Frances Howard – författare

Undertaking research with young people is an expanding approach within education, sociology, criminology, politics, youth work and psychology. This book introduces existing research methods such as interviews, focus groups, ethnography and creative methods, as well as covering newer methods including place-based methods, digital methods, co-production and co-authorship. Each thematic chapter is followed by a shorter invited case study, which puts the specific method into practice. The resulting pedagogical material gives useful practical application of that method to the field as a guide that can be followed by both students and instructors. The book supports researchers and students in doing research with young people by highlighting tensions, challenges and opportunities in research processes to involve, work with, and research youth practices, lived experiences and expertise.

Undertaking research with young people is an expanding approach within education, sociology, criminology, politics, youth work and psychology. This book introduces existing research methods such as interviews, focus groups, ethnography and creative methods, as well as covering newer methods including place-based methods, digital methods, co-production and co-authorship. Each thematic chapter is followed by a shorter invited case study, which puts the specific method into practice. The resulting pedagogical material gives useful practical application of that method to the field as a guide that can be followed by both students and instructors. The book supports researchers and students in doing research with young people by highlighting tensions, challenges and opportunities in research processes to involve, work with, and research youth practices, lived experiences and expertise.

Undertaking research with young people is an expanding approach within education, sociology, criminology, politics, youth work and psychology. This book introduces existing research methods such as interviews, focus groups, ethnography and creative methods, as well as covering newer methods including place-based methods, digital methods, co-production and co-authorship. Each thematic chapter is followed by a shorter invited case study, which puts the specific method into practice. The resulting pedagogical material gives useful practical application of that method to the field as a guide that can be followed by both students and instructors. The book supports researchers and students in doing research with young people by highlighting tensions, challenges and opportunities in research processes to involve, work with, and research youth practices, lived experiences and expertise.

Undertaking research with young people is an expanding approach within education, sociology, criminology, politics, youth work and psychology. This book introduces existing research methods such as interviews, focus groups, ethnography and creative methods, as well as covering newer methods including place-based methods, digital methods, co-production and co-authorship. Each thematic chapter is followed by a shorter invited case study, which puts the specific method into practice. The resulting pedagogical material gives useful practical application of that method to the field as a guide that can be followed by both students and instructors. The book supports researchers and students in doing research with young people by highlighting tensions, challenges and opportunities in research processes to involve, work with, and research youth practices, lived experiences and expertise.

How do young people develop through youth arts programs and how can these programs reflect and extend young people’s personal interests? How can youth arts support participatory democracy and social change? Frances Howard puts forward a powerful case for the value of youth arts programs, whilst acknowledging and interrogating the complexities involved, including unequal access to provision and the class-based harm that can be inadvertently practiced within them. Drawing on the author's own practice experience, alongside a range of international case studies showing best practice, this grounded and accessible text will be welcome reading to academics, students and practitioners across Education, Youth and Community courses.

How do young people develop through youth arts programs and how can these programs reflect and extend young people’s personal interests? How can youth arts support participatory democracy and social change? Frances Howard puts forward a powerful case for the value of youth arts programs, whilst acknowledging and interrogating the complexities involved, including unequal access to provision and the class-based harm that can be inadvertently practiced within them. Drawing on the author's own practice experience, alongside a range of international case studies showing best practice, this grounded and accessible text will be welcome reading to academics, students and practitioners across Education, Youth and Community courses.

This book focuses on how youth work and music is measured and valued. The collection explores the landscape of youth work and music, music production and young people’s identities, and the opportunities and constraints within the measurement of these kinds of programmes. In addition, it analyses the impact of music-making on young people’s wellbeing, the criminalisation of minoritized groups of young people and subcultures, and the evaluation of informal education and creative education. Amid ubiquitous music-making and sharing by young people globally, these essays provide a practical resource with particular relevance for educators and cultural policymakers.Chapter “Listening to Practice: Valuing the Informal in Youth Work Evaluation” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This book focuses on how youth work and music is measured and valued. The collection explores the landscape of youth work and music, music production and young people’s identities, and the opportunities and constraints within the measurement of these kinds of programmes. In addition, it analyses the impact of music-making on young people’s wellbeing, the criminalisation of minoritized groups of young people and subcultures, and the evaluation of informal education and creative education. Amid ubiquitous music-making and sharing by young people globally, these essays provide a practical resource with particular relevance for educators and cultural policymakers.Chapter “Listening to Practice: Valuing the Informal in Youth Work Evaluation” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.