Hindy Najman – författare

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.Scriptural Vitality challenges the view that the Persian and Hellenistic periods constitute a time of decay, a period of 'late Judaism', languishing between an original, vibrant Judaism and the birth of Christianity. Instead, Hindy Najman argues that the Second Temple period was one of untethered creativity and poetic imagination, of dynamism exemplified through philosophical translation, poetic composition, and a convergence of ancient Mediterranean cultures that gave birth to hermeneutic innovation. Building on Nietzsche's critique of classical philology and drawing on new ways of reading the Dead Sea Scrolls, the author carries out a radical rethinking of biblical studies. Instead of seeking to reconstruct the original text and to find its original author or at least the original context of its production, Najman celebrates textual pluriformity and transformation, tracing ways in which texts and meanings proliferated within interpretive communities through new performances and fresh articulations of the past. Engaging with thinkers such as Friedrich Schlegel and Peter Szondi, whom biblicists have rarely considered, biblical philology is reimagined as the forward-moving study of the poetic processes by which Jewish communities re-created their past and revitalized their present. The Second Temple period emerges as a golden age of creativity, whose traces may still be discerned in Judaism and Christianity today.

This book explores the Jewish community's response to the destruction of the Second Temple in 70 CE. The focus is 4 Ezra, a text that reboots the past by imaginatively recasting textual and interpretive traditions. Instead of rebuilding the Temple, as Ezra does in the books of Ezra and Nehemiah, the Ezra portrayed in 4 Ezra argues with an angel about the mystery of God's plan and re-gives Israel the Torah. Drawing on Walter Benjamin, 4 Ezra is analyzed in terms of a constellation composed of elements from pre-destruction traditions. Ezra's struggle and his eventual recommitment to Torah are also understood as providing a model for emulation by ancient Jewish readers. 4 Ezra is thus what Stanley Cavell calls a perfectionist work. Its specific mission is to guide the formation of Jewish subjects capable of resuming covenantal life in the wake of a destruction that inflects but never erases revelation.

The essays in this Festschrift honor James L. Kugel for his contribution to the field of biblical studies, in particular early biblical interpretation. The essays are organized in three roughly chronological categories. The first group treats some part of the Tanakh, ranging from the creation and Abraham stories of Genesis to the evolving conception of sacred writing in the prophetic literature. The second set of essays focuses chiefly on the literature of Second Temple Judaism, including Qumran and extra-biblical literature. The last group concerns the scriptural imagination at work in rabbinic literature, in Milton's Paradise Lost, in the anti-semitic work of Gerhard Kittel, up to the present in a treatment of Levinas and the Talmud.

How did ancient Jewish authors claim authority for their interpretations? How, after the “end of prophecy”, could they claim the authority of revelation? Whom did one have to be, or aspire to be, in order to merit authority? Hindy Najman addresses these questions through close readings of ancient Jewish texts, e.g., Ezra-Nehemiah, Philo of Alexandria, 4Ezra, Dead Sea Scrolls, and Jubilees. In Seconding Sinai (Brill, 2003), Najman reconceived pseudepigraphy, developing the idea of a Mosaic discourse that comprised a series of ancient texts attributed to Moses. Here she develops the broader notion of a discourse tied to a founder, situating practices of pseudepigraphy and authoritative interpretation within a variety of ways of seeking perfection in ancient Judaism.

How were Jewish texts produced and transmitted in late antiquity? What role did scribal practices play in the shaping of both scriptural and interpretive traditions, which are—as the Scrolls show so decisively—intimately intertwined? How were texts assembled from a variety of earlier sources, both oral and written? Why were they often attributed to pseudonymous authors from the remote past such as Moses and David? How did the composers of these texts understand the enterprise in which they were engaged? This volume furthers current debates about Qumran Scribal Practice and the transmission of traditions in Jewish Antiquity. It is published with the conviction that the transmission of traditions and the details of scribal practices—so often treated separately—should be considered in conversation with each other.

Jeremiah’s Scriptures focuses on the composition of the biblical book of Jeremiah and its dynamic afterlife in ancient Jewish traditions. Jeremiah is an interpretive text that grew over centuries by means of extensive redactional activities on the part of its tradents. In addition to the books within the book of Jeremiah, other books associated with Jeremiah or Baruch were also generated. All the aforementioned texts constitute what we call “Jeremiah's Scriptures.” The papers and responses collected here approach Jeremiah’s scriptures from a variety of perspectives in biblical and ancient Jewish sub-fields. One of the authors' goals is to challenge the current fragmentation of the fields of theology, biblical studies, ancient Judaism. This volume focuses on Jeremiah and his legacy.