C. Clifton Black – författare

While most books on biblical rhetoric focus primarily on the epistles, this volume from prominent scholar C. Clifton Black considers the variety of rhetorical critical approaches now being applied to the Gospels (including Lukeâ€"Acts). This updated edition takes into account recent research since the first volume was published in 2001 and features two brand new chapters. Black provides an overview of the different forms of rhetorical criticism, with examples from the Gospel of John; studies of characterization in Matthew and Luke; an analysis of classical rhetorical criteria found in Mark and Lukeâ€"Acts; and an analysis of the rhetoric of the parables with implications for contemporary preaching.

C. Clifton Black provides a thorough analysis of the most famous prayer in the Christian church, the Lords Prayer. He begins with an impressionist painting of how the ancients prayed during Jesus time in order to set the context for understanding the prayer he taught his disciples. Throughout the book, Black systematically interprets the rich meanings of each part of the Lords prayer. Additionally, he includes an overview of Christian thought on the Lords Prayer from early church mothers and fathers like Tertullian and Teresa of Avila to modern theologians like Karl Barth. Uniquely, this book is an academic study of the Lords Prayer with a focus on the rhetorical culture from which it developed as well as the theological, literary, and historical meanings of the prayer itself.

In A Three-Dimensional Jesus, Clifton Black offers a fresh, critically sympathetic reading of the New Testament’s first three Gospels: Matthew, Mark, and Luke. Intelligent and accessible, conversational and whimsical, this volume helps readers consider the questions that are basic to the Synoptic Gospels’ interpretation. Black addresses their literary genre and origins; portrayals of the figure of Jesus and other central characters; the relationships among these three books; and the social, political, and religious worlds from which they emerged and to which they were addressed. Individual chapters on each Gospel highlight their likely audiences, literary structures, and primary theological themes. Throughout, Black’s presentation is clear and engaging, making use of topical sidebars, charts, and illustrations as well as wit and good humor to draw readers into these Gospels’ interpretations. The volume also includes such original features as conversations with other well-established scholars, which help the reader appreciate a range of perspectives on topics like the historical Jesus and the Gospels’ depiction of women, and interviews of experts on these Gospels’ afterlife in the history of Christian thought, sacred music, fine art, and preaching.

A Three-Dimensional Jesus is a concise, approachable study of the New Testament’s first three Gospels viewed from multiple angles—historical, sociological, literary, theological—with attention paid to their history of interpretation. In as much, Black invites readers to better understand and appreciate the Synoptics, while guiding them to learn even more.