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5 produkter
1 054 kr
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Volume XXIX of Studies in Contemporary Jewry takes its title from a joke by Groucho Marx: "I don't want to belong to any club that will accept me as a member." The line encapsulates one of the most important characteristics of Jewish humor: the desire to buffer oneself from potentially unsafe or awkward situations, and thus to achieve social and emotional freedom. By studying the history and development of Jewish humor, the essays in this volume not only provide nuanced accounts of how Jewish humor can be described but also make a case for the importance of humor in studying any culture. A recent survey showed that about four in ten American Jews felt that "having a good sense of humor" was "an essential part of what being Jewish means to them," on a par with or exceeding caring for Israel, observing Jewish law, and eating traditional foods. As these essays show, Jewish humor has served many functions as a form of "insider" speech. It has been used to ridicule; to unite people in the face of their enemies; to challenge authority; to deride politics and politicians; in America, to ridicule conspicuous consumption; in Israel, to contrast expectations of political normalcy and bitter reality. However, much of contemporary Jewish humor is designed not only or even primarily as insider speech. Rather, it rewards all those who get the punch line.A Club of Their Own moves beyond general theorizing about the nature of Jewish humor by serving a smorgasbord of finely grained, historically situated, and contextualized interdisciplinary studies of humor and its consumption in Jewish life in the modern world.
Jewish Honor Courts
Revenge, Retribution, and Reconciliation in Europe and Israel After the Holocaust
Häftad, Engelska, 2015
395 kr
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In the aftermath of World War II, virtually all European countries struggled with the dilemma of citizens who had collaborated with Nazi occupiers. Jewish communities in particular faced the difficult task of confronting collaborators among their own ranks-those who had served on Jewish councils, worked as ghetto police, or acted as informants. European Jews established their own tribunals-honor courts-for dealing with these crimes, while Israel held dozens of court cases against alleged collaborators under a law passed two years after its founding. In Jewish Honor Courts: Revenge, Retribution, and Reconciliation in Europe and Israel after the Holocaust, editors Laura Jockusch and Gabriel N. Finder bring together scholars of Jewish social, cultural, political, and legal history to examine this little-studied and fascinating postwar chapter of Jewish history.The volume begins by presenting the rationale for punishing wartime collaborators and purging them from Jewish society. Contributors go on to examine specific honor court cases in Allied-occupied Germany and Austria, Poland, the Netherlands, and France. One essay also considers the absence of an honor court in Belgium. Additional chapters detail the process by which collaborators were accused and brought to trial, the treatment of women in honor courts, and the unique political and social place of honor courts in the nascent state of Israel. Taken as a whole, the essays in Jewish Honor Courts illustrate the great caution and integrity brought to the agonizing task of identifying and punishing collaborators, a process that helped survivors to reclaim their agency, reassert their dignity, and work through their traumatic experiences.For many years, the honor courts have been viewed as a taboo subject, leaving their hundreds of cases unstudied. Jewish Honor Courts uncovers this forgotten chapter of Jewish history and shows it to be an integral part of postwar Jewish rebuilding. Scholars of Jewish, European, and Israeli history as well as readers interested in issues of legal and social justice will be grateful for this detailed volume.
420 kr
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Laughter After: Humor and the Holocaust argues that humor performs political, cultural, and social functions in the wake of horror. Co-editors David Slucki, Gabriel N. Finder, and Avinoam Patt have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust. Namely, what are the boundaries? Clearly, there have been comedy and laughter in the decades since. However, the extent to which humor can be ethically deployed in representing and discussing the Holocaust is not as clear. This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations. Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah?Laughter After is divided into two sections: "Aftermath" and "Breaking Taboos." The contributors to this volume examine case studies from World War II to the present day in considering and reconsidering what role humor can play in the rehabilitation of survivors, of Jews and of the world more broadly. More recently, humor has been used to investigate the role that Holocaust memory plays in contemporary societies, while challenging memorial conventions around the Holocaust and helping shape the way we think about the past. In a world in which Holocaust memory is ubiquitous, even if the Holocaust itself is inadequately understood, it is perhaps not surprising that humor that invokes the Holocaust has become part of the memorial landscape. This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception. Laughter After will appeal to a number of audiences-from students and scholars of Jewish and Holocaust studies to academics and general readers with an interest in media and performance studies.
1 091 kr
Skickas inom 10-15 vardagar
Laughter After: Humor and the Holocaust argues that humor performs political, cultural, and social functions in the wake of horror. Co-editors David Slucki, Gabriel N. Finder, and Avinoam Patt have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust. Namely, what are the boundaries? Clearly, there have been comedy and laughter in the decades since. However, the extent to which humor can be ethically deployed in representing and discussing the Holocaust is not as clear. This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations. Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah?Laughter After is divided into two sections: "Aftermath" and "Breaking Taboos." The contributors to this volume examine case studies from World War II to the present day in considering and reconsidering what role humor can play in the rehabilitation of survivors, of Jews and of the world more broadly. More recently, humor has been used to investigate the role that Holocaust memory plays in contemporary societies, while challenging memorial conventions around the Holocaust and helping shape the way we think about the past. In a world in which Holocaust memory is ubiquitous, even if the Holocaust itself is inadequately understood, it is perhaps not surprising that humor that invokes the Holocaust has become part of the memorial landscape. This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception. Laughter After will appeal to a number of audiences-from students and scholars of Jewish and Holocaust studies to academics and general readers with an interest in media and performance studies.
Del 20 - Polin: Studies in Polish Jewry
Polin: Studies in Polish Jewry Volume 20
Making Holocaust Memory
Häftad, Engelska, 2007
517 kr
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Although the reconciliation of Jewish and Polish memories of the Holocaust is the central issue in contemporary Polish–Jewish relations, this is the first attempt to examine these divisive memories in a comprehensive way. Until 1989, Polish consciousness of the Second World War subsumed the destruction of Polish Jewry within a communist narrative of Polish martyrdom and heroism. Post-war Jewish memory, by contrast, has been concerned mostly with Jewish martyrdom and heroism (and barely acknowledged the plight of Poles under German occupation). Since the 1980s, however, a significant number of Jews and Poles have sought to identify a common ground and have met with partial but increasing success, notwithstanding the new debates that have emerged in recent years concerning Polish behaviour during the Nazi genocide of the Jews that Poles had ignored for half a century. This volume considers these contentious issues from different angles.Among the topics covered are Jewish memorial projects, both in Poland and beyond its borders, the Polish approach to Holocaust memory under communist rule, and post-communist efforts both to retrieve the Jewish dimension to Polish wartime memory and to reckon with the dark side of the Polish national past. An interview with acclaimed author Henryk Grynberg touches on many of these issues from the personal perspective of one who as a child survived the Holocaust hidden in the Polish countryside, as do the three poems by Grynberg reproduced here.The ‘New Views’ section features innovative research in other areas of Polish–Jewish studies. A special section is devoted to research concerning the New Synagogue in Poznan, built in 1907, which is still standing only because the Nazis turned it into a swimming-pool.CONTRIBUTORS: Natalia Aleksiun, Assistant Professor in Eastern European Jewish History, Touo College, New York; Jolanta Ambrosewicz-Jacobs, Head, Section for Holocaust Studies, Centre for European Studies, Jagiellonian University, Kraków; curator, International Centre for Education about Auschwitz and the Holocaust, Auschwitz-Birkenau State Museum; Boaz Cohen, teacher in Jewish and Holocaust Studies, Shaanan and Western Galilee Colleges, northern Israel; Judith R. Cohen, Director of the Photographic Reference Collection, United States Holocaust Memorial Museum, Washington DC; Gabriel N. Finder, Associate Professor, Department of Germanic Languages and Literatures, University of Virginia; Rebecca Golbert, researcher; Regina Grol, Professor of Comparative Literature, Empire State College, State University of New York; Jonathan Huener, Associate Professor of History, University of Vermont; Carol Herselle Krinsky, Professor of Fine Arts, New York University; Marta Kurkowska, Lecturer, Institute of History, Jagiellonian, University, Kraków; Joanna B. Michlic, Assistant Professor, Holocaust and Genocide Program, Richard Stockton College, Pomona, New Jersey; Eva Plach, Assistant Professor of History, Wilfrid Laurier University, Waterloo, Canada; Antony Polonsky, Albert Abramson Professor of Holocaust Studies, Brandeis University and the United States Holocaust Memorial Museum, Washington DC; Alexander V. Prusin, Associate Professor of History, New Mexico Institute of Mining and Technology, Socorro; Jan Schwarz, Senior Lecturer, Department of Germanic Studies, University of Chicago; Maxim D. Shrayer, Professor of Russian and English, Chair of the Department of Slavic and Eastern Languages, Co-Director, Jewish Studies Program, Boston College; Michael C. Steinlauf, Professor of Jewish History and Culture, Gratz College, Pennsylvania; Robert Szuchta, History teacher, Stanislaw I. Witkiewicz High School, Warsaw; Joanna Tokarska-Bakir, Lecturer in Cultural Anthroplogy, Warsaw University; Chair, Department of Cultural Anthropology, Collegium Civitas, Poland; Scott Ury, Post-Doctoral Fellow, Department of Jewish History, Tel Aviv University; Bret Werb, United States Holocaust Memorial Museum, Washington DC; Seth L. Wolitz, Gale Chair of Jewish Studies and Professor of Comparative Literature, University of Texas at Austin.