Diskin Clay – författare

Lucian of Samosata''s True History is a fantastical tale of voyage and imagination. No editor, translator, or reader knows quite how to describe it or fit it comfortably into a familiar genre of Greek literature: ''satires'' and ''dialogues'' only partially describe the genre or genres he wrote in. Of all the ancient Greco-Roman writers, Lucian is without doubt one of the most inventive and witty.The Greek text in this edition of the True History is accompanied by a facing page English translation, making it an accessible and informative resource aimed at students and teachers of Greek. Whether used in the classroom or in research, readers will benefit from an introduction to Lucian and his place in imperial Greek literature, as well as a translation and commentary that bring out the wonders of his True History.

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play.En route to fight the Trojan War, the Greek army has abandoned Philoctetes, after the smell of his festering wound made it unbearable to keep him on ship. Ten years later, an oracle makes it clear that the war cannot be won without the assistance of Philoctetes and his famous bow, inherited from Hercules himself. Philoctetes focuses on the attempt of the heroes Odysseus and Neoptolemus to persuade the bowman to sail with them to Troy. First, though, they must assuage his bitterness over having been abandoned, then win his trust. But how should they do this--through trickery, or with the truth? To what extent do the ends justify the means? To what degree should private interest be compromised for the sake of public duty? These are among the questions that Sophocles puts forward in this, one of his most morally complex and penetrating plays.

Lucian of Samosata's True History is a fantastical tale of voyage and imagination. No editor, translator, or reader knows quite how to describe it or fit it comfortably into a familiar genre of Greek literature: 'satires' and 'dialogues' only partially describe the genre or genres he wrote in. Of all the ancient Greco-Roman writers, Lucian is without doubt one of the most inventive and witty.The Greek text in this edition of the True History is accompanied by a facing page English translation, making it an accessible and informative resource aimed at students and teachers of Greek. Whether used in the classroom or in research, readers will benefit from an introduction to Lucian and his place in imperial Greek literature, as well as a translation and commentary that bring out the wonders of his True History.

Lucian of Samosata's True History is a fantastical tale of voyage and imagination. No editor, translator, or reader knows quite how to describe it or fit it comfortably into a familiar genre of Greek literature: 'satires' and 'dialogues' only partially describe the genre or genres he wrote in. Of all the ancient Greco-Roman writers, Lucian is without doubt one of the most inventive and witty.The Greek text in this edition of the True History is accompanied by a facing page English translation, making it an accessible and informative resource aimed at students and teachers of Greek. Whether used in the classroom or in research, readers will benefit from an introduction to Lucian and his place in imperial Greek literature, as well as a translation and commentary that bring out the wonders of his True History.

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the sense of poetry evident in the originals. Under the editorship of Peter Burian and Alan Shaprio, each volume includes a critical introduction, commentary on difficult passages, ample stage directions, and a glossary of the mythical names and geographical references encountered in the dialogue.Sophocles'' Oedipus the King paves the way as the first in the series to appear in paperback. In this highly-acclaimed translation of the greatest of all Greek tragedies, Stephen Berg--the well-known poet--and Diskin Clay--the distinguished classicist--combine their talents to offer the contemporary reader a dazzling version of Sophocles'' timeless work. Emphasizing the intensity of the spoken language, they capture the unrelenting power of Sophoclean drama. No other English translation conveys the same terrifying emotional level, especially in the choral odes, the forceful descriptions of Jokasta''s death, the blinding of Oedipus, and the final scene of desolation. Berg and Clay''s translation--now available for the first time in paperback--both adheres strictly to the original meaning of the play and breathes new life into its language.

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the sense of poetry evident in the originals. Under the editorship of Peter Burian and Alan Shaprio, each volume includes a critical introduction, commentary on difficult passages, ample stage directions, and a glossary of the mythical names and geographical references encountered in the dialogue.Sophocles'' Oedipus the King paves the way as the first in the series to appear in paperback. In this highly-acclaimed translation of the greatest of all Greek tragedies, Stephen Berg--the well-known poet--and Diskin Clay--the distinguished classicist--combine their talents to offer the contemporary reader a dazzling version of Sophocles'' timeless work. Emphasizing the intensity of the spoken language, they capture the unrelenting power of Sophoclean drama. No other English translation conveys the same terrifying emotional level, especially in the choral odes, the forceful descriptions of Jokasta''s death, the blinding of Oedipus, and the final scene of desolation. Berg and Clay''s translation--now available for the first time in paperback--both adheres strictly to the original meaning of the play and breathes new life into its language.

The dialogue has disappeared as a mode of writing philosophy, and philosophers who study Plato today often ignore the form in which Plato’s work appears in favor of reconstructing and analyzing arguments thought to be conveyed by the content of the dialogues. A distinguished classicist here offers an approach to understanding Plato that tries to do full justice to the form of Platonic philosophy, appreciated against the background of Greek literature and history, while also giving proper due to the important philosophic content of the dialogues.The book deals in turn with Plato’s relation to and portraits of Socrates, the literary and philosophical character of the dialogues (including the problems of interpreting a philosopher who never speaks in his own name), and the modes of argumentation employed in the dialogues as well as some of their major themes.

The dialogue has disappeared as a mode of writing philosophy, and philosophers who study Plato today often ignore the form in which Plato’s work appears in favor of reconstructing and analyzing arguments thought to be conveyed by the content of the dialogues. A distinguished classicist here offers an approach to understanding Plato that tries to do full justice to the form of Platonic philosophy, appreciated against the background of Greek literature and history, while also giving proper due to the important philosophic content of the dialogues.The book deals in turn with Plato’s relation to and portraits of Socrates, the literary and philosophical character of the dialogues (including the problems of interpreting a philosopher who never speaks in his own name), and the modes of argumentation employed in the dialogues as well as some of their major themes.

Paradosis and Survival presents Diskin Clay's fifteen essays devoted to recovering the three main phases of Epicureanism in antiquity: the origin in the first generation of the school in Athens; its spread to Italy in the first century b.c.e.; and its movement to Lycia in the second century c.e. Clay recognizes the subtle intertwining of philosophy and lifestyle, and he makes use of papyri and inscriptions as well as familiar philosophical texts to illuminate both. The first series of essays concentrates on the mechanisms Epicurus devised to assure the survival of the philosophy beyond its Athenian roots. Clay presents social history on an equal footing with doctrine, and offers for the first time evidence for hero cults among philosophers who believed that the soul died with the body. The second set of essays concentrates Epicureanism in the age of Cicero, Philodemus, and Lucretius. In the four essays on De Rerum Natura, Lucretius is viewed not as a transparency through which we can view the Greek of Epicurus, but a Roman philosopher in control of both doctrine and rhetoric. The book concludes with the study of the philosophy in Oenoanda, Lycia, in which the author brilliantly situates post-1968 discoveries from Oenoanda and the Villa de Papiri in Herculaneum in the context of the second-century mountain city.This study of Epicureanism as a social movement will be of interest to students of ancient philosophy and the philosophy of early modern Europe, when Epicureanism was revived. In addition, scholars of the New Testament will find parallels to the rise and spread of Christianity. Diskin Clay is the R. J. R. Nabisco Distinguished Professor of Classical Studies, Duke University.

John Locke's untitled manuscript "Questions concerning the Law of Nature" (1664) was his only work focused on the subject of natural law, a circumstance that is especially surprising since his published writings touch on the subject frequently, if inconclusively. Containing a substantial critical apparatus, this new edition of Locke's manuscript is faithful to Locke's original intentions and to the format he chose for his discourse on the law of nature—a late-Scholastic quaestio disputata, the form through which in 1664 the young Locke debated questions with his students as moral censor of Christ Church.For this volume, Robert Horwitz provides an introduction summarizing the history of the manuscript and analyzing Locke's role in the development of thinking on natural law. Jenny Strauss Clay offers a superb critical edition of the Latin text, for which she has supplemented the Latin text of Manuscript B, written by an amanuensis, with Manuscript A, a first draft in Locke's own hand. Diskin Clay's precise English translation—with the Latin presented on facing pages—is accompanied by annotations identifying Locke's references and allusions and explaining difficulties of translation.In the view of Horwitz, Clay, and Clay, Questions concerning the Law of Nature shows a tension between several opposing conceptions of natural law. In developing this view, the editors break with W. von Leyden, who prepared the first edition of the text and who interpreted Locke's understanding of natural law squarely within a Christian framework. The editors here present a fresh interpretation of Locke as a thinker who posed a series of subtle challenges to traditional natural law doctrine. That Locke was aware of the political danger of this challenge is evident from his refusal to publish the work during his lifetime and from the care he took to conceal these manuscripts among his possessions.Historians of philosophy, political scientists, political theorists, and others interested in the history of Western thought will welcome this definitive new edition of a key work for any interpretation of Locke.

John Locke's untitled manuscript "Questions concerning the Law of Nature" (1664) was his only work focused on the subject of natural law, a circumstance that is especially surprising since his published writings touch on the subject frequently, if inconclusively. Containing a substantial critical apparatus, this new edition of Locke's manuscript is faithful to Locke's original intentions and to the format he chose for his discourse on the law of nature—a late-Scholastic quaestio disputata, the form through which in 1664 the young Locke debated questions with his students as moral censor of Christ Church.For this volume, Robert Horwitz provides an introduction summarizing the history of the manuscript and analyzing Locke's role in the development of thinking on natural law. Jenny Strauss Clay offers a superb critical edition of the Latin text, for which she has supplemented the Latin text of Manuscript B, written by an amanuensis, with Manuscript A, a first draft in Locke's own hand. Diskin Clay's precise English translation—with the Latin presented on facing pages—is accompanied by annotations identifying Locke's references and allusions and explaining difficulties of translation.In the view of Horwitz, Clay, and Clay, Questions concerning the Law of Nature shows a tension between several opposing conceptions of natural law. In developing this view, the editors break with W. von Leyden, who prepared the first edition of the text and who interpreted Locke's understanding of natural law squarely within a Christian framework. The editors here present a fresh interpretation of Locke as a thinker who posed a series of subtle challenges to traditional natural law doctrine. That Locke was aware of the political danger of this challenge is evident from his refusal to publish the work during his lifetime and from the care he took to conceal these manuscripts among his possessions.Historians of philosophy, political scientists, political theorists, and others interested in the history of Western thought will welcome this definitive new edition of a key work for any interpretation of Locke.