Gareth Stedman Jones – författare

Brought to you by Penguin. This Penguin Classic is performed by Arinzé Kene, writer and performer of Olivier Award nominated Misty, and also known for his roles in Youngers, Informer and Eastenders. This definitive recording includes an Introduction by Gareth Stedman Jones.The Communist Manifesto (1848), Marx and Engels''s revolutionary summons to the working classes, is one of the most important and influential political theories ever formulated. After four years of collaboration the authors produced this incisive account of their idea of Communism, in which they envisage a society without classes, private property or a state. They argue that increasing exploitation of industrial workers will eventually lead to a revolution in which Capitalism is overthrown. This vision provided the theoretical basis of political systems in Russia, China, Cuba and Eastern Europe, affecting the lives of millions. The Communist Manifesto still remains a landmark text: a work that continues to influence and provoke debate on capitalism and class.(c) 1888, Karl Marx & Friedrich Engels (P) 2019 Penguin Audio

First published in 1989, this book seeks to demonstrate the social and political images of late-twentieth century London — the post-big-bang city, docklands, trade union defeats, a mounting north-south divide — do not mark as decisive break with the past as they may appear to. It argues that the most striking thing about London’s history since 1800 is the continuities and recurrences which punctuate it. The essays collected in this book focus on these themes and address important questions about class, nationality, sexual difference, and radical politics. They combine the established strengths of social history with more innovative approaches such as the history of representations.

First published in 1989, this book seeks to demonstrate the social and political images of late-twentieth century London — the post-big-bang city, docklands, trade union defeats, a mounting north-south divide — do not mark as decisive break with the past as they may appear to. It argues that the most striking thing about London’s history since 1800 is the continuities and recurrences which punctuate it. The essays collected in this book focus on these themes and address important questions about class, nationality, sexual difference, and radical politics. They combine the established strengths of social history with more innovative approaches such as the history of representations.

First published in 1982, this book is inspired the ideas generated by Eric Hobsbawm, and has taken shape around a unifying preoccupation with the symbolic order and its relationship to political and religious belief. It explores some of the oldest question in Marxist historiography, for example the relationship of ‘base’ and ‘superstructure’, art and social life, and also some of the newest and most problematic questions, such as the relationship of dreams and fantasy to political action, or of past and present — historical consciousness — to the making of ideology. The essays, which range widely over period and place, are intended to break new ground and take on difficult questions.

First published in 1982, this book is inspired the ideas generated by Eric Hobsbawm, and has taken shape around a unifying preoccupation with the symbolic order and its relationship to political and religious belief. It explores some of the oldest question in Marxist historiography, for example the relationship of ‘base’ and ‘superstructure’, art and social life, and also some of the newest and most problematic questions, such as the relationship of dreams and fantasy to political action, or of past and present — historical consciousness — to the making of ideology. The essays, which range widely over period and place, are intended to break new ground and take on difficult questions.