Janel Mueller – författare

This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of John Donne (1572-1631). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Donne''s work in the order in which it was written, and, wherever possible, using the text of the first published version.The volume presents a wholly new edition of Donne''s verse and prose, consisting of a selection of Donne''s compositions that circulated in manuscript or in print form during his lifetime. Each text is paired with a generous complement of historical and textual annotation, which enables students to access and appreciate the excitement with which Donne''s contemporaries--his first readers--discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that equip students with a better understanding of the texts and the contexts in which they were produced, such as the history of readership and the history of texts as material objects. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Donne, and a Chronology.

This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of John Donne (1572-1631). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Donne's work in the order in which it was written, and, wherever possible, using the text of the first published version.The volume presents a wholly new edition of Donne's verse and prose, consisting of a selection of Donne's compositions that circulated in manuscript or in print form during his lifetime. Each text is paired with a generous complement of historical and textual annotation, which enables students to access and appreciate the excitement with which Donne's contemporaries--his first readers--discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that equip students with a better understanding of the texts and the contexts in which they were produced, such as the history of readership and the history of texts as material objects. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Donne, and a Chronology.

The John Donne volume in the 21st-Century Oxford Authors series offers a wholly new edition of Donne's verse and prose. It consists of a selection of the compositions that circulated in manuscript or in print form during Donne's lifetime. In keeping with the approach of the series, the texts are presented in chronological order and the text chosen is, wherever possible, the text of the first published version. Each text is paired with a generous complement of historical and textual annotation, which enables the present day reader to access the excitement with which Donne's contemporaries, his first readers, discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that are foregrounded in the 21st-Century Oxford Authors series, such as the history of readership and the history of texts as material objects.

England's Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth's translations from and into Latin, French, and Italian.Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth's writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace's Ars poetica, as well as Elizabeth's Latin Sententiae on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introductions to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it.Their annotations identify obscure meanings, biblical and classical references, and Elizabeth's actual or apparent deviations from her sources.The translations collected here trace Elizabeth's steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. "Elizabeth I: Translations" is the queen's personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.

England's Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth's translations from and into Latin, French, and Italian.Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth's writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace's Ars poetica, as well as Elizabeth's Latin Sententiae on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introductions to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it.Their annotations identify obscure meanings, biblical and classical references, and Elizabeth's actual or apparent deviations from her sources.The translations collected here trace Elizabeth's steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. "Elizabeth I: Translations" is the queen's personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.

England’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian. Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetica, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy.  Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources. The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule.  Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.

England’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian.             Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetica, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy.  Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources.              The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule.  Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.     

To the extent that she is popularly known, Katherine Parr (1512-48) is the woman who survived King Henry VIII as his sixth and last wife. She merits far greater recognition, however, on several other fronts. Fluent in French, Italian, and Latin, Parr applied her languages in new diplomatic contexts after ascending to the throne in 1543. As Henry's wife and queen of England, she was a noted patron of the arts and music and took a personal interest in the education of her stepchildren, Princesses Mary and Elizabeth and Prince Edward. Above all, Parr commands interest for her literary labors: she was the first woman to publish under her own name in English in England. For this new edition of Parr's writing, Janel Muller has assembled the four publications attributed to her - Psalms or Prayers, Prayers or Meditations, The Lamentation of a Sinner, and a compilation of prayers and Biblical excerpts written in her hand - as well as her extensive correspondence, which is collected here for the first time. Mueller brings to this volume a wealth of knowledge of sixteenth-century English culture.She marshals the impeccable skills of a textual scholar in rendering Parr's sixteenth-century English for modern readers and provides useful background on the circumstances of and references in Parr's letters and compositions.

This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth 1: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts; that of the Queen a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well.

Recently the University of Chicago Press published "Elizabeth I: Collected Works" to considerable critical acclaim. "Collected Works" brought together for the first time in one volume the speeches, poems, prayers and selected letters of Queen Elizabeth I (1533-1603), all in modernized spelling and punctuation. With this new volume, Januel Mueller and Leah S. Marcus give specialists full access to key originals of the Queen's texts presented in "Collected Works". The originals selected for inclusion here are compositions that survive in Elizabeth's own handwriting, in English and in foreign languages, as well as her foreign language compositions perserved by other hands or in printed editions. Presented in transcriptions that reproduce the spelling and punctuation of their 16th-century sources, these texts convey both the expressive and otherwise significant features of Elizabeth's writing.Through the transcriptions of texts in her own hand, readers can track the Queen's language and compositional style - her choices of vocabulary and phrasing; her vagaries of capitalization, spelling and punctuation; her often heavy revisions and redraftings; and her insertions of postscripts and second thoughts. The texts in foreign languages, meanwhile, will allow readers to prepare their own English translations trom these original sources. A unique resources for scholars, this book offers much fuller and more detailed access to Elizabeth and her writings than can be obtained from the modern English versions alone.

To the extent that she is popularly known, Katherine Parr (1512–48) is the woman who survived King Henry VIII as his sixth and last wife. She merits far greater recognition, however, on several other fronts. Fluent in French, Italian, and Latin, Parr also began, out of necessity, to learn Spanish when she ascended to the throne in 1543. As Henry’s wife and queen of England, she was a noted patron of the arts and music and took a personal interest in the education of her stepchildren, Princesses Mary and Elizabeth and Prince Edward. Above all, Parr commands interest for her literary labors: she was the first woman to publish under her own name in English in England.

           

For this new edition, Janel Mueller has assembled the four publications attributed to Parr—Psalms or Prayers, Prayers or Meditations, The Lamentation of a Sinner, and a compilation of prayers and Biblical excerpts written in her hand—as well as her extensive correspondence, which is collected here for the first time. Mueller brings to this volume a wealth of knowledge of sixteenth-century English culture. She marshals the impeccable skills of a textual scholar in rendering Parr’s sixteenth-century English for modern readers and provides useful background on the circumstances of and references in Parr’s letters and compositions. Given its scope and ambition, Katherine Parr: Complete Works and Correspondence will be an event for the English publishing world and will make an immediate contribution to the fields of sixteenth-century literature, reformation studies, women’s writing, and Tudor politics.

This 2003 book is a full-scale history of early modern English literature, offering perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: 'Modes and Means of Literary Production, Circulation, and Reception', 'The Tudor Era from the Reformation to Elizabeth I', 'The Era of Elizabeth and James VI', 'The Earlier Stuart Era', and 'The Civil War and Commonwealth Era'. While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including women's writings and the literature of the English Reformation and Revolution. This history is an essential resource for specialists and students.

This 2003 book is a full-scale history of early modern English literature, offering perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: 'Modes and Means of Literary Production, Circulation, and Reception', 'The Tudor Era from the Reformation to Elizabeth I', 'The Era of Elizabeth and James VI', 'The Earlier Stuart Era', and 'The Civil War and Commonwealth Era'. While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including women's writings and the literature of the English Reformation and Revolution. This history is an essential resource for specialists and students.

The sixth and last queen of Henry VIII, and friend of Anne Askew, Katherine Parr (c.1513-1548) has a threefold claim to recognition for her contribution to the literary culture of her time. First, as a loving and adept stepmother to the royal children, who took a directive role in their education; second, as the patroness of a circle of Protestant humanist intellectuals who spearheaded the translation of Erasmus’s Latin Paraphrase upon the newe testamente; and third, as the author of the two vernacular religious works reproduced here, which established her as the earliest woman writer in English to see original works reach print and bear her name.

The sixth and last queen of Henry VIII, and friend of Anne Askew, Katherine Parr (c.1513-1548) has a threefold claim to recognition for her contribution to the literary culture of her time. First, as a loving and adept stepmother to the royal children, who took a directive role in their education; second, as the patroness of a circle of Protestant humanist intellectuals who spearheaded the translation of Erasmus’s Latin Paraphrase upon the newe testamente; and third, as the author of the two vernacular religious works reproduced here, which established her as the earliest woman writer in English to see original works reach print and bear her name.