Edward Courtney – författare

This is the first modern commentary on the Satyricon as a whole. Starting with some basic background information, Professor Courtney surveys Petronius' novel sequentially, drawing out the leading themes and motifs of each episode. Thus links and patterns build up. A final chapter looks at the general characteristics of the work, highlighting the abundant use of literary allusion and symbolism, and the treatment of sex.Throughout the book Petronius' work is related to the Greek novel as reconstruction from the later extant specimens suggests that it existed in his own day. Latin and Greek quotations have been translated so that students of classical civilization and of comparative literature can benefit from this book as well as those of Latin literature and classics.

This is the first modern commentary on the Satyricon as a whole. Starting with some basic background information, Professor Courtney surveys Petronius' novel sequentially, drawing out the leading themes and motifs of each episode. Thus links and patterns build up. A final chapter looks at the general characteristics of the work, highlighting the abundant use of literary allusion and symbolism, and the treatment of sex.Throughout the book Petronius' work is related to the Greek novel as reconstruction from the later extant specimens suggests that it existed in his own day. Latin and Greek quotations have been translated so that students of classical civilization and of comparative literature can benefit from this book as well as those of Latin literature and classics.

To understand fully the development of Latin poetry, one has to consider not only the prominent figures whose works survive entire but also the writers known to us only in fragments, usually small, from quotations. The fragments of the non-dramatic poets have been collected by Baehrens, Morel, and Büchner, but only a few have ever received a commentary. This book revises the texts, taking advantage of much earlier work now largely forgotten, and provides the necessary interpretative and illustrative material. By building up, wherever possible, a picture of each writer, Professor Courtney places them in relation to the development of Latin poetry and thus gathers together information at present widely scattered and not easy to locate. While omitting some material which does not contribute to the focus of the book, he adds some writers not usually included in this corpus - particularly Tiberianus, the so-called De Bello Actiaco and the minor works of Ennius.

This work aims to show how certain striking features of classical Latin prose style have their roots in forms of expression established in archaic Latin and even beyond that in Indo-European. Some of these forms are to be explained by the origins of complex syntactical constructions, some by cultural conditions, while others are peculiar to the Latin language. These factors are exemplified in texts ranging from about 450 BC (the Twelve Tables) to about 100 BC, which are accompanied by a full commentary not confined to stylistic issues. These texts will be of interest not only to students of literature and linguistics but also of history, law, and religion.

This introduction to three of Juvenal's satires aims to help intermediate high school or college readers understand the meaning of Juvenal's Latin. Satire I is Juvenal's explanation of why he writes poetry and satire. Satire III discusses why life in Rome has become intolerable. Satire X concerns itself with explaining why most prayers are misguided and - if answered - harmful.This edition made accessible, in a concise format, with an introduction and commentary, the three Satires, which are most frequently prescribed at A-level and early university courses. It has been constantly reprinted since it was first published, a measure of its success.