Juvenal – författare & böcker

Sixteen Satires

Häftad, Engelska, 1998

168 kr

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Perhaps more than any other writer, Juvenal (c. AD 55-138) captures the splendour, the squalor and the sheer energy of everyday Roman life. In The Sixteen Satires he evokes a fascinating world of whores, fortune-tellers, boozy politicians, slick lawyers, shameless sycophants, ageing flirts and downtrodden teachers. A member of the traditional land-owning class that was rapidly seeing power slip into the hands of outsiders, Juvenal also creates savage portraits of decadent aristocrats - male and female - seeking excitement among the lower orders of actors and gladiators, and of the jumped-up sons of newly-rich former slaves. Constantly comparing the corruption of his own generation with its stern and upright forebears, Juvenal's powers of irony and invective make his work a stunningly satirical and bitter denunciation of the degeneracy of Roman society

The Satires

AvJuvenal

Inbunden, Engelska, 1991

2 239 kr

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BLA new translation combining textual accuracy with colourful poetryJuvenal, whose work dates from the early second century AD, is commonly considered the greatest of Roman satirical poets. His sixteen satires are all concerned with contemporary Roman society. They are notable for their bitter, ironical humour, power of invective, grim epigrams, sympathy with the poor, and a narrow pessimism. Juvenal's influence was great among English satirists, notably Samuel Johnson.In this new translation of the Satires, Professor Rudd combines textual accuracy with colourful poetry. His verse vividly conveys Juvenal's gift for evoking a wealth of imagery with a few economical phrases.The introduction and notes provided by Dr Barr outline the background to the Satires and explain contemporary allusions. This translation should therefore be fully accessible to the modern reader.

The Satires

AvJuvenal

Häftad, Engelska, 2008

134 kr

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Juvenal, writing between AD 110 and 130, was one of the greatest satirists of Imperial Rome. His powerful and witty attacks on the vices, abuses, and follies of the big city have been admired and used by many English writers, including Ben Jonson, Dryden, and most notably, Dr Johnson, who described his writing as `a mixture of gaiety and statelines, of pointed sentences and declamatory grandeur'. Juvenal has been seen as a stern moralist and, more recently, as an extravagant wit, and is acclaimed for his vivid description of the scenes which aroused his anger. He coined the famous phrase designating people `eager and anxious for two things; bread and races' (panem et circenses'). Niall Rudd's translation reproduces the original style and metrical effect of Juvenal's hexameters. William Barr's Introduction and Notes provide literary and historical background to the sixteen satires. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Satires of Juvenal

AvJuvenal

Häftad, Engelska, 1960

241 kr

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" . . . gives us all sixteen of the satires in the tough, slashing manner of the original, unheard in Dryden and the few others who tried it." —Saturday Review

Juvenal: Satires Book I

AvJuvenal,Susanna Morton Braund

Häftad, Engelska, 1996

449 kr

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Satire was a genre of poetry invented and developed by the Romans. When it came into Juvenal's hands, he stamped his mark upon it: indignation. His angry voice had an overwhelming influence upon later European satirists and persists in modern forms of satire. In this new commentary, Susanna Morton Braund situates Juvenal within the genre of satire and illuminates his appropriation of the 'grand style' of declamatory rhetoric and epic poetry for his indignant persona in Satires 1-5, including the notorious second Satire. The commentary on each of the Satires is followed by an essay which offers an interpretation of the poem, including a synthesis of recent critical thought. These essays, together with the overview in the Introduction, present the first integrated reading of Book I as an organic structure.

Juvenal: Satire 6

AvJuvenal,Lindsay Watsonm. fl.

Häftad, Engelska, 2014

420 kr

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Juvenal's sixth Satire is a masterpiece of comic hyperbole, an outrageous rant against women and marriage which, in its breadth and density, represents the high point of the misogynistic literature of classical antiquity. The Introduction situates Juvenal within the wider tradition of Roman satire, interrogates afresh the poem's architecture and recurrent themes, shows how Juvenal systematically attributes to his monstrous women the inverse of the Roman wife's canonical virtues, traces the various literary currents which infuse the Satire, and lastly addresses the much-discussed issue of the poetic voice or persona from a sociohistorical as well as a theoretical perspective. Above all, the commentary strives to locate Juvenal in his historical, literary and cultural context, while simultaneously affording assistance with the nuts and bolts of the Latin, and always keeping in view two key questions: what was Juvenal's purpose in writing the Satire? How seriously was it meant to be taken?

Juvenal: Satire 6

AvJuvenal,Lindsay Watsonm. fl.

Inbunden, Engelska, 2014

1 067 kr

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Juvenal's sixth Satire is a masterpiece of comic hyperbole, an outrageous rant against women and marriage which, in its breadth and density, represents the high point of the misogynistic literature of classical antiquity. The Introduction situates Juvenal within the wider tradition of Roman satire, interrogates afresh the poem's architecture and recurrent themes, shows how Juvenal systematically attributes to his monstrous women the inverse of the Roman wife's canonical virtues, traces the various literary currents which infuse the Satire, and lastly addresses the much-discussed issue of the poetic voice or persona from a sociohistorical as well as a theoretical perspective. Above all, the commentary strives to locate Juvenal in his historical, literary and cultural context, while simultaneously affording assistance with the nuts and bolts of the Latin, and always keeping in view two key questions: what was Juvenal's purpose in writing the Satire? How seriously was it meant to be taken?

Del 91 - Loeb Classical Library

Juvenal and Persius

AvJuvenal,Persius

Inbunden, Engelska, 2004

352 kr

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Mordant verse satire.The bite and wit of two of antiquity’s best satirists are captured in this Loeb Classical Library edition. Persius (AD 34–62) and Juvenal (writing about sixty years later) were heirs to the style of Latin verse satire developed by Lucilius and Horace, a tradition mined in Susanna Braund’s introduction and notes. Her notes also give guidance to the literary and historical allusions that pepper Persius’ and Juvenal’s satirical poems—which were clearly aimed at a sophisticated urban audience. Both poets adopt the mask of an angry man, and sharp criticism of the society in which they live is combined with flashes of sardonic humor in their satires. Whether targeting common and uncommon vices, the foolishness of prayers, the abuse of power by emperors and the Roman elite, the folly and depravity of Roman wives, or decadence, materialism, and corruption, their tone is generally one of righteous indignation.Juvenal and Persius are seminal as well as stellar figures in the history of satirical writing. Juvenal especially had a lasting influence on English writers of the Renaissance and succeeding centuries.

Juvenal: Satires I, III, X

AvJuvenal,Niall Ruddm. fl.

Häftad, Engelska, 1991

381 kr

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This introduction to three of Juvenal's satires aims to help intermediate high school or college readers understand the meaning of Juvenal's Latin. Satire I is Juvenal's explanation of why he writes poetry and satire. Satire III discusses why life in Rome has become intolerable. Satire X concerns itself with explaining why most prayers are misguided and - if answered - harmful.This edition made accessible, in a concise format, with an introduction and commentary, the three Satires, which are most frequently prescribed at A-level and early university courses. It has been constantly reprinted since it was first published, a measure of its success.