Edward Hirsch - Böcker

William Maxwell, who died in July 2000, was revered as one of the twentieth century's great American writers and a longtime fiction editor at The New Yorker. Now writers who knew Maxwell and were inspired by him—both the man and his work—offer intimate essays, most specifically written for this volume, that "bring him back to life, right there in front of us."Alec Wilkinson writes of Maxwell as mentor; Edward Hirsch remembers him in old age; Charles Baxter illuminates the magnificent novel So Long, See You Tomorrow; Ben Cheever recalls Maxwell and his own father; Donna Tartt vividly describes Maxwell's kindness to herself as a first novelist; and Michael Collier admires him as a supreme literary correspondent. Other appreciations include insightful pieces by Alice Munro, Anthony Hecht, a poem by John Updike, and a brief tribute from Paula Fox. Ending this splendid collection is Maxwell himself, in the unpublished speech "The Writer as Illusionist."

This illuminating anthology follows the sonnet through its various moments and makers over five and a half centuries. Edward Hirsch and Eavan Boland, two of our foremost poets, focus on vicissitudes, paying particular attention to how individual poets—from Shakespeare to Strand—have claimed these fourteen lines: lengthened them, shortened them, elaborated on them, and, in turn, been defined by them. Three sections—"The Sonnet in the Mirror," "The Sonnet Goes to Different Lengths," and "The Sonnet extraordinary durability and its reinventions. The collection opens with personal introductions by the editors, and, in the appendix, they provide "Ten Questions for a Sonnet Workshop" to jump-start a conversation between students and teachers. With more than three hundred poems, The Making of a Sonnet guides readers through a vigorous adventures in craft and practice, right up to its extraordinary resurgence in contemporary poetry.

A Poet’s Glossary was an extraordinary achievement that continues to stand as a definitive source for poets and poetry lovers alike. Here, The Essential Poet’s Glossary gleans the very best from that extraordinary volume. "An instant classic that belongs on the bookshelf of every serious poet and literature student."—Washington PostChancellor of the Academy of American Poets Edward Hirsch has compiled poetic terms spanning centuries and continents, including forms, devices, movements, aesthetics, rhetorical terms, and folklore. Knowing how a poem works is crucial to unlocking its meaning—entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made A Poet’s Glossary and How to Read a Poem so beloved, this Essential edition is the book that all readers, writers, teachers, and students of poetry will return to again and again.

In a remarkable generation of poets, Galway Kinnell was an acknowledged, true master. From the book-length poem memorialising the grit, beauty, and swarming assertion of immigrant life along a lower Manhattan avenue, to searing poems of human conflict and war, to incandescent reflections on love, family, and the natural world - including 'Blackberry Eating,” 'St. Francis and the Sow,' and “After Making Love We Hear Footsteps” - to the unflinchingly introspective poems of his later life, Kinnell’s work lastingly shaped the consciousness of his age.

Nineteenth-Centuery American Writers on Writing features essays, letters, poems, prose, and excerpts of interviews by fifty-seven leading authors of the century. Each had to figure out what it meant to be a writer within the context of the relatively new nation they spoke to, for, and about. Each meditated on craft and style and form, as writers do. And each confronted the question of how to define themselves as writers--and their literature as "American"--during a century rocked by the industrial revolution, the Civil War, and the emergence of a global politic.

This book constitutes the proceedings of the 9th International Computer Science Symposium in Russia, CSR 2014, held in Moscow, Russia, in June 2014. The 27 full papers presented in this volume were carefully reviewed and selected from 76 submissions. In addition the book contains 4 invited lectures. The scope of the proposed topics is quite broad and covers a wide range of areas in theoretical computer science and its applications.