James Hankins – författare

"...a monumental work of reclamation and revival...The Golden Thread comes as a history, an argument, a treasure hoard." —The Wall Street JournalA sweeping, resource-rich history of the ancient world and Christendom—designed for students and lifelong learners alike, and faithful to the enduring legacy of the Western tradition. This is Volume I of a two-part series tracing the story of Western civilization from antiquity to the modern age.The Western Tradition from Antiquity to 1500Where do the threads that form the Western tradition originate, and how were they woven together over the two and a half millennia before 1500? What are the sources of our modern ideas about science, freedom, equality, law, good government, and virtue? These are the questions explored in The Golden Thread, Volume I: The Ancient World and Christendom, written by James Hankins.The story begins with the seminal culture of the classical Greeks and moves through the Hellenization of the east following the conquests of Alexander the Great. Hankins then narrates the rise and dominance of Rome and the fusion of Greco-Roman and Judea-Christian cultures in the Christian empire of the fourth century AD. The volume follows the history of Christendom from the fall of the Western Roman Empire, charts its centuries-long rivalry with the Islamic world, and culminates in the emergence of European civilization in the Middle Age and Renaissance. Volume I Examines how the foundations were laid for the West's political and economic dominance in the modern era, illuminating the deep roots of the ideas, arts, and institutions that continue to shape our world.The Golden Thread is a two-volume history of the Western tradition. Volume I is authored by James Hankins; Volume II, covering the modern and contemporary West, is authored by Allen C. Guelzo.The Golden Thread series features:The Vision of Two AuthorsWritten by two of the most distinguished historians of our time.The Golden Thread speaks in coherent, singular voices. Each volume is authored by an eminent individual writing in narrative form and interpretive tone, and animated by the conviction that knowledge across disciplines is best pursued through stories that are rich in insight, humanity, and meaning.A Cultural InheritanceNearly 1000 curated images—sculptures, paintings, and artifacts—from the vaults of the West’s finest cultural institutions.Readers are not merely told what happened, but shown what was created—page after page alive with the rich architecture, sculpture, music, and painting that gave visible form to the West’s most enduring aspirations.Living Voices from the Distant PastFeatures close to 200 foundational primary source texts drawn from every era.Woven through the chapters are the voices that once commanded nations, composed poems and hymns, and drafted creeds. These are not summaries or paraphrases—they are the words themselves, as they were first spoken, sung, and inscribed.Visual Histories of the WorldEnriched by over 150 bespoke maps, each a visual key to the unfolding story of the West.The Golden Thread does more than locate events—it reconstructs the shifting boundaries of thought, faith, empire, and imagination that defined how men and women once pictured the world and their place within it.

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.This is the fifth of a projected six volumes.

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.This sixth and final volume of the I Tatti Renaissance Library edition includes comprehensive indexes to the whole work.

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.This is the fourth of a projected six volumes.

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433–1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato.A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.

Winner of the Helen and Howard Marraro PrizeA Times Literary Supplement Book of the Year“Perhaps the greatest study ever written of Renaissance political thought.”—Jeffrey Collins, Times Literary Supplement“Magisterial…Hankins shows that the humanists’ obsession with character explains their surprising indifference to particular forms of government. If rulers lacked authentic virtue, they believed, it did not matter what institutions framed their power.”—Wall Street Journal“Puts the politics back into humanism in an extraordinarily deep and far-reaching way…For generations to come, all who write about the political thought of Italian humanism will have to refer to it; its influence will be…nothing less than transformative.”—Noel Malcolm, American Affairs“[A] masterpiece…It is only Hankins’s tireless exploration of forgotten documents…and extraordinary endeavors of editing, translation, and exposition that allow us to reconstruct—almost for the first time in 550 years—[the humanists’] three compelling arguments for why a strong moral character and habits of truth are vital for governing well. Yet they are as relevant to contemporary democracy in Britain, and in the United States, as to Machiavelli.”—Rory Stewart, Times Literary Supplement“The lessons for today are clear and profound.”—Robert D. KaplanConvulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Everywhere they saw problems. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; religious leaders preoccupied with self-advancement while feuding armies waged endless wars. Their solution was at once simple and radical. “Men, not walls, make a city,” as Thucydides so memorably said. They would rebuild the fabric of society by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.A landmark reappraisal of Renaissance political thought, Virtue Politics challenges the traditional narrative that looks to the Renaissance as the seedbed of modern republicanism and sees Machiavelli as its exemplary thinker. James Hankins reveals that what most concerned the humanists was not reforming institutions so much as shaping citizens. If character mattered more than laws, it would have to be nurtured through a new program of education they called the studia humanitatis: the precursor to our embattled humanities.

Civic humanism has been one of the most influential of all concepts in the history of ideas. In this volume, an eminent team of political theorists and historians of ideas have been brought together to reassess the impact on the subject of the pioneering work of Hans Baron (1966) and J. G. A. Pocock (1975), creating a fresh intellectual landscape in which Renaissance civic humanism can be discussed. Drawing on a wide range of political and historical texts, this book evaluates civic humanism in the light of the emergence of oligarchy, imperialism, patronage politics and the Medici ascendency in Florence in the 14th to 16th centuries. It proposes new understandings of the evolution of important republican concepts such as liberty, the rule of law, virtue, and the common good. This thought-provoking collection represents a significant contribution to the study of republican political ideology in the Renaissance and modern periods.

The Cambridge Companion to Renaissance Philosophy, published in 2007, provides an introduction to a complex period of change in the subject matter and practice of philosophy. The philosophy of the fourteenth through sixteenth centuries is often seen as transitional between the scholastic philosophy of the Middle Ages and modern philosophy, but the essays collected here, by a distinguished international team of contributors, call these assumptions into question, emphasizing both the continuity with scholastic philosophy and the role of Renaissance philosophy in the emergence of modernity. They explore the ways in which the science, religion and politics of the period reflect and are reflected in its philosophical life, and they emphasize the dynamism and pluralism of a period which saw both new perspectives and enduring contributions to the history of philosophy. This will be an invaluable guide for students of philosophy, intellectual historians, and all who are interested in Renaissance thought.

Civic humanism has been one of the most influential of all concepts in the history of ideas. In this volume, an eminent team of political theorists and historians of ideas have been brought together to reassess the impact on the subject of the pioneering work of Hans Baron (1966) and J. G. A. Pocock (1975), creating a fresh intellectual landscape in which Renaissance civic humanism can be discussed. Drawing on a wide range of political and historical texts, this book evaluates civic humanism in the light of the emergence of oligarchy, imperialism, patronage politics and the Medici ascendency in Florence in the 14th to 16th centuries. It proposes new understandings of the evolution of important republican concepts such as liberty, the rule of law, virtue, and the common good. This thought-provoking collection represents a significant contribution to the study of republican political ideology in the Renaissance and modern periods.

The Cambridge Companion to Renaissance Philosophy, published in 2007, provides an introduction to a complex period of change in the subject matter and practice of philosophy. The philosophy of the fourteenth through sixteenth centuries is often seen as transitional between the scholastic philosophy of the Middle Ages and modern philosophy, but the essays collected here, by a distinguished international team of contributors, call these assumptions into question, emphasizing both the continuity with scholastic philosophy and the role of Renaissance philosophy in the emergence of modernity. They explore the ways in which the science, religion and politics of the period reflect and are reflected in its philosophical life, and they emphasize the dynamism and pluralism of a period which saw both new perspectives and enduring contributions to the history of philosophy. This will be an invaluable guide for students of philosophy, intellectual historians, and all who are interested in Renaissance thought.

Leonardo Bruni (1370-1444), the leading civic humanist of the Italian Renaissance, served as apostolic secretary to four popes (1405-1414) and chancellor of Florence (1427-1444). He was famous in his day as a translator, orator, and historian, and was the best-selling author of the fifteenth century. Bruni's History of the Florentine People in twelve books is generally considered the first modern work of history, and was widely imitated by humanist historians for two centuries after its official publication by the Florentine Signoria in 1442. This edition makes it available for the first time in English translation.

Leonardo Bruni (1370-1444), the leading civic humanist of the Italian Renaissance, served as apostolic secretary to four popes (1405-1414) and chancellor of Florence (1427-1444). He was famous in his day as a translator, orator, and historian, and was the best-selling author of the fifteenth century. Bruni's History of the Florentine People in twelve books is generally considered the first modern work of history, and was widely imitated by humanist historians for two centuries after its official publication by the Florentine Signoria in 1442. This edition makes it available for the first time in English translation.

Leonardo Bruni (1370-1444), the leading civic humanist of the Italian Renaissance, served as apostolic secretary to four popes (1405-1414) and chancellor of Florence (1427-1444). He was famous in his day as a translator, orator, and historian, and was the best-selling author of the fifteenth century. Bruni's History of the Florentine People in twelve books is generally considered the first modern work of history, and was widely imitated by humanist historians for two centuries after its official publication by the Florentine Signoria in 1442.This third volume concludes the edition, the first to make the work available in English translation. It includes Bruni's Memoirs, an autobiographical account of the events of his lifetime, and cumulative indexes to the complete History.

Aurelio Lippo Brandolini’s Republics and Kingdoms Compared is the most fascinating and least-known work of humanist political theory before Machiavelli. A Socratic dialogue set in the court of King Mattias Corvinus of Hungary (ca. 1490), the work depicts a debate between the king himself and a Florentine merchant at his court on the relative merits of republics and kingdoms. In effect a searing critique of Florentine civic humanism, the work discusses such issues as free trade and the morality of commerce, the inequalities of wealth typical of republics, the nature of freedom and justice, the reasons for the rise and fall of empires, the causes of political corruption, and the conditions necessary for the flourishing of arts, letters, and culture generally. This is the first critical edition and the first translation into any language.

The first full-length study of Francesco Patrizi—the most important political philosopher of the Italian Renaissance before Machiavelli—who sought to reconcile conflicting claims of liberty and equality in the service of good governance.At the heart of the Italian Renaissance was a longing to recapture the wisdom and virtue of Greece and Rome. But how could this be done? A new school of social reformers concluded that the best way to revitalize corrupt institutions was to promote an ambitious new form of political meritocracy aimed at nurturing virtuous citizens and political leaders.The greatest thinker in this tradition of virtue politics was Francesco Patrizi of Siena, a humanist philosopher whose writings were once as famous as Machiavelli’s. Patrizi wrote two major works: On Founding Republics, addressing the enduring question of how to reconcile republican liberty with the principle of merit; and On Kingship and the Education of Kings, which lays out a detailed program of education designed to instill the qualities necessary for political leadership—above all, practical wisdom and sound character.The first full-length study of Patrizi’s life and thought in any language, Political Meritocracy in Renaissance Italy argues that Patrizi is a thinker with profound lessons for our time. A pioneering advocate of universal literacy who believed urban planning could help shape civic values, he concluded that limiting the political power of the wealthy, protecting the poor from debt slavery, and reducing the political independence of the clergy were essential to a functioning society. These ideas were radical in his day. Far more than an exemplar of his time, Patrizi deserves to rank alongside the great political thinkers of the Renaissance: Machiavelli, Thomas More, and Jean Bodin.

Five days ago, aspiring crime novelist Jason Swike awoke chained to the wall of a run-down horse stable, convinced he would soon die at the hands of Crackerjack, the infamous serial killer who had terrorized the residents of Massachusetts for the past year—capturing and tormenting men, painting whimsical designs on their faces before shattering their bones and ending their lives. Just when death seems inevitable, Jason, with the help of another captive, manages to kill the madman and escape.Hailed as a hero, Jason reaps the benefits of his newfound fame: a book deal, a possible reconciliation with his estranged wife, and reward money he can use to pay for his son’s costly medical treatments. But he soon realizes the nightmare that began in the deserted stable is far from over, as he is drawn into a twisted game where the darkest terror may not be the psychopath manipulating his every move, but what Jason may have to do to survive…

Never trust a blackmailer.Vermont’s promising young governor, Andrew Kane, is at another public meet-and-greet when a stranger from the crowd slips him a cell phone and whispers, “Keep this with you…keep it secret…you’re going to need it after the arrest.”Hours later, Andrew’s brother, Tyler, is taken into custody—framed for the brutal murder of a young woman—and Andrew discovers there is only one way to free him: answer the mysterious phone and agree to a blackmailer’s demands. All the governor has to do to make it all go away is compromise everything he stands for and grant a full pardon to a convicted felon. With no better option, he complies. Which is his first mistake…because the stranger isn’t through with him. He has another little condition. Then another. And another. And Andrew has no choice but to play along until he can find a way out of this personal and political nightmare. But he isn’t prepared for what he will face, or how far he will have to go to save his brother and keep his family together.

"The way Guelzo weaves faith, liberty, reason, and historical complexity into a coherent and accessible story creates a rich and thoughtful exploration of Western civilization that feels both rigorous and deeply human." —Jared Diamond, author of Guns, Germs, and Steel: The Fates of Human SocietiesA compelling, resource-rich history of the modern West—from the Renaissance to the present—designed for students and lifelong learners alike, and grounded in the enduring ideals of liberty, faith, and reason. This is Volume II of a two-part series tracing the story of Western civilization from antiquity to the modern age.The Western Tradition from 1500 to the PresentWith the Renaissance in Europe, the Western world experienced a long series of cataclysmic events that still reverberate in modern society. Written by Allan C. Guelzo, The Golden Thread, Volume II: The Modern and Contemporary West begins in 1500, when the Protestant Reformation brought an end of the Roman Catholic Church's dominance over European states. It then turns to the rise of imperial powers that swiftly circled the globe, and to the explosion of intellectual, economic, and technological advancements sparked by the Enlightenment. These were moments of flourishing in Western civilization, but also moments of uncertainty, as they portended the violent political upheavals that shook continental Europe and the Americas during the American, French and Bolivarian Revolutions as well as the Napoleonic Wars. The Industrial Revolution, the Romantic revolt against the Enlightenment, and a second wave of scientific advancement in the nineteenth century challenged any attempt to restore the classical unity of the West. A radically redrawn world emerged from these developments, one that was ill-prepared for the colossal physical and moral shocks of the First and Second World Wars.In its closing chapters, Guelzo explores how Western civilization has, in our own time, been simultaneously challenged by secular totalitarianism and yet remained remarkably resilient laying the foundations for material prosperity around the globe. Through the paradoxes of the twentieth century, The Golden Thread engages with the most significant questions facing the West today.The Golden Thread is a two-volume history of the Western tradition. Volume I is authored by James Hankins; Volume II, covering the modern and contemporary West, is authored by Allen C. Guelzo.The Golden Thread series features:The Vision of Two AuthorsWritten by two of the most distinguished historians of our time.The Golden Thread speaks in coherent, singular voices. Each volume is authored by an eminent individual writing in narrative form and interpretive tone, and animated by the conviction that knowledge across disciplines is best pursued through stories that are rich in insight, humanity, and meaning.A Cultural InheritanceNearly 1000 curated images—sculptures, paintings, and artifacts—from the vaults of the West’s finest cultural institutions.Readers are not merely told what happened, but shown what was created—page after page alive with the rich architecture, sculpture, music, and painting that gave visible form to the West’s most enduring aspirations.Living Voices from the Distant PastFeatures close to 200 foundational primary source texts drawn from every era.Woven through the chapters are the voices that once commanded nations, composed poems and hymns, and drafted creeds. These are not summaries or paraphrases—they are the words themselves, as they were first spoken, sung, and inscribed.Visual Histories of the WorldEnriched by over 150 bespoke maps, each a visual key to the unfolding story of the West.The Golden Thread does more than locate events—it reconstructs the shifting boundaries of thought, faith, empire, and imagination that defined how men and women once pictured the world and their place within it.

The Golden Thread Volume One: The Ancient World and Christendom. Beginning with the seminal culture of the classical Greeks and the Hellenic expansion, followed by the rise and dominance Rome and the emergence of medieval Christendom, before culminating with the Renaissance, Volume One explores the unfolding of early Western history, laying the foundation for the complex historical narratives that arise during the modern period.