questions: How are the lived experiences of contention remembered in the form of auto/biography? How is life writing, as an act of cultural remembrance, used in activism? Building on cutting-edge scholarship on the socio-political potential of narrating lived experience, this volume takes life-writing as a new point of observation on the entanglement between memory and activism.This is an open access book.

This collection addresses two interrelated questions: How are the lived experiences of contention remembered in the form of auto/biography? How is life writing, as an act of cultural remembrance, used in activism? Building on cutting-edge scholarship on the socio-political potential of narrating lived experience, this volume takes life-writing as a new point of observation on the entanglement between memory and activism.This is an open access book.

This collection of essays brings together two major new developments in cultural memory studies: firstly, the shift away from static models of cultural memory, where the emphasis lies on cultural products, in the direction of more dynamic models where the emphasis lies instead on the cultural and social processes involved in the ongoing production of shared views of the past; and secondly, the growing interest in the role of the media, and their role beyond that of mere storage, within these dynamics. The specific concern of this collection is linking the use of media to the larger socio-cultural processes involved in collective memory-making. The focus rests in particular on two aspects of media use: the basic dynamics of “mediation” and “remediation”. The key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered? The essays of this collection focus on social, historical, religious, and artistic media-memories. The authors analyze the memory-making impact of news media, the mediation and remediation of lieux de mémoire, the medial representation of colonial and postcolonial, of Holocaust and Second World War memories, and finally the problematization of these very processes in artistic media forms, such as novels and movies.

This collection of essays brings together two major new developments in cultural memory studies: firstly, the shift away from static models of cultural memory, where the emphasis lies on cultural products, in the direction of more dynamic models where the emphasis lies instead on the cultural and social processes involved in the ongoing production of shared views of the past; and secondly, the growing interest in the role of the media, and their role beyond that of mere storage, within these dynamics. The specific concern of this collection is linking the use of media to the larger socio-cultural processes involved in collective memory-making. The focus rests in particular on two aspects of media use: the basic dynamics of “mediation” and “remediation”. The key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered? The essays of this collection focus on social, historical, religious, and artistic media-memories. The authors analyze the memory-making impact of news media, the mediation and remediation of lieux de mémoire, the medial representation of colonial and postcolonial, of Holocaust and Second World War memories, and finally the problematization of these very processes in artistic media forms, such as novels and movies.

This collection links the use of media to the larger socio-cultural processes involved in collective memory-making. The focus in particular is on mediation and remediation as two fundamental aspects of media use, and on the dynamics between them. Key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered? This book first appeared as a hardback volume in the De Gruyter series Media and Cultural Memory Studies. With the present book the original articles are reissued in an affordable paperback edition for graduate students and scholars in the field of Media and Memory Studies.

How do memories circulate transnationally and to what effect? How to understand the enduring role of national memories and their simultaneous reconfiguration under globalization? Challenging the methodological nationalism that has until recently dominated the study of memory and heritage, this book charts the rich production of memory across and beyond national borders. Arguing for the fruitfulness of a transnational as distinct from a global approach, it places the issues of circulation, articulation and the scales of remembrance at the centre of its inquiry. In the process, it sheds new light on the ways in which mediation, post-coloniality, migration and regional integration affect both the way we remember and the role of memory in contemporary societies.In this interdisciplinary collection, humanities and social science scholars examine a rich sample of cases from the nineteenth century on, stretching across the globe from Vietnam to Europe and the Middle East, to the USA and the Pacific, and involving a wide range of cultural practices from quilting to films, from photography to heritage sites and monuments. In the process, the volume develops a new theoretical framework while proposing new methodological tools and resources for studying collective remembrance beyond the nation-state.

How do memories circulate transnationally and to what effect? How to understand the enduring role of national memories and their simultaneous reconfiguration under globalization? Challenging the methodological nationalism that has until recently dominated the study of memory and heritage, this book charts the rich production of memory across and beyond national borders. Arguing for the fruitfulness of a transnational as distinct from a global approach, it places the issues of circulation, articulation and the scales of remembrance at the centre of its inquiry. In the process, it sheds new light on the ways in which mediation, post-coloniality, migration and regional integration affect both the way we remember and the role of memory in contemporary societies.

In this interdisciplinary collection, humanities and social science scholars examine a rich sample of cases from the nineteenth century on, stretching across the globe from Vietnam to Europe and the Middle East, to the USA and the Pacific, and involving a wide range of cultural practices from quilting to films, from photography to heritage sites and monuments. In the process, the volume develops a new theoretical framework while proposing new methodological tools and resources for studying collective remembrance beyond the nation-state.

How do memories circulate transnationally and to what effect? How to understand the enduring role of national memories and their simultaneous reconfiguration under globalization? Challenging the methodological nationalism that has until recently dominated the study of memory and heritage, this book charts the rich production of memory across and beyond national borders. Arguing for the fruitfulness of a transnational as distinct from a global approach, it places the issues of circulation, articulation and the scales of remembrance at the centre of its inquiry. In the process, it sheds new light on the ways in which mediation, post-coloniality, migration and regional integration affect both the way we remember and the role of memory in contemporary societies.

In this interdisciplinary collection, humanities and social science scholars examine a rich sample of cases from the nineteenth century on, stretching across the globe from Vietnam to Europe and the Middle East, to the USA and the Pacific, and involving a wide range of cultural practices from quilting to films, from photography to heritage sites and monuments. In the process, the volume develops a new theoretical framework while proposing new methodological tools and resources for studying collective remembrance beyond the nation-state.

How do memories circulate transnationally and to what effect? How to understand the enduring role of national memories and their simultaneous reconfiguration under globalization? Challenging the methodological nationalism that has until recently dominated the study of memory and heritage, this book charts the rich production of memory across and beyond national borders. Arguing for the fruitfulness of a transnational as distinct from a global approach, it places the issues of circulation, articulation and the scales of remembrance at the centre of its inquiry. In the process, it sheds new light on the ways in which mediation, post-coloniality, migration and regional integration affect both the way we remember and the role of memory in contemporary societies.In this interdisciplinary collection, humanities and social science scholars examine a rich sample of cases from the nineteenth century on, stretching across the globe from Vietnam to Europe and the Middle East, to the USA and the Pacific, and involving a wide range of cultural practices from quilting to films, from photography to heritage sites and monuments. In the process, the volume develops a new theoretical framework while proposing new methodological tools and resources for studying collective remembrance beyond the nation-state.

This innovative introduction to literary studies takes 'the life of texts' as its overarching frame. It provides a conceptual and methodological toolbox for analysing novels, poems, and all sorts of other texts as they circulate in oral, print, and digital form. It shows how texts inspire each other, and how stories migrate across media. It explains why literature has been interpreted in different ways across time. Finally, it asks why some texts fascinate people so much that they are reproduced and passed on to others in the form of new editions, in adaptations to film and theatre, and, last but not least, in the ways we look at the world and act out our lives. The Life of Texts is designed around particular issues rather than the history of the discipline as such. Each chapter concentrates on a different aspect of 'the life of texts' and introduces the key debates and concepts relevant to its study. The issues discussed range from aesthetics and narrative to intertextuality and intermediality, from reading practices to hermeneutics and semiotics, popular culture to literary canonisation, postcolonial criticism to cultural memory. Key concepts and schools in the field have been highlighted in the text and then collected in a glossary for ease of reference. All chapters are richly illustrated with examples from different language areas.