Carolyn Forche – författare

'Astonishing, powerful, so important at this time' - Margaret Atwood (on Twitter)'Riveting . . . intricate and surprising' - The New York Times'Reading it will change you, perhaps forever' - San Francisco ChronicleAn electrifying memoir set in the Salvadoran Civil War:the true story of a young poet who becomes an activist through a trial by fireCarolyn Forché, an American poet, is 27 when a mysterious stranger called Leonel appears on her doorstep, having driven direct from El Salvador. Her friend has heard rumours about who he might be - a communist, a CIA operative, a sharpshooter, a motorcycle racer, a revolutionary, a small coffee farmer - but nobody seems to know for certain. Captivated for reasons she doesn't fully understand, she accepts his invitation to visit and learn about his country, and so becomes enmeshed in the early stages of a brutal civil conflict which will ultimately see the Salvadoran state turn paramilitary death squads against its own people, and leave nearly 90,000 dead or disappeared. Leonel knows that war is coming, and he wants Carolyn - as a writer - to bear witness to it.Told across peasant shanties, protest marches, the grand homes of retired generals and safe houses on the run, What You Have Heard Is True is the devastating true story of a young woman's choice to engage with horror in order to help others, of an unlikely friendship which will change thecourse of her life, and of a remarkable man's doomed effort to save his people from disaster.

A companion volume to Against Forgetting, Poetry of Witness is the first anthology to reveal a tradition that runs through English-language poetry. The 300 poems collected here were composed at an extreme of human endurance—while their authors awaited execution, endured imprisonment, fought on the battlefield, or labored on the brink of breakdown or death. All bear witness to historical events and the irresistibility of their impact. Alongside Shakespeare, Milton, and Wordsworth, this volume includes such writers as Anne Askew, tortured and executed for her religious beliefs during the reign of Henry VIII; Phillis Wheatley, abducted by slave traders; Samuel Bamford, present at the Peterloo Massacre in 1819; William Blake, who witnessed the Gordon Riots of 1780; and Samuel Menashe, survivor of the Battle of the Bulge.Poetry of Witness argues that such poets are a perennial feature of human history, and it presents the best of that tradition, proving that their work ranks alongside the greatest in the language.

Carolyn Forché’s The Country Between Us bears witness to what she saw in El Salvador in the late 1970s, when she travelled around a country erupting into civil war. Documenting killings and other brutal human rights abuses, while working alongside Archbishop Oscar Romero’s church group, she found in her poetry the only possible way to come to terms with what she was experiencing first-hand.By 1980, when the fighting was becoming too dangerous, Archbishop Romero urged Forché to return home, asking her to ‘talk to the American people, tell them what is happening to us. Convince them to stop the military aid.' A week later he was assassinated (and is only now being made a saint). Back in the US, Forché gave readings and talks about US-backed oppression in Central America, but found publishers and critics uncomfortable with the startlingly different poems of her second collection, poems relating to torture, murder, injustice and trauma. When the book appeared in 1981, at a time when the conflict in El Salvador had finally forced its way into public awareness, it won her immediate recognition.Briefly available in Britain from Jonathan Cape in the 1980s, it was reissued by Bloodaxe to coincide with the publication by Penguin of Carolyn Forché’s long awaited memoir of those times, What You Have Heard Is True: a memoir of witness and resistance (Penguin, 2018) followed by a new collection from Bloodaxe, In the Lateness of the World (2020).The Country Between Us has sold tens of thousands of copies on the US, where it has never been out of print. It won the Poetry Society of America's Alice Fay di Castagnola Award, and was the Lamont Poetry Selection of the Academy of American Poets.

When he was awarded an honorary degree in civil law at Newcastle University in 1967, Dr Martin Luther King gave an electrifying extemporaneous address, speaking without notes, in which he said: 'There are three urgent and indeed great problems that we face today...That is the problem of racism, the problem of poverty and the problem of war.' As part of a fifty year anniversary and celebration, this anthology gathers poets from both sides of the Atlantic to address the challenges set out by Dr King. It's a shock to think how little has changed, and that Martin Luther King could well be speaking right here, right now. In the spirit of Dr King and his work as a humanitarian and activist, this anthology brings together poems that offer powerful testimonies to the urgent issues Dr King defines and represents the polyphony of voices that speak in resistance to our continuing problems of racism, poverty and war. Featuring poems by Claudia Rankine, Grace Nichols, Yusef Komunyakaa, Moniza Alvi, Rita Dove, Daljit Nagra, Imtiaz Dharker, Fred D'Aguiar, Oliver de la Paz, Rowan Ricardo Phillips, John Agard, Patricia Smith, Jericho Brown, Toi Derricotte, Vahni Capildeo, Carl Phillips, Sarah Howe, Elizabeth Alexander, Ishion Hutchinson, Linton Kwesi Johnson, Marilyn Nelson, Mimi Khalvati, Nikki Giovanni, Robert Pinsky, Bernardine Evaristo, Vidyan Ravinthiran, Major Jackson, Tim Seibles, Choman Hardi, Benjamin Zephaniah, Shazea Quraishi, E. Ethelbert Miller, Sandeep Parmar, Malika Booker, Roger Robinson, Rigoberto Gonzalez, Rae Paris, Kendel Hippolyte, Amali Rodrigo, Zaffar Kunial, Rishi Dastidar, Raymond Antrobus, Mai Der Vang, Martin Espada, Inua Ellams, Arundhathi Subramaniam, Gregory Pardlo, Edward Doegar, Degna Stone, MacDonald Dixon, Ada Limon, Philip Metres, Nick Makoha, Nathalie Handal, Lauren K Alleyne, Kevin Bowen, Bashabi Fraser, Satchid Anandan. Co-publication with Newcastle University.

The Angel of History bears witness to the moral disasters of our times: war, genocide, the Holocaust, the atomic bomb. The book is a meditation on memory – how memory survives the unimaginable. The poems are fragmented, discordant, reflecting the effects of such experience, but forming a haunting mosaic of grief, evoking the necessary accommodations we make to survive what is unsurvivable. It is divided into five sections dealing with the atrocities of war in France, Japan and Germany as well as Carolyn Forché's own experiences in Beirut and El Salvador. The title figure, the Angel of History – a figure imagined by Walter Benjamin – can record the miseries of humanity yet is unable either to prevent these miseries from happening or from suffering from the pain associated with them. Kevin Walker, in the Detroit Free Press, called the book 'a meditation on destruction, survival and memory'. Don Bogen, in The Nation, saw this as a logical development, since Forché’s work with her poetry of witness anthology Against Forgetting was 'instrumental in moving her poetry beyond the politics of personal encounter. The Angel of History is rather an extended poetic mediation on the broader contexts – historical, aesthetic, philosophical – which include [the 20th]…century’s atrocities,' wrote Bogen. And Steven Ratiner, reviewing the work for the Christian Science Monitor, called it one that 'addresses the terror and inhumanity that have become standard elements in the twentieth-century political landscape – and yet affirms as well the even greater reservoir of the human spirit'.

Carolyn Forché is one of America’s most important contemporary poets. Blue Hour is a visionary book, and includes On Earth, a extraordinary long poem, a meditation on human existence and life on earth. Jane Miller called Blue Hour ‘a masterwork for the 21st century’. John Bayley said that reading these poems is ‘an experience as calmly and restfully beautiful as looking at a group of related impressionist canvasses, like those of Monet’.

Carolyn Forché is one of America’s most important contemporary poets – renowned as a ‘poet of witness’ – as well as an indefatigable human rights activist. Over four decades, she has crafted visionary work that has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, enquiries and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. In the Lateness of the World is a dark book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The poems call to the reader from the end of the world where they are sifting through the aftermath of history. Forché imagines a place where 'you could see everything at once… every moment you have lived or place you have been'. The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and 'there is nothing that cannot be seen'. In the Lateness of the World is a revelation from one of the finest poets writing today. Her meditative poetry has a majestic sweep, with themes ranging from life on earth and human existence to history, war, genocide and the Holocaust. In the Lateness of the World is her first new collection in seventeen years, and follows three other collections published by Bloodaxe in Britain, The Country Between Us (1981/2018), The Angel of History (1994) and Blue Hour (2003). Jane Miller called Blue Hour ‘a masterwork for the 21st century’. According to Joyce Carol Oates (New York Times Book Review), Forché’s ability to wed the “political” with the “personal” places her in the company of such poets as Pablo Neruda, Philip Levine and Denise Levertov.