James Romm – författare

A portrait of one of the ancient world’s first political celebrities, who veered from failure to success and back again  “This colorful biography of Demetrius . . . explores his rich inner life and reveals an ancient world of violence and intrigue.”—New York Times Book Review  The life of Demetrius (337–283 BCE) serves as a through-line to the forty years following the death of Alexander the Great (323–282 BCE), a time of unparalleled turbulence and instability in the ancient world. With no monarch able to take Alexander’s place, his empire fragmented into five pieces.  Capitalizing on good looks, youth, and sexual prowess, Demetrius sought to weld those pieces together and recover the dream of a single world state, with a new Alexander—himself—at its head. He succeeded temporarily, but in crucial, colossal engagements—a massive invasion of Egypt, a siege of Rhodes that went on for a full year, and the Battle of Ipsus—he came up just short. He ended his career in a rash invasion of Asia and became the target of a desperate manhunt, only to be captured and destroyed by his own son-in-law.  James Romm tells the story of Demetrius the Besieger’s rise and spectacular fall but also explores his vibrant inner life and family relationships to depict a real, complex, and recognizable figure.

Herodotus, widely known as the father of history, was also described by Aristotle as a mythologos, or "tale-teller." In this stylish and insightful book, intended for both general readers and students, James Romm argues that the author of the Histories was both a historian—in the original sense of "one who inquires"—and a master storyteller.Although most ancient historians wrote only about events they themselves had lived through, Herodotus explored an era well before his own time—from the rise of the Persian Empire to the Persian invasions of Greece in 490 and 480 B.C., the heroic fight of the Greeks against the invaders, and the final Greek victory. Working without the aid of written sources, Herodotus traveled widely and wove into his chronology descriptions of people and countries he visited and anecdotes that shed light on their lives and customs. Romm discusses the historical background of Herodotus`s life and work, his moralistic approach to history, his insatiable fascination with people and places, his literary powers, and the question of the historical "truth" behind the stories he relates. He gives general readers a fresh appreciation of the Histories as a work encompassing fiction and nonfiction, myth and history, and poetry and prose. Herodotus becomes not simply a source of historical data but a masterful and artistic author who created a radically new literary genre.Hermes BooksJohn Herington, Founding Editor

The tragic story of ancient Greece’s last democratic leader and his doomed fight to save Athens from Macedonian domination  In the spring of 340 BCE, news arrived that Philip of Macedon had seized a town in central Greece, a base from which he could march on Athens. In the fierce debates about how to respond to the rising threat in the north, Demosthenes, the greatest orator of his day, convinced the Athenian Assembly to confront Philip on the field of battle. Though that effort failed and Athens fell into the grip of Alexander the Great, Philip’s son and successor, Demosthenes had established himself as one of history’s most eloquent defenders of democracy.  In this thrilling biography of the man who led the charge for Greek freedom, James Romm follows Demosthenes from his early career as a legal speech writer through his rise in politics, his fall from grace in a corruption scandal, and his desperate flight to the island of Calauria—where he took his own life rather than submit to Macedonian forces. As he brings to life the bare-knuckle, insult-filled verbal brawls of Athenian orators, Romm not only explores the mind of the man who took on the challenge of saving Greek freedom but also shows how democracies can be destroyed by infighting and internal division.

Alexander the Great, perhaps the most commanding leader in history, united his empire and his army by the titanic force of his will. His death at the age of thirty-two spelled the end of that unity.The story of Alexander’s conquest of the Persian empire is known to many readers, but the dramatic and consequential saga of the empire’s collapse remains virtually untold. It is a tale of loss that begins with the greatest loss of all, the death of the Macedonian king who had held the empire together. With his demise, it was as if the sun had disappeared from the solar system, as if planets and moons began to spin crazily in new directions, crashing into one another with unimaginable force.Alexander bequeathed his power, legend has it, “to the strongest,” leaving behind a mentally damaged half brother and a posthumously born son as his only heirs. In a strange compromise, both figures—Philip III and Alexander IV—were elevated to the kingship, quickly becoming prizes, pawns, fought over by a half-dozen Macedonian generals. Each successor could confer legitimacy on whichever general controlled him.At the book’s center is the monarch’s most vigorous defender; Alexander’s former Greek secretary, now transformed into a general himself. He was a man both fascinating and entertaining, a man full of tricks and connivances, like the enthroned ghost of Alexander that gives the book its title, and becomes the determining factor in the precarious fortunes of the royal family.James Romm, brilliant classicist and storyteller, tells the galvanizing saga of the men who followed Alexander and found themselves incapable of preserving his empire. The result was the undoing of a world, formerly united in a single empire, now ripped apart into a nightmare of warring nation-states struggling for domination, the template of our own times.From the Hardcover edition.

From acclaimed classical historian, author of Ghost on the Throne (“Gripping . . . the narrative verve of a born writer and the erudition of a scholar” —Daniel  Mendelsohn) and editor of The Landmark Arrian:The Campaign of Alexander (“Thrilling” —The New York Times Book Review), a  high-stakes drama full of murder, madness, tyranny, perversion, with the sweep of history on the grand scale. At the center, the tumultuous life of Seneca, ancient Rome’s preeminent writer and philosopher, beginning with banishment in his fifties and subsequent appointment as tutor to twelve-year-old Nero, future emperor of Rome. Controlling them both, Nero’s mother, Julia Agrippina the Younger, Roman empress, great-granddaughter of the Emperor Augustus, sister of the Emperor Caligula, niece and fourth wife of Emperor Claudius.             James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman. Romm writes that Seneca watched over Nero as teacher, moral guide, and surrogate father, and, at seventeen, when Nero abruptly ascended to become emperor of Rome, Seneca, a man never avid for political power became, with Nero, the ruler of the Roman Empire. We see how Seneca was able to control his young student, how, under Seneca’s influence, Nero ruled with intelligence and moderation, banned capital punishment, reduced taxes, gave slaves the right to file complaints against their owners, pardoned prisoners arrested for sedition. But with time, as Nero grew vain and disillusioned, Seneca was unable to hold sway over the emperor, and between Nero’s mother, Agrippina—thought to have poisoned her second husband, and her third, who was her uncle (Claudius), and rumored to have entered into an incestuous relationship with her son—and Nero’s father, described by Suetonius as a murderer and cheat charged with treason, adultery, and incest, how long could the young Nero have been contained?             Dying Every Day is a portrait of Seneca’s moral struggle in the midst of madness and excess. In his treatises, Seneca preached a rigorous ethical creed, exalting heroes who defied danger to do what was right or embrace a noble death. As Nero’s adviser, Seneca was presented with a more complex set of choices, as the only man capable of summoning the better aspect of Nero’s nature, yet, remaining at Nero’s side and colluding in the evil regime he created. Dying Every Day is the first book to tell the compelling and nightmarish story of the philosopher-poet who was almost a king, tied to a tyrant—as Seneca, the paragon of reason, watched his student spiral into madness and whose descent saw five family murders, the Fire of Rome, and a savage purge that destroyed the supreme minds of the Senate’s golden age.

Major figures in the civil wars that ended the Roman Republic, the names Pompey, Caesar, Cicero, Brutus and Antony haunt us with questions of character and authority. Plutarch’s rich, vivid profiles show character-shaping history through grand scale events and intimate details. The creator and master of the biographical form, Plutarch locates character in small gestures such as Brutus’s punctilious use of money or Caesar’s plainspoken discourse. In this reader’s edition, the translation lends a straightforward clarity to the prose and the notes identify people, places and events in the text. The substantial introduction and foreword explore Plutarch as an historical figure and the history of the Republic’s fall.

Major figures in the civil wars that ended the Roman Republic, the names Pompey, Caesar, Cicero, Brutus and Antony haunt us with questions of character and authority. Plutarch’s rich, vivid profiles show character-shaping history through grand scale events and intimate details. The creator and master of the biographical form, Plutarch locates character in small gestures such as Brutus’s punctilious use of money or Caesar’s plainspoken discourse. In this reader’s edition, the translation lends a straightforward clarity to the prose and the notes identify people, places and events in the text. The substantial introduction and foreword explore Plutarch as an historical figure and the history of the Republic’s fall.

A landmark anthology of the masterpieces of Greek drama, featuring all-new, highly accessible translations of some of the world’s most beloved plays, including Agamemnon, Prometheus Bound, Bacchae, Electra, Medea, Antigone, and Oedipus the King   The great plays of Ancient Greece are among the most enduring and important legacies of the Western world. Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times.  This exciting curated anthology features a cross section of the most popular—and most widely taught—plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning.   This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as “Greek Drama and Politics,” “The Theater of Dionysus,” and “Plato and Aristotle on Tragedy” give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day.   With a veritable who’s who of today’s most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for students, scholars, theatrical professionals, and general readers alike for years to come.Advance praise for The Greek Plays   “Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists: the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays all enlightened me. This seems to me a helpful light into our gathering darkness.”—Harold Bloom   “The reception of Ancient Greek theater is as lively as it’s ever been in its 2,500-year history, both on the stage and on the page. Thanks to these sixteen brilliant new renditions by five leading scholar-translators, the three great Athenian masters of tragic drama, Aeschylus, Sophocles, and Euripides, speak to us once again in powerfully contemporary accents on such fundamental issues as gender, religion, and democratic politics.”—Paul Cartledge, author Democracy: A Life   “The Greek Plays is destined to become a perennial collection, essential reading for students, scholars, and lovers of Greek tragedy alike. This engaging compilation imbues all the ancient plays within its pages with new life by offering rich, informative historical, literary, and cultural context and fresh, accessible translations by some of the most talented classicists working in the field today.”—Bryan Doerries, author of The Theater of War: What Ancient Greek Tragedies Can Teach Us TodayFrom the Hardcover edition.

Designed for students with little or no background in ancient Greek language, history, and culture, this new abridgment presents those selections that comprise Herodotus’ historical narrative. These are meticulously annotated, and supplemented with a chronology of the Archaic Age, Historical Epilogue, glossary of main characters and places, index of proper names, and maps.

Designed for students with little or no background in ancient Greek language, history, and culture, this new abridgment presents those selections that comprise Herodotus’ historical narrative. These are meticulously annotated, and supplemented with a chronology of the Archaic Age, Historical Epilogue, glossary of main characters and places, index of proper names, and maps.

Comprising relevant selections from the four ancient writers whose portraits of Alexander the Great still survive--Arrian, Diodorus, Plutarch, and Quintus Curtius--this volume provides a complete narrative of the important events in Alexander's life. The Introduction sets these works in historical context, stretching from the conclusion of the Peloponnesian War through Alexander's conquest of Asia, and provides an assessment of Alexander's historical importance as well as a survey of the central controversies surrounding his personality, aims and intentions. This edition includes a timeline, maps, a bibliography, a glossary, and an index.

The more things change, the more they stay the same: Theophrastus' Characters, a classical Greek text newly translated for a modern audience, is a joyful festival of fault-finding. Theophrastus' Characters is a joyous festival of fault-finding: a collection of thirty closely observed personality portraits, defining the full spectrum of human flaws, failings, and follies. With piquant details of speech and behavior taken straight off the streets of ancient Athens, Theophrastus gives us sketches of the mean, vile, and annoying that are comically distorted yet vividly real.

“The truly happy man ought to stay at home.” “Hunger, and lack of coin, put a stop to love.” “Hades, alone of the gods, does not enjoy bribes.” These quotes—and hundreds of others from the great Greek dramatists, including Sophocles, Aeschylus, and Menander—were preserved in the fifth century AD, when a man named Stobaeus compiled an anthology to inspire and instruct his son. The quotes were pithy packets of wisdom expressed in eloquent verse and selected with a father’s discerning eye: some prompt “aha” moments, others offer wit or dark humor, still others give moral insight. In Since You’re Mortal . . ., James Romm is the first to translate fragments saved by Stobaeus as poetry for modern English-language readers. Vividly rendered and beautifully presented, this volume serves as an ages-old but timeless guide to living a thoughtful, virtuous life.

Many people know something of Plato’s works, yet few are familiar with his life outside of his writings. In Plato and the Tyrant, acclaimed classicist James Romm uses a little-known set of Plato’s personal letters to introduce the man behind the ethereal image and to explore the formation of his most famous work, Republic. In the second half of his life, an already famous Plato involved himself in the affairs of the two Dionysii, a father and son who ruled Syracuse, at that time the greatest power in the Greek world. Plato’s interventions in the violent contest between Dionysius the Younger and his brother-in-law, Dion—with whom Plato may have had a long love affair—were the backdrop and perhaps the motivation for his masterwork. In a thrilling narrative, Romm captures how Plato’s experiment in enlightened autocracy spiralled into catastrophe and gives us a new account of the origins of Western political philosophy.

In Plato and the Tyrant, acclaimed classicist James Romm uses a little-known set of Plato’s personal letters to introduce the man behind the ethereal image and to explore the formation of his most famous work, Republic. In the second half of his life, Plato involved himself in the affairs of the two Dionysii, a father and son who ruled Syracuse, at that time the greatest power in the Greek world. Plato’s interventions in the violent contest between Dionysius the Younger and his brother-in-law, Dion—with whom Plato may have had a long love affair—were the backdrop and perhaps the motivation for his masterwork. In a thrilling narrative, Romm captures how Plato’s experiment in enlightened autocracy spiralled into catastrophe and gives us a new account of the origins of Western political philosophy.

From classicist James Romm comes a “striking…fascinating” (Booklist) deep dive into the last decades of ancient Greek freedom leading up to Alexander the Great’s destruction of Thebes—and the saga of the greatest military corps of the time, the Theban Sacred Band, a unit composed of 150 pairs of male lovers.The story of the Sacred Band, an elite 300-man corps recruited from pairs of lovers, highlights a chaotic era of ancient Greek history, four decades marked by battles, ideological disputes, and the rise of vicious strongmen. At stake was freedom, democracy, and the fate of Thebes, at this time the leading power of the Greek world. The tale begins in 379 BC, with a group of Theban patriots sneaking into occupied Thebes. Disguised in women’s clothing, they cut down the agents of Sparta, the state that had cowed much of Greece with its military might. To counter the Spartans, this group of patriots would form the Sacred Band, a corps whose history plays out against a backdrop of Theban democracy, of desperate power struggles between leading city-states, and the new prominence of eros, sexual love, in Greek public life. After four decades without a defeat, the Sacred Band was annihilated by the forces of Philip II of Macedon and his son Alexander in the Battle of Chaeronea—extinguishing Greek liberty for two thousand years. Buried on the battlefield where they fell, they were rediscovered in 1880—some skeletons still in pairs, with arms linked together. From violent combat in city streets to massive clashes on open ground, from ruthless tyrants to bold women who held their era in thrall, The Sacred Band recounts “in fluent, accessible prose” (The Wall Street Journal) the twists and turns of a crucial historical moment: the end of the treasured freedom of ancient Greece.

From classicist James Romm comes a “striking…fascinating” (Booklist) deep dive into the last decades of ancient Greek freedom leading up to Alexander the Great’s destruction of Thebes—and the saga of the greatest military corps of the time, the Theban Sacred Band, a unit composed of 150 pairs of male lovers.The story of the Sacred Band, an elite 300-man corps recruited from pairs of lovers, highlights a chaotic era of ancient Greek history, four decades marked by battles, ideological disputes, and the rise of vicious strongmen. At stake was freedom, democracy, and the fate of Thebes, at this time the leading power of the Greek world. The tale begins in 379 BC, with a group of Theban patriots sneaking into occupied Thebes. Disguised in women’s clothing, they cut down the agents of Sparta, the state that had cowed much of Greece with its military might. To counter the Spartans, this group of patriots would form the Sacred Band, a corps whose history plays out against a backdrop of Theban democracy, of desperate power struggles between leading city-states, and the new prominence of eros, sexual love, in Greek public life. After four decades without a defeat, the Sacred Band was annihilated by the forces of Philip II of Macedon and his son Alexander in the Battle of Chaeronea—extinguishing Greek liberty for two thousand years. Buried on the battlefield where they fell, they were rediscovered in 1880—some skeletons still in pairs, with arms linked together. From violent combat in city streets to massive clashes on open ground, from ruthless tyrants to bold women who held their era in thrall, The Sacred Band recounts “in fluent, accessible prose” (The Wall Street Journal) the twists and turns of a crucial historical moment: the end of the treasured freedom of ancient Greece.

Although Plutarch did not intend his Lives as a historical record, they sometimes furnish the best account we have of events in classical Greece. In many instances they are the only account available to those exploring ancient history through primary sources.In this compilation from Plutarch's Greek Lives, James Romm gathers the material of greatest historical significance from fifteen biographies, ranging from Theseus in earliest times to Phocion in the late fourth century BCE. While preserving the outlines of Plutarch's character portraits, Romm focuses on the central stories of classical Greece: the rivalry between Athens, Sparta, and Thebes, the rise of Macedon, andthe conflicts between these European states and the Achaemenid Persian empire. Bridging Plutarch’s gaps with concise summaries, Romm creates a coherent narrative of the classical Greek world.This edition features the elegant new translation of Pamela Mensch. Footnotes provide the historical context often omitted by Plutarch and plentiful and detailed cross-references. Also included are a bibliography, maps, a chronological chart, a glossary, and an index.

A curated selection of the most significant life lessons from the iconic work of Stoic philosophyThat which is not good for the hive, neither is it good for the beeRenowned Roman emperor and philosopher Marcus Aurelius compiled his Meditations nearly two thousand years ago, as a personal collection of reflections and reminders to help him lead a good life. As one of the greatest works of spiritual contemplation ever written, it continues to be revered for its timeless instruction on living stoically and in pursuit of the common good.This beautifully illustrated edition is introduced by classicist James Romm and features a curated selection of the most significant life lessons, making it the perfect Stoic starting point.