Petronius – författare

Two rollicking Roman satires.The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne’er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature.Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41–54). If the work of Lucius Annaeus Seneca (4 BC–AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius’ hands in 41–49.For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.

The Satyricon is one of the most outrageous and strikingly modern works to have survived from the ancient world. Most likely written by an advisor of Nero, it recounts the adventures of Encolpius and his companions as they travel around Italy, encountering courtesans, priestesses, con men, brothel-keepers, pompous professors ­and, above all, Trimalchio, the nouveau riche millionaire whose debauched feasting and pretentious vulgarity make him one of the great comic characters in literature. Estimated to date from 63 - 65 AD, and only surviving in fragments, The Satyricon nevertheless offers an unmatched satirical portrait of the age of Nero, in all its excesses and chaos.

Cena Trimalchionis

`The language is refined, the smile not grave, My honest tongue recounts how men behave.' The Satyricon is the most celebrated work of fiction to have survived from the ancient world. It can be described as the first realistic novel, the father of the picaresque genre, and recounts the sleazy progress of a pair of literature scholars as they wander through the cities of the southern Mediterranean. En route they encounter type-figures the author wickedly satirizes - a teacher in higher education, a libidinous priest, a vulgar freedman turned millionaire, a manic poet, a superstitious sea-captain and a femme fatale. The novel has fascinated the literary world of Europe ever since, evoking praise for its elegant and hilarious description of the underside of Roman society, but also condemnation for some of its lewder subjects. This new and lively translation by P.G. Walsh captures the gaiety of the original, and the edition is supplemented by his superb Introduction giving an account of the plot, the various scholarly interpretations and the later history of its literary influcence. There are also extensive and detailed notes which serve to illuminate the reading of a text rich in literary in-jokes and allusion. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This new Satyricon features not only a lively, new, annotated translation of the text, but fresh and accessible commentaries that discuss Petronius' masterpiece in terms of such topics as the identity of the author, the transmission of his manuscript, literary influences on the Satyricon, and the distinctive literary form of this work—as well as such features of Roman life as oratory, sexual practices, households, dinner parties, religion, and philosophy. It offers, in short, a remarkably informative and engaging account of major aspects of Imperial Roman culture as seen through the prism of our first extant novel.