Imre Szeman – författare

Contemporary life is founded on oil – a cheap, accessible, and rich source of energy that has shaped cities and manufacturing economies at the same time that it has increased mobility, global trade, and environmental devastation. Despite oil's essential role, full recognition of its social and cultural significance has only become a prominent feature of everyday debate and discussion in the early twenty-first century. Presenting a multifaceted analysis of the cultural, social, and political claims and assumptions that guide how we think and talk about oil, Petrocultures maps the complex and often contradictory ways in which oil has influenced the public's imagination around the world. This collection of essays shows that oil's vast network of social and historical narratives and the processes that enable its extraction are what characterize its importance, and that its circulation through this immense web of relations forms worldwide experiences and expectations. Contributors' essays investigate the discourses surrounding oil in contemporary culture while advancing and configuring new ways to discuss the cultural ecosystem that it has created. A window into the social role of oil, Petrocultures also contemplates what it would mean if human life were no longer deeply shaped by the consumption of fossil fuels.

Globalization has challenged concepts such as local culture and cultural autonomy. And the rampant commodification of cultural products has challenged the way we define culture itself. Have these developments transformed the relationship between culture and autonomy? Have traditional notions of cultural autonomy been recast?Cultural Autonomy showcases the work of scholars who are exploring new ways of understanding the critical issue of globalization and culture. By defining culture broadly – as a set of ideas or practices that range from skateboarding to the work of public intellectuals such as Edward Said – they trace how issues of cultural autonomy have played out in various areas, including the human rights and environmental movements and among indigenous peoples. Although the contributors focus on the marginalized issue of autonomy, they offer a balanced perspective – one that reveals that globalization has not only limited but also created new forms of cultural autonomy.

Globalization has challenged concepts such as local culture and cultural autonomy. And the rampant commodification of cultural products has challenged the way we define culture itself. Have these developments transformed the relationship between culture and autonomy? Have traditional notions of cultural autonomy been recast?Cultural Autonomy showcases the work of scholars who are exploring new ways of understanding the critical issue of globalization and culture. By defining culture broadly – as a set of ideas or practices that range from skateboarding to the work of public intellectuals such as Edward Said – they trace how issues of cultural autonomy have played out in various areas, including the human rights and environmental movements and among indigenous peoples. Although the contributors focus on the marginalized issue of autonomy, they offer a balanced perspective – one that reveals that globalization has not only limited but also created new forms of cultural autonomy.

Attempts by writers and intellectuals in former colonies to create unique national cultures are often thwarted by a context of global modernity, which discourages particularity and uniqueness. In describing unstable social and political cultures, such "third-world intellectuals" often find themselves torn between the competing literary requirements of the "local" culture of the colony and the cosmopolitan, "world" culture introduced by Western civilization. In Zones of Instability, Imre Szeman examines the complex relationship between literature and politics by exploring the production of nationalist literature in the former British empire. Taking as his case studies the regions of the British Caribbean, Nigeria, and Canada, Szeman analyzes the work of authors for whom the idea of the"nation" and literature are inexorably entwined, such as Chinua Achebe, Wole Soyinka, C.L.R. James, Frantz Fanon, and V.S. Naipaul. Szeman focuses on literature created in the two decades after World War II, decades in which the future prospects for many colonies went from extreme political optimism to extreme political disappointment.He finds that the "nation" can be read as that space in which literature is thought to be able to conjoin two things that history has separated-the writer and the people.

The Johns Hopkins Guide to Literary Theory and Criticism has become the indispensable resource for scholars and students of literary theory and discourse. The long-awaited second edition includes 48 new entries and subentries and has been revised throughout, taking account of ten years of rapidly changing scholarship. While concentrating on the explosion of contemporary critical and theoretical works, the Guide presents a comprehensive historical survey of ideas and individuals ranging from Plato and Aristotle to twentieth-century scholars. It includes more than 240 alphabetically arranged entries on critics and theorists, critical schools and movements, and the critical and theoretical innovations of specific countries and historical periods. It also examines developments in other disciplines which have shaped literary theory and criticism. An international, encyclopedic guide to the field's most important figures, schools, and movements, the new edition reflects the state of literary theory and criticism.

Canada is situated geographically, historically, and culturally between old empires (Great Britain and France) and a more recent one (the United States), as well as on the terrain of First Nations communities. Poised between historical and metaphorical empires and operating within the conditions of incomplete modernity and economic and cultural dependency, Canada has generated a body of cultural criticism and theory, which offers unique insights into the dynamics of both center and periphery. The reader brings together for the first time in one volume recent writing in Canadian cultural studies and work by significant Canadian cultural analysts of the postwar era.Including essays by anglophone, francophone, and First Nations writers, the reader is divided into three parts, the first of which features essays by scholars who helped set the agenda for cultural and social analysis in Canada and remain important to contemporary intellectual formations: Harold Innis, Marshall McLuhan, and Anthony Wilden in communications theory; Northrop Frye in literary studies; George Grant and Harold Innis in a left-nationalist tradition of critical political economy; Fernand Dumont and Paul-Émile Borduas in Quebecois national and political culture; and Harold Cardinal in native studies. The volume’s second section showcases work in which contemporary authors address Canada’s problematic and incomplete nationalism; race, difference, and multiculturalism; and modernity and contemporary culture. The final section includes excerpts from federal policy documents that are especially important to Canadians’ conceptions of their social, political, and cultural circumstances. The reader opens with a foreword by Fredric Jameson and concludes with an afterword in which the Quebecois scholar Yves Laberge explores the differences between English-Canadian cultural studies and the prevailing forms of cultural analysis in francophone Canada.Contributors. Ian Angus, Himani Bannerji, Jody Berland, Paul-Émile Borduas, Harold Cardinal, Maurice Charland, Stephen Crocker, Ioan Davies, Fernand Dumont, Kristina Fagan, Gail Faurschou, Len Findlay, Northrop Frye, George Grant, Rick Gruneau, Harold Innis, Fredric Jameson, Yves Laberge, Jocelyn LÉtourneau, Eva Mackey, Lee Maracle, Marshall McLuhan, Katharyne Mitchell, Sourayan Mookerjea, Kevin Pask, Rob Shields, Will Straw, Imre Szeman, Serra Tinic, David Whitson, Tony Wilden

How has our relation to energy changed over time? What differences do particular energy sources make to human values, politics, and imagination? How have transitions from one energy source to another—from wood to coal, or from oil to solar to whatever comes next—transformed culture and society? What are the implications of uneven access to energy in the past, present, and future? Which concepts and theories clarify our relation to energy, and which just get in the way? Fueling Culture offers a compendium of keywords written by scholars and practitioners from around the world and across the humanities and social sciences. These keywords offer new ways of thinking about energy as both the source and the limit of how we inhabit culture, with the aim of opening up new ways of understanding the seemingly irresolvable contradictions of dependence upon unsustainable energy forms.Fueling Culture brings together writing that is risk-taking and interdisciplinary, drawing on insights from literary and cultural studies, environmental history and ecocriticism, political economy and political ecology, postcolonial and globalization studies, and materialisms old and new.Keywords in this volume include: Aboriginal, Accumulation, Addiction, Affect, America, Animal, Anthropocene, Architecture, Arctic, Automobile, Boom, Canada, Catastrophe, Change, Charcoal, China, Coal, Community, Corporation, Crisis, Dams, Demand, Detritus, Disaster, Ecology, Electricity, Embodiment, Ethics, Evolution, Exhaust, Fallout, Fiction, Fracking, Future, Gender, Green, Grids, Guilt, Identity, Image, Infrastructure, Innervation, Kerosene, Lebenskraft, Limits, Media, Metabolism, Middle East, Nature, Necessity, Networks, Nigeria, Nuclear, Petroviolence, Photography, Pipelines, Plastics, Renewable, Resilience, Risk, Roads, Rubber, Rural, Russia, Servers, Shame, Solar, Spill, Spiritual, Statistics, Surveillance, Sustainability, Tallow, Texas, Textiles, Utopia, Venezuela, Whaling, Wood, Work For a full list of keywords in and contributors to this volume, please go to: http://ow.ly/4mZZxV

How has our relation to energy changed over time? What differences do particular energy sources make to human values, politics, and imagination? How have transitions from one energy source to another—from wood to coal, or from oil to solar to whatever comes next—transformed culture and society? What are the implications of uneven access to energy in the past, present, and future? Which concepts and theories clarify our relation to energy, and which just get in the way? Fueling Culture offers a compendium of keywords written by scholars and practitioners from around the world and across the humanities and social sciences. These keywords offer new ways of thinking about energy as both the source and the limit of how we inhabit culture, with the aim of opening up new ways of understanding the seemingly irresolvable contradictions of dependence upon unsustainable energy forms.Fueling Culture brings together writing that is risk-taking and interdisciplinary, drawing on insights from literary and cultural studies, environmental history and ecocriticism, political economy and political ecology, postcolonial and globalization studies, and materialisms old and new.Keywords in this volume include: Aboriginal, Accumulation, Addiction, Affect, America, Animal, Anthropocene, Architecture, Arctic, Automobile, Boom, Canada, Catastrophe, Change, Charcoal, China, Coal, Community, Corporation, Crisis, Dams, Demand, Detritus, Disaster, Ecology, Electricity, Embodiment, Ethics, Evolution, Exhaust, Fallout, Fiction, Fracking, Future, Gender, Green, Grids, Guilt, Identity, Image, Infrastructure, Innervation, Kerosene, Lebenskraft, Limits, Media, Metabolism, Middle East, Nature, Necessity, Networks, Nigeria, Nuclear, Petroviolence, Photography, Pipelines, Plastics, Renewable, Resilience, Risk, Roads, Rubber, Rural, Russia, Servers, Shame, Solar, Spill, Spiritual, Statistics, Surveillance, Sustainability, Tallow, Texas, Textiles, Utopia, Venezuela, Whaling, Wood, Work For a full list of keywords in and contributors to this volume, please go to: http://ow.ly/4mZZxV

The work of Pierre Bourdieu, one of the most influential French intellectuals of the twentieth century, has had an enormous impact on research in fields as diverse as aesthetics, education, anthropology, and sociology. Pierre Bourdieu: Fieldwork in Art, Literature, and Culture is the first collection of essays to focus specifically on the contribution of Bourdieu's thought to the study of cultural production. Though Bourdieu's own work has illuminated diverse cultural phenomena, the essays in this volume extend to new cultural forms and to national situations outside France. Far from simply applying Bourdieu's concepts and theoretical tools to these new contexts, the essays in this volume consider both the possibility and limits of Bourdieu's sociology for the study of culture.

AFTER GLOBALIZATION “Relentlessly, remorselessly, endlessly, we are told there is no alternative to globalization, whether our lecturers are bourgeois economists, progressive journalists, or imaginative litterateurs. Eric Cazdyn and Imre Szeman dare to go beyond the standard thinking of the day and query the very heart of mobile capital and its impact on daily life. Their alternative vision breathes new life into our sense of evolution and inevitability.”Toby Miller, author of Globalization and Sport and Global Hollywood“Cazdyn and Szeman begin with the idea that the current economic crisis has historicized globalization, turning it from a process that looked as inevitable as, say, global warming still does, into an episode in the history of capitalism: hence the possibility not just of more globalization but of an “after globalization.” And hence also, they argue, the renewed possibility of an “after capitalism.” In powerful critiques of what they describe as the common sense of capital today they sketch out the terms in which changes more radical than substituting generous and honest leaders for the greedy and dishonest ones we’ve currently got might begin to be imagined.”Walter Benn Michaels, University of Illinois at ChicagoIn lively and unflinching prose, Eric Cazdyn and Imre Szeman argue that contemporary thought about the world is disabled by a fatal flaw: the inability to think “an after” to globalization. After establishing seven theses (on education, morality, nation, future, history, capitalism, and common sense) that challenge the false promises that sustain this time limit, After Globalization examines four popular thinkers (Richard Florida, Thomas Friedman, Paul Krugman, and Naomi Klein) and considers how their work is dulled by these promises. Cazdyn and Szeman then speak to students from around the globe who are both unconvinced and uninterested in these promises and who understand the world very differently than the way it is popularly represented.After Globalization argues that a true capacity to think an after to globalization is the very beginning of politics today.

This Companion addresses the contemporary transformation of critical and cultural theory, with special emphasis on the way debates in the field have changed in recent decades. Features original essays from an international team of cultural theorists which offer fresh and compelling perspectives and sketch out exciting new areas of theoretical inquiry Thoughtfully organized into two sections – lineages and problematics – that facilitate its use both by students new to the field andadvanced scholars and researchersExplains key schools and movements clearly and succinctly, situating them in relation to broader developments in culture, society, and politicsTackles issues that have shaped and energized the field since the Second World War, with discussion of familiar and under-theorized topics related to living and laboring, being and knowing, and agency and belonging

Popular Culture: A User’s Guide, International Edition ventures beyond the history of pop culture to give readers the vocabulary and tools to address and analyze the contemporary cultural landscape that surrounds them. Moves beyond the history of pop culture to give students the vocabulary and tools to analyze popular culturesuitable for the study of popular culture across a range of disciplines, from literary theory and cultural studies to philosophy and sociologyCovers a broad range of important topics including the underlying socioeconomic structures that affect media, the politics of pop culture, the role of consumers, subcultures and countercultures, and the construction of social realityExamines the ways in which individuals and societies act as consumers and agents of popular culture

Popular Culture: A User’s Guide, International Edition ventures beyond the history of pop culture to give readers the vocabulary and tools to address and analyze the contemporary cultural landscape that surrounds them. Moves beyond the history of pop culture to give students the vocabulary and tools to analyze popular culturesuitable for the study of popular culture across a range of disciplines, from literary theory and cultural studies to philosophy and sociologyCovers a broad range of important topics including the underlying socioeconomic structures that affect media, the politics of pop culture, the role of consumers, subcultures and countercultures, and the construction of social realityExamines the ways in which individuals and societies act as consumers and agents of popular culture

This Companion addresses the contemporary transformation of critical and cultural theory, with special emphasis on the way debates in the field have changed in recent decades. Features original essays from an international team of cultural theorists which offer fresh and compelling perspectives and sketch out exciting new areas of theoretical inquiry Thoughtfully organized into two sections – lineages and problematics – that facilitate its use both by students new to the field andadvanced scholars and researchersExplains key schools and movements clearly and succinctly, situating them in relation to broader developments in culture, society, and politicsTackles issues that have shaped and energized the field since the Second World War, with discussion of familiar and under-theorized topics related to living and laboring, being and knowing, and agency and belonging

There are very few figures in history that have exerted as much and as varied an influence as Karl Marx. His work represents an unrivalled intervention into fields as various as philosophy, journalism, economics, history, politics and cultural criticism. His name is invoked across the political spectrum in connection to revolution and insurrection, social justice and economic transformation. The Bloomsbury Companion to Marx is the definitive reference guide to Marx’s life and work. Written by an international team of leading Marx scholars, the book offers comprehensive coverage of Marx’s: life and contexts; sources, influences and encounters; key writings; major themes and topics; and reception and influence. The defining feature of this Companion is its attention to the new directions in Marxism that animate the theoretical, scientific, and political sides of Marx’s thought. Gender and the growing importance of Marxist-feminism is treated as equally important to clarifying Marx today as traditional and diverse categories of critique such as class, capital, and mode of production. Similarly, this Companion showcases the methodological and political importance of Marxism to environmentalist politics. Finally, the volume examines in detail non-European Marxisms, demonstrating the centrality of Marxist thought to political movements both within and beyond the global north.This book is the ideal research resource for anyone working on Marx and his ideas today, and as an entry point, if you are approaching Marx's thought for the first time.

Electric cars, green AI, carbon capture, clean tech - everywhere we turn, we’re told technology will save the planet. Green Dreams challenges this comforting story. It examines green techno-optimism, its messaging and claims, and looks at how it plays out across banks, governments, energy corporations, Big Tech, and even Hollywood. It shows how green techno-optimism—the belief that innovation alone can deliver a sustainable future—has become one of the most powerful and misleading ideas of our time. Tracing its roots from Enlightenment progress myths to Silicon Valley manifestos, Big Tech sustainability reports, and Hollywood’s eco-fantasies, Green Dreams reveals why greener machines so often reinforce the problems they seek to solve. Clear-eyed, provocative, and accessible, Green Dreams argues that green technology can play a role in climate action only if we confront the political, economic, and cultural barriers standing in the way of real change. Without systemic transformation, the green dream is a dangerous illusion. Foregrounding the gap between green techno-optimism and our endlessly growth-oriented system and ever-warming planet, it shows how and why technology cannot save the world.

AFTER GLOBALIZATION “Relentlessly, remorselessly, endlessly, we are told there is no alternative to globalization, whether our lecturers are bourgeois economists, progressive journalists, or imaginative litterateurs. Eric Cazdyn and Imre Szeman dare to go beyond the standard thinking of the day and query the very heart of mobile capital and its impact on daily life. Their alternative vision breathes new life into our sense of evolution and inevitability.”Toby Miller, author of Globalization and Sport and Global Hollywood“Cazdyn and Szeman begin with the idea that the current economic crisis has historicized globalization, turning it from a process that looked as inevitable as, say, global warming still does, into an episode in the history of capitalism: hence the possibility not just of more globalization but of an “after globalization.” And hence also, they argue, the renewed possibility of an “after capitalism.” In powerful critiques of what they describe as the common sense of capital today they sketch out the terms in which changes more radical than substituting generous and honest leaders for the greedy and dishonest ones we’ve currently got might begin to be imagined.”Walter Benn Michaels, University of Illinois at ChicagoIn lively and unflinching prose, Eric Cazdyn and Imre Szeman argue that contemporary thought about the world is disabled by a fatal flaw: the inability to think “an after” to globalization. After establishing seven theses (on education, morality, nation, future, history, capitalism, and common sense) that challenge the false promises that sustain this time limit, After Globalization examines four popular thinkers (Richard Florida, Thomas Friedman, Paul Krugman, and Naomi Klein) and considers how their work is dulled by these promises. Cazdyn and Szeman then speak to students from around the globe who are both unconvinced and uninterested in these promises and who understand the world very differently than the way it is popularly represented.After Globalization argues that a true capacity to think an after to globalization is the very beginning of politics today.

Cultural Theory: An Anthology is a collection of the essential readings that have shaped and defined the field of contemporary cultural theory Features a historically diverse and methodologically concise collection of readings including rare essays such as   Pierre Bourdieu’s “Forms of Capital” (1986), Gilles Deleuze “Postscript on Societies of Control” (1992), and Fredric Jameson’s “Reification and Utopia in Mass Culture” (1979)Offers a radical new approach to teaching and studying cultural theory with material arranged around the central areas of inquiry in contemporary cultural study —the status and significance of culture itself, power, ideology, temporality, space and scale, and subjectivitySection introductions, designed to assist the student reader, provide an overview of each piece, explaining the context in which it was written and offering a brief intellectual biography of the authorA large annotated   bibliography of primary and secondary works for each author and topic promotes further research and discussionFeatures a useful glossary of critical terms

Cultural Theory: An Anthology is a collection of the essential readings that have shaped and defined the field of contemporary cultural theory Features a historically diverse and methodologically concise collection of readings including rare essays such as   Pierre Bourdieu’s “Forms of Capital” (1986), Gilles Deleuze “Postscript on Societies of Control” (1992), and Fredric Jameson’s “Reification and Utopia in Mass Culture” (1979)Offers a radical new approach to teaching and studying cultural theory with material arranged around the central areas of inquiry in contemporary cultural study —the status and significance of culture itself, power, ideology, temporality, space and scale, and subjectivitySection introductions, designed to assist the student reader, provide an overview of each piece, explaining the context in which it was written and offering a brief intellectual biography of the authorA large annotated   bibliography of primary and secondary works for each author and topic promotes further research and discussionFeatures a useful glossary of critical terms

Contemporary Literary and Cultural Theory: The Johns Hopkins Guide is a clear, accessible, and detailed overview of the most important thinkers and topics in the field. Written by specialists from across disciplines, its entries cover contemporary theory from Adorno to Zizek, providing an informative and reliable introduction to a vast, challenging area of inquiry. Materials include newly commissioned articles along with essays drawn from The Johns Hopkins Guide to Literary Theory and Criticism, known as the definitive resource for students and scholars of literary theory and for philosophical reflection on literature and culture.

Contemporary Literary and Cultural Theory: The Johns Hopkins Guide is a clear, accessible, and detailed overview of the most important thinkers and topics in the field. Written by specialists from across disciplines, its entries cover contemporary theory from Adorno to Zizek, providing an informative and reliable introduction to a vast, challenging area of inquiry. Materials include newly commissioned articles along with essays drawn from The Johns Hopkins Guide to Literary Theory and Criticism, known as the definitive resource for students and scholars of literary theory and for philosophical reflection on literature and culture.

Energy humanities is a field of scholarship that, like medical and digital humanities before it, aims to overcome traditional boundaries between the disciplines and between academic and applied research. Responding to growing public concern about anthropogenic climate change and the unsustainability of the fuels we use to power our modern society, energy humanists highlight the essential contribution that humanistic insights and methods can make to areas of analysis once thought best left to the natural sciences. In this groundbreaking anthology, Imre Szeman and Dominic Boyer have brought together a carefully curated selection of the best and most influential work in energy humanities. Arguing that today's energy and environmental dilemmas are fundamentally problems of ethics, habits, imagination, values, institutions, belief, and power-all traditional areas of expertise of the humanities and humanistic social sciences-the essays and other pieces featured here demonstrate the scale and complexity of the issues the world faces. Their authors offer compelling possibilities for finding our way beyond our current energy dependencies toward a sustainable future.Contributors include: Margaret Atwood, Paolo Bacigalupi, Lesley Battler, Ursula Biemann, Dominic Boyer, Italo Calvino, Warren Cariou, Dipesh Chakrabarty, Una Chaudhuri, Claire Colebrook, Stephen Collis, Erik M. Conway, Amy De'Ath, Adam Dickinson, Fritz Ertl, Pope Francis, Amitav Ghosh, Gokce Gunel, Gabrielle Hecht, Cymene Howe, Dale Jamieson, Julia Kasdorf, Oliver Kellhammer, Stephanie LeMenager, Barry Lord, Graeme Macdonald, Joseph Masco, John McGrath, Martin McQuillan, Timothy Mitchell, Timothy Morton, Jean-Francois Mouhot, Abdul Rahman Munif, Judy Natal, Reza Negarestani, Pablo Neruda, David Nye, Naomi Oreskes, Andrew Pendakis, Karen Pinkus, Ken Saro-Wiwa, Hermann Scheer, Roy Scranton, Allan Stoekl, Imre Szeman, Laura Watts, Michael Watts, Jennifer Wenzel, Sheena Wilson, Patricia Yaeger, and Marina Zurkow

Energy humanities is a field of scholarship that, like medical and digital humanities before it, aims to overcome traditional boundaries between the disciplines and between academic and applied research. Responding to growing public concern about anthropogenic climate change and the unsustainability of the fuels we use to power our modern society, energy humanists highlight the essential contribution that humanistic insights and methods can make to areas of analysis once thought best left to the natural sciences. In this groundbreaking anthology, Imre Szeman and Dominic Boyer have brought together a carefully curated selection of the best and most influential work in energy humanities. Arguing that today's energy and environmental dilemmas are fundamentally problems of ethics, habits, imagination, values, institutions, belief, and power-all traditional areas of expertise of the humanities and humanistic social sciences-the essays and other pieces featured here demonstrate the scale and complexity of the issues the world faces. Their authors offer compelling possibilities for finding our way beyond our current energy dependencies toward a sustainable future.Contributors include: Margaret Atwood, Paolo Bacigalupi, Lesley Battler, Ursula Biemann, Dominic Boyer, Italo Calvino, Warren Cariou, Dipesh Chakrabarty, Una Chaudhuri, Claire Colebrook, Stephen Collis, Erik M. Conway, Amy De'Ath, Adam Dickinson, Fritz Ertl, Pope Francis, Amitav Ghosh, Gokce Gunel, Gabrielle Hecht, Cymene Howe, Dale Jamieson, Julia Kasdorf, Oliver Kellhammer, Stephanie LeMenager, Barry Lord, Graeme Macdonald, Joseph Masco, John McGrath, Martin McQuillan, Timothy Mitchell, Timothy Morton, Jean-Francois Mouhot, Abdul Rahman Munif, Judy Natal, Reza Negarestani, Pablo Neruda, David Nye, Naomi Oreskes, Andrew Pendakis, Karen Pinkus, Ken Saro-Wiwa, Hermann Scheer, Roy Scranton, Allan Stoekl, Imre Szeman, Laura Watts, Michael Watts, Jennifer Wenzel, Sheena Wilson, Patricia Yaeger, and Marina Zurkow

This volume brings together works written by international theorists since the fall of the Berlin Wall, showing how today's crisis-ridden global capitalism is making Marxist theory more relevant and necessary than ever. This collection of key texts by prominent and lesser-known thinkers from Latin America, Asia, Africa, America, and Europe showcases an area of scholarly analysis whose impact on academic and popular discourses as well as political action will only grow in the coming years. It reflects today's sense of planetary eco-emergency and a heightened interest in political economy that follows discontentment with the growing inequalities in the West and the unequal nature of development in the "global South."The work is organized thematically, with sections covering the present historical conjuncture, the contemporary shapes of the social, philosophical concepts, theories of culture, and the status of the political today. This new formulation of the unity and nature of contemporary Marxist theory will be an invaluable resource to any humanities and social science student learning about social and political thought and theory.

This volume brings together works written by international theorists since the fall of the Berlin Wall, showing how today's crisis-ridden global capitalism is making Marxist theory more relevant and necessary than ever. This collection of key texts by prominent and lesser-known thinkers from Latin America, Asia, Africa, America, and Europe showcases an area of scholarly analysis whose impact on academic and popular discourses as well as political action will only grow in the coming years. It reflects today's sense of planetary eco-emergency and a heightened interest in political economy that follows discontentment with the growing inequalities in the West and the unequal nature of development in the "global South."The work is organized thematically, with sections covering the present historical conjuncture, the contemporary shapes of the social, philosophical concepts, theories of culture, and the status of the political today. This new formulation of the unity and nature of contemporary Marxist theory will be an invaluable resource to any humanities and social science student learning about social and political thought and theory.

Who will lead the transition from fossil fuel–dependent societies into renewable energy futures?Energy transition is crucial to the struggle against climate change. But even while embracing the death of fossil fuels, some want to preserve the current social and political order. Futures of the Sun explores the competing eco-stories being offered by people intent on shaping the transition to fit their vision and version of a renewable society. Imre Szeman explains how and why key players are working hard to make sure a greener, cleaner future will look much like the world we live in today. He examines the rhetoric, ideology, and politics of liberal nationalists intent on fighting a war against climate change, billionaire solar entrepreneurs who believe only in themselves, and the populist far right who want no change at all. Offering possible new critical and political avenues, Szeman reveals how those on the environmental left can ensure their vision of egalitarianism beyond the status quo can become the reality of our renewable future.

On Petrocultures brings together key essays by Imre Szeman, a leading scholar in the field of energy humanities and a critical voice in debates about globalization and neoliberalism. Szeman's most important and influential essays, in dialogue with exciting new pieces written for the book, investigate ever-evolving circuits of power in the contemporary world, as manifested in struggles over space and belonging, redefinitions of work and individual autonomy, and the deep links between energy use and climate change.These essays explore life lived in the twenty-first century by examining critically the vocabulary through which capitalism makes sense of itself, focusing on concepts like the nation, globalization, neoliberalism, creativity, and entrepreneurship. At the heart of the volume is the concept of "petrocultures," which demands that we understand a fundamental fact of modern life: we are shaped by and through fossil fuels. Szeman argues that we cannot take steps to address global warming without fundamentally changing the social, cultural, and political norms and expectations developed in conjunction with the energy riches of the past century. On Petrocultures maps the significant challenge of our dependence on fossil fuels and probes ways we might begin to leave petrocultures behind.