Graham Johnson – författare

The French Song Companion is the most comprehensive book of French mélodie in any language. The great accompagnist Graham Johnson, a noted authority of song, provides repertoire guides to the work of some 150 composers - the majority of them from France, but including British, American, German, Spanish, and Italian musicians who have written French vocal music. There are major articles on such figures as Fauré, Duparc, Debussy, Ravel, and Poulenc; substantial articles on Bizet, Chabrier, Gounod, Chausson, Hahn, and Satie; and reassessments of such composers as Massenet, Koechlin, and Leguerney. A host of less celebrated figures who have contributed to the genre take their place in a book which is both informative and entertaining.The biographical articles are supplemented by the song translations of Richard Stokes, some 700 in all, and a veritable treasury of great French poetry from the fifteenth to the twentieth centuries. These stand in their own right as indispensable to music lovers, concert-goers, and professional singers and their accompanists. This is a book which not only reflects the repertoire as found in today's concert halls, but also encourages performers and armchair enthusiasts to explore the neglected highways and biways of an endlessly fascinating and highly civilised body of music.

Fun and educational, these unique playing cards are beautifully illustrated with detailed cells and cellular structures - perfect for science lovers and cell biologists of all ages! Card faces features favorite illustrations from the textbook Cell Biology by Thomas D. Pollard et al. - from the clathrin triskelion and its three-fold symmetry on the 3 to mitotic chromosome structure on the Queen!Standard 52-card deck with illustrations of echinospherium, seipin ring, muscle thin filament with troponin-tropomyosin, and more. Jokers feature illustrations of cdk2-cyclin A (red joker) and endoplasmic reticulum (black joker).Fourteen different card faces in all featuring the well-loved cellular illustrations of Graham Johnson!

Fun and educational, these unique playing cards are beautifully illustrated with detailed cells and cellular structures - perfect for science lovers and cell biologists of all ages! Card faces features favorite illustrations from the textbook Cell Biology by Thomas D. Pollard et al. - from the clathrin triskelion and its three-fold symmetry on the 3 to mitotic chromosome structure on the Queen!Standard 52-card deck with illustrations of endosomes and lysosome, mother and daughter centrioles, membrane traffic, eukaryotic phylogenetic tree, three cytoskeletal polymers, and more.Jokers feature illustrations of autophagy (red joker) and ribosome, V-type ATPase, CRISPR/Cas, bacterium (black joker).Fourteen different card faces in all featuring the well-loved cellular illustrations of Graham Johnson.Includes 12 individual decks of cards.

** THE PERFECT GIFT FOR AN ADOLESCENT WHO SPENDS TOO MUCH TIME IN THEIR BEDROOM. **Everybody does it. Nobody wants to talk about it. But have you ever wondered if there's an effective way of restraining your idle hands when they are in danger of straying into a your own nether regions?Finally, there is.Choking the chicken, spanking the monkey, airing the orchid, embarking on an onanistic odyssey - whatever you call it, all of the images in this book will discourage any urges towards self-pleasure. This deceptively simple and strangely addictive book presents a collection of carefully curated pictures guaranteed to throw a wet towel over even the strongest libido or put any soldier standing to attention at ease.It is as effective as a cold shower and will save a fortune in tissues.

This collection of eight 'lectures' by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten's songs, starting with his earliest compositions in the genre. Graham Johnson suggests that the nature of Britten's creativity is especially apparent in his setting of poetry, that he becomes the poet's alter-ego. A chapter on Britten's settings of Auden and Eliot explores the particular influences these writers brought to bear at opposite poles of the composer's life. The inspiration of fellow musicians is also discussed, with a chapter devoted to Britten's time in Russia and his friendship with the Rostropovitch family. Closer to home, the book places in context Britten's folksong settings, illustrating how he subverted the English folksong tradition by refusing to accept previous definitions of what constituted national loyalty. Drawing on letters and diaries, and featuring a number of previously unpublished photographs, this book illuminates aspects of Britten's songs from the personal perspective of the pianist who worked closely with Peter Pears after Benjamin Britten was unable to perform through illness. Johnson worked with Pears on learning the role of Aschenbach in 'Death in Venice' and was official pianist for the first master class given by Peter Pears at Snape in 1972.

The career of Gabriel Fauré as a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French mélodie is contained within these parameters. In the 1860s Fauré, the lifelong protégé of Camille Saint-Saëns, was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Fauré was the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Fauré's own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Fauré's first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Fauré's 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Fauré is no longer merely a 'Master of Charms' circumscribed by the belle époque. His status as a great composer of timeless

Choking the chicken, spanking the monkey, airing the orchid-whatever you call it, none of the images in this book will encourage the gentle art of self-pleasure. This deceptively simple and strangely addictive book presents a laugh-out-loud collection of random pictures virtually guaranteed to dampen the urge of even the strongest libido.

Mejor que tomar una ducha fría - y mucho más chistoso. Este libro lleno de fotos y humor cambiará tu forma de pensar, de sentir...de amar. Cómpralo ya antes de que las autoridades, y la iglesia, lo prohíban.

This collection of eight 'lectures' by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten's songs, starting with his earliest compositions in the genre. Graham Johnson suggests that the nature of Britten's creativity is especially apparent in his setting of poetry, that he becomes the poet's alter-ego. A chapter on Britten's settings of Auden and Eliot explores the particular influences these writers brought to bear at opposite poles of the composer's life. The inspiration of fellow musicians is also discussed, with a chapter devoted to Britten's time in Russia and his friendship with the Rostropovitch family. Closer to home, the book places in context Britten's folksong settings, illustrating how he subverted the English folksong tradition by refusing to accept previous definitions of what constituted national loyalty. Drawing on letters and diaries, and featuring a number of previously unpublished photographs, this book illuminates aspects of Britten's songs from the personal perspective of the pianist who worked closely with Peter Pears after Benjamin Britten was unable to perform through illness. Johnson worked with Pears on learning the role of Aschenbach in 'Death in Venice' and was official pianist for the first master class given by Peter Pears at Snape in 1972.

This collection of eight ''lectures'' by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten''s songs, starting with his earliest compositions in the genre. Graham Johnson suggests that the nature of Britten''s creativity is especially apparent in his setting of poetry, that he becomes the poet''s alter-ego. A chapter on Britten''s settings of Auden and Eliot explores the particular influences these writers brought to bear at opposite poles of the composer''s life. The inspiration of fellow musicians is also discussed, with a chapter devoted to Britten''s time in Russia and his friendship with the Rostropovitch family. Closer to home, the book places in context Britten''s folksong settings, illustrating how he subverted the English folksong tradition by refusing to accept previous definitions of what constituted national loyalty. Drawing on letters and diaries, and featuring a number of previously unpublished photographs, this book illuminates aspects of Britten''s songs from the personal perspective of the pianist who worked closely with Peter Pears after Benjamin Britten was unable to perform through illness. Johnson worked with Pears on learning the role of Aschenbach in ''Death in Venice'' and was official pianist for the first master class given by Peter Pears at Snape in 1972.

This collection of eight ''lectures'' by internationally acclaimed pianist, Graham Johnson, is based on a series of concert talks given at the Guildhall School of Music and Drama as part of the Benjamin Britten festival in 2001. The focus of the book is on Britten''s songs, starting with his earliest compositions in the genre. Graham Johnson suggests that the nature of Britten''s creativity is especially apparent in his setting of poetry, that he becomes the poet''s alter-ego. A chapter on Britten''s settings of Auden and Eliot explores the particular influences these writers brought to bear at opposite poles of the composer''s life. The inspiration of fellow musicians is also discussed, with a chapter devoted to Britten''s time in Russia and his friendship with the Rostropovitch family. Closer to home, the book places in context Britten''s folksong settings, illustrating how he subverted the English folksong tradition by refusing to accept previous definitions of what constituted national loyalty. Drawing on letters and diaries, and featuring a number of previously unpublished photographs, this book illuminates aspects of Britten''s songs from the personal perspective of the pianist who worked closely with Peter Pears after Benjamin Britten was unable to perform through illness. Johnson worked with Pears on learning the role of Aschenbach in ''Death in Venice'' and was official pianist for the first master class given by Peter Pears at Snape in 1972.

The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot''s circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a ''Master of Charms'' circumscribed by the belleque. His status as a great composer of timeless

The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot''s circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a ''Master of Charms'' circumscribed by the belleque. His status as a great composer of timeless

This collection of imagined book covers will have you scratching your head and laughing out loud with every page turn. Though Pranks with Sausages and Holy Bible II don't actually exist, Rejected Books offers up a professionally produced catalogue of the worst books imaginable, and what these tomes (and plenty more) could look like.Rejected Books includes delightfully weird covers of imagined books like:The Sculptors Who Couldn't Do HandsCooking with Breast MilkPossessed Toys: A Buying GuideUnfortunate Gluing AccidentsCamel Toes Through HistoryEnjoy the worst book pitches of all time and rest assured that anyone can have a future in publishing ... even if your ideas are totally horrible.

Francis Poulenc (1899–1963) is widely acknowledged as one of the twentieth century’s most significant masters of vocal music—solo, choral and operatic—quite apart from his achievements in instrumental spheres. But what it cost him has been underestimated. In this seminal biography, which will serve as the definitive guide to the songs, Graham Johnson shows that it is in Poulenc’s extraordinary songs and seeing how they fit into his life—his hidden sexuality, addiction and all—that we discover the composer’s essential artistic being. With Jeremy Sams’s song translations, the first in over forty years, and the insight that comes from a lifetime of performing this music, Johnson provides an essential volume for singers, pianists, listeners and readers interested in the artistic milieu of modernism in the first half of the twentieth century.

A global workforce. Billions in sales. But, unlike Tesco or BP, few have heard of it. The Cartel is Britain’s biggest drugs organisation, a shadowy network stretching from the freezing, fog-banks of the Mersey to the glittering marinas of Marbella, from the coffee shops of Amsterdam to the trading floors of Canary Wharf. Run by godfathers as rich as Branson but kept in line by a new generation of teenage killers. Here is the inside story.

A global workforce. Billions in sales. But, unlike Tesco or BP, few have heard of it. The Cartel is Britain’s biggest drugs organisation, a shadowy network stretching from the freezing, fog-banks of the Mersey to the glittering marinas of Marbella, from the coffee shops of Amsterdam to the trading floors of Canary Wharf. Run by godfathers as rich as Branson but kept in line by a new generation of teenage killers. Here is the inside story.

'The young bloods did not care whether they killed criminals or civilians . . .’The Cartel is Britain’s biggest drugs gang, a global corporation employing thousands of criminals and flooding Britain with cocaine and heroin. Yet the established order is under threat: street gangs are overwhelming the old-school Cartel godfathers with a campaign of violence, intimidation and mayhem, heralding a series of events that has had devastating consequences for the whole of society.In Young Blood, the explosive follow-up to The Cartel, bestselling true-crime author Graham Johnson reveals how the brutal assassination of drug baron Colin ‘King Cocaine’ Smith in 2007 by a group of young bucks triggered the rise of the foot soldier, and exposes the bitter struggle that has spread throughout Europe as various factions battle to seize control of the most lucrative crime syndicate in British history.

'The young bloods did not care whether they killed criminals or civilians . . .’The Cartel is Britain’s biggest drugs gang, a global corporation employing thousands of criminals and flooding Britain with cocaine and heroin. Yet the established order is under threat: street gangs are overwhelming the old-school Cartel godfathers with a campaign of violence, intimidation and mayhem, heralding a series of events that has had devastating consequences for the whole of society.In Young Blood, the explosive follow-up to The Cartel, bestselling true-crime author Graham Johnson reveals how the brutal assassination of drug baron Colin ‘King Cocaine’ Smith in 2007 by a group of young bucks triggered the rise of the foot soldier, and exposes the bitter struggle that has spread throughout Europe as various factions battle to seize control of the most lucrative crime syndicate in British history.

This collection of imagined book covers will have you scratching your head and laughing out loud with every page turn. Though Pranks with Sausages and Holy Bible II don't actually exist, Rejected Books offers up a professionally produced catalogue of the worst books imaginable, and what these tomes (and plenty more) could look like.Rejected Books includes delightfully weird covers of imagined books like:The Sculptors Who Couldn't Do HandsCooking with Breast MilkPossessed Toys: A Buying GuideUnfortunate Gluing AccidentsCamel Toes Through HistoryEnjoy the worst book pitches of all time and rest assured that anyone can have a future in publishing ... even if your ideas are totally horrible.

Drug dealers beware. The Devil is coming to get you. Gangster Stephen French invented the perfect crime: robbing drug barons of their huge fortunes. In SAS-style swoops, French raided their fortified mansions and tortured them with horrifying violence until they paid up. Through 'taxing' the richest and most powerful crimelords in the UK, he netted over £20 million.French was no ordinary criminal. He was a world-champion fighter, he studied psychology at university to master mind-control techniques, and he used the teachings of Machiavelli and samurai warriors to outwit his enemies. The Devil also reveals French's complex relationship with Curtis Warren, the wealthiest criminal in British history. The two were childhood pals, then partners and finally bitter enemies.Now a legitimate businessman, French built up a multimillion-pound empire. Having eventually turned his back on his former life, he is now seeking to set the record straight.

'If those pricks want a war, lad, we'll show what some proper soljas can do.'Dylan, Nogger and their crew 'tax' rival drug dealers using a red-hot steam iron and celebrate by making videos of themselves raping wannabe WAG s. In their world, guns and knives are as common as mobile phones. But when an innocent three-year-old girl is killed in the crossfire, extreme measures are brought in to combat gang warfare.From burgeoning organised crime to warped celebrity culture, Gang War is an apocalyptic vision of a world in freefall. The gripping debut novel by the bestselling author of Powder Wars is a mind-blowing tale that is all the more shocking because it is inspired by real-life events.

Drug dealers beware. The Devil is coming to get you. Gangster Stephen French invented the perfect crime: robbing drug barons of their huge fortunes. In SAS-style swoops, French raided their fortified mansions and tortured them with horrifying violence until they paid up. Through 'taxing' the richest and most powerful crimelords in the UK, he netted over £20 million.French was no ordinary criminal. He was a world-champion fighter, he studied psychology at university to master mind-control techniques, and he used the teachings of Machiavelli and samurai warriors to outwit his enemies. The Devil also reveals French's complex relationship with Curtis Warren, the wealthiest criminal in British history. The two were childhood pals, then partners and finally bitter enemies.Now a legitimate businessman, French built up a multimillion-pound empire. Having eventually turned his back on his former life, he is now seeking to set the record straight.

'An astonishing story' - Sunday Mirror'The best gangster book of modern times' - Donal MacIntyreGangster Paul Grimes was a one-man crimewave with a breathtaking capacity to steal. Any villains who got in his way were made to pay - often with their blood. But when his son died of a drugs overdose, the old-school mobster swore revenge on the new generation of Liverpool-based heroin and cocaine dealers. Against all odds, he turned undercover informant.The first gangster to fall foul of Grimes' change of heart was Curtis Warren, aka 'Cocky', the wealthiest and most successful criminal in British history. Grimes infiltrated his cocaine cartel and led Customs to the largest narcotics seizure on record, putting Warren in the dock in the drugs trial of the twentieth century.After turning his attention to heroin baron John Haase, Grimes rose to become the boss of the villain's notoriously bloodthirsty 'security firm' - a professional gang of racketeers addicted to cocaine, explosive violence and non-stop criminality. But as his net began to tighten, Grimes was confronted with the ultimate dilemma. He discovered his second son was now a rising star in the drugs business. The life-or-death question was: should he shop him or not?Powder Wars also reveals the secrets behind one of the most controversial episodes in British judicial history - how former Home Secretary Michael Howard was duped into granting John Haase a Royal Pardon.Today, Paul Grimes has a £100,000 contract on his head and is a real-life dead man walking.Powder Wars is a riveting account of modern gangsters told in brutal detail.

When ruthless drug baron John Haase was sentenced to 18 years' imprisonment for heroin-trafficking in 1995, it was a major victory for Customs and the police. But in a shock move, after Haase and his partner Paul Bennett had served only 11 months, then Home Secretary Michael Howard signed a Royal Pardon for their release. Howard defended his decision by revealing that Haase and Bennett had become invaluable informants. But Haase had in fact duped the authorities, and far from being forced into hiding as a supergrass, he gained new kudos among the criminal underworld for beating the system so audaciously. Graham Johnson interviewed Haase at Whitemoor prison and has obtained a copy of his sworn affidavit revealing the truth behind the Royal Pardon scandal. Allegations of huge bribes, mass fabrication of evidence and dark powers at the heart of the justice system make this an explosive exposé of Britain's number-one drug kingpin.

It was a brutal murder, and the trial of the decade. On 1 November 2007, 21-year-old British student Meredith Kercher was slaughtered in cold blood in the apartment in Perugia, Italy, that she shared with three other girls. Two bright young people, Amanda Knox and her Italian ex-boyfriend, Raffaele Sollecito, stood accused of the killing in a trial that lasted through 2009. They were found guilty and sentenced to twenty-six and twenty-five years respectively on 4 December. A second man, Ivory Coast-born Rudy Guede, 22, had already been found guilty of the sexual assault and murder of Meredith in a separate trial in 2008 and sentenced to thirty years, but the prosecution always stated that he didn't act alone. Kercher was a model student whilst American Knox acquired a reputation that fuelled specualtion about her character. Her bizarre behaviour just after Meredith's body was found, her false accusation of an innocent man, her weak alibi and her DNA on the murder weapon - a kitchen knife found to be scubbed with bleach - went against her. TV producer Paul Russell and critically acclaimed crime writer Graham Johnson have teamed up with leading Italian forensics expert General Luciano Garofano to reveal the full truth behind this sensational murder and its trial. They unravel all the details and study all the personalities in this case that has stunned the world. Complex, and some say controversial, DNA evidence is explained in simple language and, bit by bit, a story emerges of brutality and jealousy in a university town where all was not what it seemed. Their findings make for gripping, sensational reading.

Graham Johnson was a fresh-faced journalist with an ambition to break the big news stories and make his name as a star reporter when an offer came in to work at a leading tabloid… he couldn't say no. Instantly, he found himself drawn into a world of sleaze, spin and corruption - where bending the law was justifiable in the hunt for the big-selling story and bending the truth was the norm. Against his better judgement, Graham found his niche in this new world and, what's more, he found that he was good at it. In his time at first the News of the Worldthen the Sunday Mirror, he made a name for himself as a man who could deliver the story, no matter what - a kind of tabloid terrorist who rifled through celebrity's rubbish bins, staked out politicians' hotel rooms, and paid-up page three girls to seduce Premiership footballers, all in the name of scoring a front-page story. Hackis a compelling and intoxicating story of one man's time in the tabloid jungle - a world that in its heady mix of sex, drugs and casual immorality is reminiscent of the City - and how he ultimately saved himself.

It’s all well and good wizarding about as a child, but what happens when you have to trade in the wand for a real job? Join Harry as he steps into the world of work, turning his hand - and his magic - to the Muggle jobs the rest of us face every day.Packed with vibrant illustrations, this delightfully funny book takes everyone on a journey through Harry's post-Hogwarts life. From solving plumbing disasters with Moaning Myrtle to magically reducing the mountain of paperwork at his Butterbeer Microbrewery, see exactly how Harry navigates the challenges and tedium of ordinary working life, with a little magic to help him along the way.With each scene brimming with references and hidden easter eggs from the treasured Wizarding World, After Hogwarts is the perfect gift for anyone looking to spend some time with their favourite wizard ahead of the hotly anticipated new TV series.