Duncan Wu – författare

Wordsworth (1770-1850) is one of the most important and enduringly popular of all the English poets.Wordsworth's verse declares a belief in the power of poetry to teach by appealing to the imagination and to the `grand elementary principle of pleasure, by which man knows, and feels, and lives, and moves'. His unique relationship with the poet and political activist Samuel Taylor Coleridge, founded in the political and social ferment of 1795, produced a revolution in literature, resulting in the joint volume, Lyrical Ballads (1798-1805) - a landmark in the history of English Romanticism. In this edition the poems are given in the texts in which they first appeared, and were appreciated by Keats, Shelley, Hazlitt and other contemporaries. This selection, chosen from the Oxford Authors critical edition, includes all Wordsworth's finest lyrics, and a large sample of The Prelude (1805), his extraordinary autobiographical poem in blank verse and the first truly great acheivement of a new era in English ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt''s livelihoo wasdependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot.Duncan Wu''s profile of one of the greatest journalists in the language draws on over a decade of archival research in libraries across Britain and North America, to reveal for the first time such matters as why Godwin broke with Hazlitt; how Hazlitt came to know Sir John Soane and J. M. W. Turner; the true nature of Hazlitt''s dealings with Thomas Medwin, and what the likes of Joseph Farington and Sir Thomas Lawrence thought of him. In addition, it sheds new light on Hazlitt''s dealings with suchfigures as Francis Jeffrey, Robert Stodart, John M''Creery, Henry Crabb Robinson, Joseph Parkes, John Cam Hobhouse, and Stendhal. It benefits also from Wu''s New Writings of William Hazlitt, many of which make their appearance here, illuminating hitherto obscure passages of Hazlitt''slife.

Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt''s livelihoo wasdependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot.Duncan Wu''s profile of one of the greatest journalists in the language draws on over a decade of archival research in libraries across Britain and North America, to reveal for the first time such matters as why Godwin broke with Hazlitt; how Hazlitt came to know Sir John Soane and J. M. W. Turner; the true nature of Hazlitt''s dealings with Thomas Medwin, and what the likes of Joseph Farington and Sir Thomas Lawrence thought of him. In addition, it sheds new light on Hazlitt''s dealings with suchfigures as Francis Jeffrey, Robert Stodart, John M''Creery, Henry Crabb Robinson, Joseph Parkes, John Cam Hobhouse, and Stendhal. It benefits also from Wu''s New Writings of William Hazlitt, many of which make their appearance here, illuminating hitherto obscure passages of Hazlitt''slife.

Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt's livelihoo was dependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot. Duncan Wu's profile of one of the greatest journalists in the language draws on over a decade of archival research in libraries across Britain and North America, to reveal for the first time such matters as why Godwin broke with Hazlitt; how Hazlitt came to know Sir John Soane and J. M. W. Turner; the true nature of Hazlitt's dealings with Thomas Medwin, and what the likes of Joseph Farington and Sir Thomas Lawrence thought of him. In addition, it sheds new light on Hazlitt's dealings with such figures as Francis Jeffrey, Robert Stodart, John M'Creery, Henry Crabb Robinson, Joseph Parkes, John Cam Hobhouse, and Stendhal. It benefits also from Wu's New Writings of William Hazlitt, many of which make their appearance here, illuminating hitherto obscure passages of Hazlitt's life.

Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt's livelihood was dependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot. Duncan Wu's profile of one of the greatest journalists in the language draws on over a decade of archival research in libraries across Britain and North America, to reveal for the first time such matters as why Godwin broke with Hazlitt; how Hazlitt came to know Sir John Soane and J. M. W. Turner; the true nature of Hazlitt's dealings with Thomas Medwin, and what the likes of Joseph Farington and Sir Thomas Lawrence thought of him. In addition, it sheds new light on Hazlitt's dealings with such figures as Francis Jeffrey, Robert Stodart, John M'Creery, Henry Crabb Robinson, Joseph Parkes, John Cam Hobhouse, and Stendhal. It benefits also from Wu's New Writings of William Hazlitt, many of which make their appearance here, illuminating hitherto obscure passages of Hazlitt's life.

`A most illuminating study.' - John Bayley Six Contemporary Dramatists explores, in a straightforward manner, the central concerns of six of the most important contemporary dramatists. It demonstrates how the work of Alan Bennett, Dennis Potter, Simon Gray, Howard Brenton, David Hare and Alan Ayckbourn is essentially moral, and relates their aspirations to the British romantic tradition of the last century. At the same time, Duncan Wu explores how each writer has responded to the changes that took place in personal and public ethics during the 1980s as a result of Thatcherism. He also includes an interview with Alan Ayckbourn, published here for the first time, in which the volume's themes are focused and summarised. For the paperback edition, a substantial preface discussing Tom Stoppard's Arcadia, David Hare's Skylight and David Edgar's Pentecost has been added. This is an essential and readable guide to televised and theatrical drama for students and theatregoers alike.

A companion volume to Against Forgetting, Poetry of Witness is the first anthology to reveal a tradition that runs through English-language poetry. The 300 poems collected here were composed at an extreme of human endurance—while their authors awaited execution, endured imprisonment, fought on the battlefield, or labored on the brink of breakdown or death. All bear witness to historical events and the irresistibility of their impact. Alongside Shakespeare, Milton, and Wordsworth, this volume includes such writers as Anne Askew, tortured and executed for her religious beliefs during the reign of Henry VIII; Phillis Wheatley, abducted by slave traders; Samuel Bamford, present at the Peterloo Massacre in 1819; William Blake, who witnessed the Gordon Riots of 1780; and Samuel Menashe, survivor of the Battle of the Bulge.Poetry of Witness argues that such poets are a perennial feature of human history, and it presents the best of that tradition, proving that their work ranks alongside the greatest in the language.

The rediscovery and restitution of William Hazlitt as a canonical Romantic author has been among the latest and most significant developments in present-day Romantic studies. This volume, a collection of previously unpublished essays by the foremost scholars in the field presents Hazlitt as a philosophical, and not simply a 'familiar' essayist. It offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of his contemporaries and succeeding writers. This book is an essential contribution to a vital new aspect of Romantic studies and shows Hazlitt to be, as his memorial claims, 'The first (unanswered) Metaphysician of the age'.

These early poems, made readily accessible to a general readership for the first time, offer a unique opportunity to examine the apprenticeship of a great writer from the outset of his career. These poems reveal how the traumas of early life forged his vision and produced the insights that would make Wordsworth one of the most gifted celebrants of the human spirit. In effect, they chronicle the evolution of British Romanticism out of the aesthetic morass of the late eighteenth century.

This volume distils into two hundred pages some of the most influential poetry of the Victorian period. Distils into one volume the key poems of the Victorian era. Organised chronologically, allowing readers to perceive continuities and changes through the century. Includes a general introduction, giving readers an overview of the poets and the period. Represents texts in their entirety where possible.

Wordsworth's Reading 1770-1799 lists all of the authors and (where possible) books known to have been read by William Wordsworth from his childhood until his move to Dove Cottage in 1799 at the age of twenty-nine. This information is presented in an easy-to-use form - in alphabetical order by author - and includes dates of reading and full discussions of the evidence. It draws on analyses of Wordsworth's manuscripts contained in current or forthcoming scholarly editions of his works, and incorporates a great deal of original research into the poet's intellectual development, including studies of the libraries of John Wordsworth Sr. (the poet's father), Hawkshead Grammar School, Racedown Lodge, and the Bristol Library Society. Where possible, surviving copies of Wordsworth's books are examined and described. This is a most complete study of Wordsworth's reading, and will be an essential reference tool for all scholars and students of his work.

Wordsworth's Reading 1800-1815, first published in 1996, lists all of the authors and (where possible) books known to have been read by William Wordsworth during the years which saw the composition of some of his greatest poetry, including Poems, in Two Volumes, The Thirteen-Book Prelude, The White Doe of Rylstone and The Excursion. The information is presented in an easy-to-use form, and includes dates of reading and full discussions of evidence. It draws on analyses of Wordsworth's manuscripts contained in current and forthcoming scholarly editions of his works, and incorporates hitherto unpublished research into the poet's intellectual development, including a thorough survey of manuscript materials. Together with Duncan Wu's companion-volume, Wordsworth's Reading 1770-1799, this is a most complete study of Wordsworth's reading, and it will be an essential reference tool for all scholars and students of his work.

Wordsworth's Reading 1770-1799 lists all of the authors and (where possible) books known to have been read by William Wordsworth from his childhood until his move to Dove Cottage in 1799 at the age of twenty-nine. This information is presented in an easy-to-use form - in alphabetical order by author - and includes dates of reading and full discussions of the evidence. It draws on analyses of Wordsworth's manuscripts contained in current or forthcoming scholarly editions of his works, and incorporates a great deal of original research into the poet's intellectual development, including studies of the libraries of John Wordsworth Sr. (the poet's father), Hawkshead Grammar School, Racedown Lodge, and the Bristol Library Society. Where possible, surviving copies of Wordsworth's books are examined and described. This is a most complete study of Wordsworth's reading, and will be an essential reference tool for all scholars and students of his work.

Wordsworth's Reading 1800-1815, first published in 1996, lists all of the authors and (where possible) books known to have been read by William Wordsworth during the years which saw the composition of some of his greatest poetry, including Poems, in Two Volumes, The Thirteen-Book Prelude, The White Doe of Rylstone and The Excursion. The information is presented in an easy-to-use form, and includes dates of reading and full discussions of evidence. It draws on analyses of Wordsworth's manuscripts contained in current and forthcoming scholarly editions of his works, and incorporates hitherto unpublished research into the poet's intellectual development, including a thorough survey of manuscript materials. Together with Duncan Wu's companion-volume, Wordsworth's Reading 1770-1799, this is a most complete study of Wordsworth's reading, and it will be an essential reference tool for all scholars and students of his work.

Romanticism: A Critical Reader is designed both as a companion and a supplement to Blackwell's Romanticism: An Anthology . It deals for the most part with works included in that volume while affording coverage to key elements, including fiction, beyond the anthologist's scope to include. Most of the movements and schools of thought active during the last fifteen years are represented, including feminism, new historicism, genre theory, psychoanalysis, and deconstructionalism. The reader provides thus a progress report, useful to anyone interested in the application of theoretical ideas to literary texts, giving a unique overview of Romantic studies since 1980.

Edited now for the first time by Duncan Wu, it provides students and general readers alike with an approachable introduction to Wordsworth's greatest work.

Edited now for the first time by Duncan Wu, it provides students and general readers alike with an approachable introduction to Wordsworth's greatest work.

This original study is the first fully to acknowledge the impact of early grief on Wordsworth's poetry and to integrate it into a critical account of how his art developed from 1787 to 1813. Looks at the impact of grief on Wordsworth's great poetry. Explains the importance of the poet's great, unfinished epic 'The Recluse' to his work as a whole. Includes 20 illustrations from original notebooks. Contains the first annotated text of 'The White Doe of Rylstone'.

The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.

The six great Romantic poets represented in this concise collection – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – are those considered essential reading for anyone with an interest in the verse of the period. An essential selection of poetry by the six great Romantic poets.Ideal for general readers or for students taking short courses in Romanticism.Includes the whole of Blake's Songs of Innocence and Experience.Gives readers a concise overview of Romantic poetry.

The six great Romantic poets represented in this concise collection – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – are those considered essential reading for anyone with an interest in the verse of the period. An essential selection of poetry by the six great Romantic poets.Ideal for general readers or for students taking short courses in Romanticism.Includes the whole of Blake's Songs of Innocence and Experience.Gives readers a concise overview of Romantic poetry.

This concise collection of poetry from 1660-1789 offers readers authoritative texts of the central works of the age. Provides readers with authoritative texts of key poems from 1660-1789. Focuses on those works most widely taught at schools and universities. Offers students an accessible digest of the poetry of the period. Demonstrates the range of poetry written between the restoration of the monarchy and the beginnings of the Romantic movement.

Opening with extracts from Chaucer's Canterbury Tales and closing with Spenser's Shepherd's Calendar, this concise collection introduces readers to some of the most influential poetry produced between the mid-fourteenth and late sixteenth centuries. Provides a concise selection of the most important late medieval poetry.Ideal for general readers, or for students needing a digest of the poetry of the period.Introduces readers to the lives of the poets, their major works, and the historical context in which they were written.

This concise collection of Renaissance poetry includes selections from the works of Wyatt, Sidney, Marlow, Shakespeare, Jonson, Donne, Herbert and Milton. Contains a selection of the most significant Renaissance Poetry. Places traditional favourites are alongside less well-known titles, reflecting the ways in which the literary canon has changed in recent years. Includes a succinct introduction, which gives readers a sense of how poetry developed during the period. Ideal for readers seeking a first introduction to the classic texts of English literature.

This concise collection of Renaissance poetry includes selections from the works of Wyatt, Sidney, Marlow, Shakespeare, Jonson, Donne, Herbert and Milton. Contains a selection of the most significant Renaissance Poetry. Places traditional favourites are alongside less well-known titles, reflecting the ways in which the literary canon has changed in recent years. Includes a succinct introduction, which gives readers a sense of how poetry developed during the period. Ideal for readers seeking a first introduction to the classic texts of English literature.

Old and Middle English Poetry gathers together the essential texts from the earliest writings in the vernacular up to the time of Chaucer. Contains a selection of the most significant Old and Middle English Poetry.Encapsulates the foundation and consolidation of literature written in English.Places traditional favourites are alongside less well-known titles, reflecting the ways in which the literary canon has changed in recent years.Includes a succinct introduction, which gives readers a sense of how literature developed during the period.Ideal for readers seeking a first introduction to the classic texts of English literature.

Old and Middle English Poetry gathers together the essential texts from the earliest writings in the vernacular up to the time of Chaucer. Contains a selection of the most significant Old and Middle English Poetry.Encapsulates the foundation and consolidation of literature written in English.Places traditional favourites are alongside less well-known titles, reflecting the ways in which the literary canon has changed in recent years.Includes a succinct introduction, which gives readers a sense of how literature developed during the period.Ideal for readers seeking a first introduction to the classic texts of English literature.

This volume distils into two hundred pages some of the most influential poetry of the Victorian period. Distils into one volume the key poems of the Victorian era. Organised chronologically, allowing readers to perceive continuities and changes through the century. Includes a general introduction, giving readers an overview of the poets and the period. Represents texts in their entirety where possible.

This volume distils into two hundred pages some of the most influential poetry of the Victorian period. Distils into one volume the key poems of the Victorian era. Organised chronologically, allowing readers to perceive continuities and changes through the century. Includes a general introduction, giving readers an overview of the poets and the period. Represents texts in their entirety where possible.