David Watkin – författare

Far and away the best narrative of western architecture in existence...it stands out as an intellectual triumph. - Sir John SummersonIn this highly acclaimed, classic reference work David Watkin traces the history of western architecture from the earliest times in Mesopotamia and Egypt to the late twentieth century. For this seventh edition, revising author Owen Hopkins provides a new introduction contextualizing Watkin's approach. The final chapter on the twenty-first century has been completely rewritten by Hopkins, who brings the story right up to date with the inclusion of such topics as re-use, digital cities and virtual architecture.

One of history's most published architectural treatises, this Renaissance volume solidified the architectural canon of the past five centuries. The distinguished architect known as Vignola identified the five orders — Tuscan, Doric, Ionic, Corinthian, and Composite — and illustrated them in full-page elevational detail. Accessible even to lay readers.

Sir John Soane: The Royal Academy Lectures contains the full text of Soane's lectures, edited by David Watkin from the manuscripts at the Sir John Soane's Museum in London. It is a revised and abridged edition of his award-winning book Sir John Soane: Enlightenment Thought and the Royal Academy Lectures. In his introduction to this volume, Watkin explains the significance of Soane's approach to architectural history and theory, as expressed in the lectures delivered from 1810-1820 as Professor of Architecture at the Royal Academy. Providing a key that enables the modern observer to understand the work of an architect who is widely regarded as the most inventive of his day, the lectures enable us to enter in Soane's private dialogue with an astonishing array of philosophers, architectural theorists, art historians, archaeologists, and anthropologists. They are accompanied by a selection of the beautiful watercolors that Soane prepared as illustrations.

Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell & Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell & Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell & Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.

There are few more historic and evocative places in the world. Caesar was cremated there. Charles V and Mussolini rode by it in triumph. There Napoleon celebrated his festival of liberty. In this radical reappraisal David Watkin teaches us to see the Forum with new eyes and helps us to rediscover its rich history. This is as stimulating to the armchair traveller as it is useful as a guide to the Forum itself.''With verve, authority and no little humour, Watkin tells the detailed and complex story of this great but mutilated landmark ... it is an almost impossible task, superbly done'' Peter Jones, BBC History Magazine''In this sprightly volume ... the distinguished architectural historian David Watkin charts the shifting fortunes of the site ... he has an engagingly romantic feeling for the place... deploying a good deal of sharp wit, he reveals how the relatively recent obsession with recovering the Forum''s classical past has led to much unhappy destruction and much less scarcely happy invention'' Matthew Sturgis, Country Life

There are few more historic and evocative places in the world. Caesar was cremated there. Charles V and Mussolini rode by it in triumph. There Napoleon celebrated his festival of liberty. In this radical reappraisal David Watkin teaches us to see the Forum with new eyes and helps us to rediscover its rich history. This is as stimulating to the armchair traveller as it is useful as a guide to the Forum itself.'With verve, authority and no little humour, Watkin tells the detailed and complex story of this great but mutilated landmark ... it is an almost impossible task, superbly done' Peter Jones, BBC History Magazine'In this sprightly volume ... the distinguished architectural historian David Watkin charts the shifting fortunes of the site ... he has an engagingly romantic feeling for the place... deploying a good deal of sharp wit, he reveals how the relatively recent obsession with recovering the Forum's classical past has led to much unhappy destruction and much less scarcely happy invention' Matthew Sturgis, Country Life

Born in November 1916 to the Marquess and Marchioness of Granby, Lady Ursula was a sprightly and charming lady whose memoirs of her uniquely glamorous life make riveting reading. Describing herself as having been an observant child, she records life at Belvoir Castle, Leicestershire, as maintained on a feudal scale until September 1939. Her vivid accounts include the numerous servants and their roles from liveried footmen to the pig man. She also describes her close relationship with her father who succeeded as 9th Duke of Rutland in 1925, and whom she helped as a girl in his sensitive restoration of another Manners family seat, the mediaeval Haddon Hall, Derbyshire. We hear of her coming-out Ball at Belvoir Castle in 1934 at the age of seventeen and her role in the Coronation of King George VI and Queen Elizabeth in 1937. Dressed by Norman Hartnell, she was one of the Six Maids of Honour who bore the Queen's train in Westminster Abbey. In 1938 she accompanied the new King and Queen on their triumphant first state visit to Paris and Versailles. By contrast, her war work was soon to include being in charge of hundreds of women at a munitions factory in Springfield, Grantham.Her activities here were described in letters which her celebrated aunt, Lady Diana Cooper, wife of Duff Cooper, 1st Viscount Norwich, sent to their son, John Julius, while a schoolboy. They are quoted here by his kind permission. Lady Ursula recalls her close friendships with men as varied as Rex Whistler, the Maharajah of Jaipur and Paul Getty. The story told is unforgettable, and though it has touches of Brideshead and Downton Abbey, it is utterly novel for, unlike them, it is actually real.