Franz Engel – författare

Images of chaos cannot truly exist, as they would show the state of the world before its creation. Nevertheless, from antiquity through the Middle Ages to the present day, there have been repeated attempts to visualize what eludes our experience. Interplay with the conceptual history of chaos forces images of chaos to iconic aporias: this book presents a first comprehensive examination of such ideas.From the first depiction of chaos in a provincial Roman mosaic, the field of investigation extends into the 18th century and includes excursions into 19th-21st century art. Chaos images are characterized by entangled pagan and Christian ideas. In the Daoist tradition of China, visual concepts of chaos lead to extremely subtle iconic aporias.

Something in the world tears away, jumps out, approaches ... A world that approaches is a world that is alive and vivid. This applies not only to the existing natural world, but also to what humans create, which, in form the form of artifacts – from the hand-held ax to linguistic theory – also approaches design in terms of both object and challenge.The authors of this volume attempt to track the movements of thought between form and form process, image and image file, representation and presence in terms of both theory and practice.