Jay Williams – författare

With a glut of health information assailing readers, there''s never been a better time to bring the best, most reliable facts together in one source.Jay Williams inspiring book offers a total life makeover, including all the latest information on:* exercise that changes your metabolism by combining cardio and weights for the most effective workout;* diet that interacts with exercise and hormones for maximum anti-aging effects;* motivation: a new technique that can be used for weight loss - and anything else in your life;* stress reduction: yoga, meditation, and other proven methods;* hydration: the little secret that gives major results;* hormones and how they affect weight loss, energy and aging; and* sleep and its profound effects on aging, weight loss, hormones and mood.Jay Williams provides a proven, quick ''jumpstart'' action that will give you results within 24 hours - and inspire to keep going with more valuable lifestyle changes.

New York Times BestsellerThis big-hearted memoir by the most promising professional basketball player of his generation details his rise to NBA stardom, the terrible accident that ended his career and plunged him into a life-altering depression, and how he ultimately found his way out of the darkness.Ten years ago, Jay Williams was at the beginning of a brilliant professional basketball career. The Chicago Bulls'' top draft pick—and the second pick of the entire draft—he had the great Michael Jordan''s locker. Then he ran his high-performance motorcycle head-on into a light pole, severely damaging himself and ending his career.In this intense, hard-hitting, and deeply profound memoir, Williams talks about the accident that transformed him. Sometimes, the memories are so fresh, he feels like he''ll never escape the past. Most days, he finds a quiet peace as a commentator on ESPN and as an entrepreneur who can only look back in astonishment at his younger self—a kid who had it all, thought he was invincible, and lost everything . . . only to gain new wisdom.Williams also shares behind the scenes details of life as an All-American. He tells it straight about the scandalous recruiting process and his decision to return to Duke and Coach K—a man who taught him about accountability—to finish his education. He also speaks out about corruption—among coaches, administrators, players, and alumni—and about his time in the NBA, introducing us to a dark underworld culture in the pros: the gambling, drugs, and sex in every city, with players on every team.

London's first-hand engagement with the world--the process of becoming and maintaining himself as a citizen of the world--helps define the kind of writing he produced. It is insufficient now to call him a naturalist writer if his principal concern was to reflect and represent, not the usual fare of violence and natural forces that we as literary theorists have used to periodize London's work, but rather something larger, more indeterminant, contemporary. The word modern appears often in the pages of this handbook, and though it is not new to call London a modernist, the sheer weight of the scholarship in this present volume that attests to this alternative designation gives it a thorough grounding that previous attempts lacked. London called his times the Machine Age, not just to underscore the rapidity of modern life and its new mechanization, but also to highlight the need for a new social and economic order. The purpose of this handbook is to honor him as a representative American writer of the age as he understood it.

London''s first-hand engagement with the world--the process of becoming and maintaining himself as a citizen of the world--helps define the kind of writing he produced. It is insufficient now to call him a naturalist writer if his principal concern was to reflect and represent, not the usual fare of violence and natural forces that we as literary theorists have used to periodize London''s work, but rather something larger, more indeterminant, contemporary. The word modern appears often in the pages of this handbook, and though it is not new to call London a modernist, the sheer weight of the scholarship in this present volume that attests to this alternative designation gives it a thorough grounding that previous attempts lacked. London called his times the Machine Age, not just to underscore the rapidity of modern life and its new mechanization, but also to highlight the need for a new social and economic order. The purpose of this handbook is to honor him as a representative American writer of the age as he understood it.

Throughout his long career, Jacques Derrida had a close, collaborative relationship with "Critical Inquiry" and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that "Critical Inquiry" encouraged. Collecting the best of Derrida's work that was published in the journal between 1980 and 2002, "Signature Derrida" provides a remarkable introduction to the philosopher and the evolution of his thought. These essays define three significant "periods" in Derrida's writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like "The Law of Genre," in which Derrida produces a kind of phenomenological narratology.Another essay, "The Linguistic Circle of Geneva," embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida's writing includes the essays "Of Spirit" and "The Animal That Therefore I Am (More to Follow)" and eulogies for Michel Foucault, Louis Marin, and Emmanuel Levinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories. Gathering a small but crucial portion of the oeuvre of this singular philosopher, "Signature Derrida" is the most wide-ranging, and thus most representative, anthology of Derrida's work to date.

Throughout his long career, Jacques Derrida had a close, collaborative relationship with Critical Inquiry and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that Critical Inquiry encouraged. Collecting the best of Derrida’s work that was published in the journal between 1980 and 2002, Signature Derrida provides a remarkable introduction to the philosopher and the evolution of his thought.   These essays define three significant “periods” in Derrida’s writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like “The Law of Genre,” in which Derrida produces a kind of phenomenological narratology. Another essay, “The Linguistic Circle of Geneva,” embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida’s writing includes the essays “Of Spirit” and “The Animal That Therefore I Am (More to Follow),” and three eulogies to the intellectual legacies of Michel Foucault, Louis Marin, and Emmanuel Lévinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories.   With an introduction by Francoise Meltzer that provides an overview of the oeuvre of this singular philosopher, Signature Derrida is the most wide-ranging, and thus most representative, anthology of Derrida’s work to date.

Through a mishap in Professor Bulfinch''s laboratory, Danny accidentally creates an anti-gravity paint. The natural use, of course, is for a spaceship -- the paint can replace rockets to get the ship into space. Unfortunately, the spaceship is launched prematurely after Danny and Joe follow Professor Bulfinch and Dr. Grimes on a tour of the ship. A mechanical failure dooms the four to a one-way trip out of the Solar System -- unless they can repair the spaceship in time!

This is the first of the 15-volume Danny Dunn series and features the original cover by acclaimed artist Ezra Jack Keats. Look for "Danny Dunn on a Desert Island," the second volume of the series, coming soon from Wildside Press!

"I challenge you to a duel of desert islands!" Dr. Grimes cries, when Professor Bulfinch accuses him of not being practical. Grimes plans to go ashore on an uninhabited desert island, and the Professor on another. After a month they will see who has survived the best!

Danny and his best friend Joe soon get permission to join them, and the four take off in the scientists'' plane. But when they crash-land in the ocean and are really marooned on an island off the coast of Peru -- the four must survive and come up with a plan to be rescued, using only their scientific ingenuity!

Danny uses a computer that Professor Bulfinch has created for NASA to prepare his homework, despite Professor Bullfinch''s warning that Danny is to leave the machine alone. With his friend Joe Pearson and his new neighbor, Irene Miller, Danny has some success with the machine before it is sabotaged. Can Danny figure out what is wrong with the computer and fix it? And will their teacher learn what''s really going on with homework?

Who says nobody does anything about the weather? Danny Dunn does! Of course if there hadn''t been a drought when Danny went to the weather bureau to return a radiosonde, just maybe nothing would have happened. But has there ever been a time when Danny could contain his curiosity? Danny is naturally attracted to all the weather-forecasting instruments and decides to do some volunteer weather-observing. And when Danny and his friends Joe Pearson and Irene Miller discover that Professor Bullfinch has a new ionic transmitter that makes little clouds and miniature rainstorms, trouble is sure to follow!

Another accident in Professor Bulfinch''s laboratory, brought on by Danny, results in the creation of a transparent, resilient material. The material proves useful in creating a bathysphere, and Professor Bulfinch, along with his friend Dr. Grimes, Danny, Joe, and Irene, descends into the Pacific Ocean on an experimental voyage. Unfortunately, the bathysphere''s pilot is rendered unconscious, and the bathysphere becomes trapped in a cave... Can Danny and his friends escape?

Danny Dunn on the Ocean Floor is the fifth novel in the Danny Dunn series of juvenile science fiction/adventure books written by Raymond Abrashkin and Jay Williams.

Danny and his friend Joe Pearson discover the entrance to a cave in the woods near their home. Professor Bulfinch has just invented a portable x-ray machine, and the Professor, along with his geologist friend Dr. Tresselt, sees an opportunity to use the device inside the cave. The two adults, along with Danny, Joe, and Irene, enter the cave on an expedition. They make an astonishing discovery, but they encounter a significant problem which prevents them from leaving the cave...

Danny Dunn and the Fossil Cave is the sixth novel in the Danny Dunn series of juvenile science fiction/adventure books written by Raymond Abrashkin and Jay Williams.

Danny is soaring above Midston in a plane with his pilot friend when he catched sight of a man stranded in a field and helps rescue him. The man happens to be millionaire Gledway Pippit, who is interested in Professor Bullfinch''s new heat ray -- but Danny and the Professor must prove to him that the invention can be useful.

One afternoon, Danny''s friend Irene is listening to her short-wave radio when she hears about a forest fire nearby. Danny realizes that the Professor and Mr. Pippit drove their cars in that direction. Soon the police spot the men -- but they are surrounded by fire! Danny things he knows how to rescue them and put the heat ray to practical use. But can he do it in time?

Danny Dunn and the Heat Ray is the seventh novel in the Danny Dunn series of juvenile science fiction/adventure books written by Raymond Abrashkin and Jay Williams.

Danny, Irene, Joe, and Professor Bullfinch launch themselves on an amazing journey -- through time! They land in the year 1763 and one of the first people they meet is Benjamin Franklin. The Professor plans to return soon to the future, but when he throws the switch, the time machine won''t start. While he and Mr. Franklin try to repair it, Danny and his friends explore the colonial era -- and Joe is kidnapped by an angry innkeeper who mistakes them for a runaway. Can the Professor get them back to their own time before more disasters happen?

Danny Dunn, Time Traveler is the eighth novel in the Danny Dunn series of juvenile science fiction/adventure books written by Raymond Abrashkin and Jay Williams.

Professor Bullfinch develops the "House of the Future" in which all controls are automatic, and plans to debut it at an upcoming Science Fair. This includes temperature controls and other standard functions, but also items such as washing machines, food preparation and normal housework. Danny, Irene and Joe, as well as Irene''s toddler cousin, go to explore the house and become trapped inside, as the locks were automated to have security settings to seal the house until the Professor''s introduction. Danny and his friends learn that in addition to the automated locks, everything is only a fake sample and the windows cannot be broken. They are trapped inside with no food or telephone, and the Fair does not open for three days!

Professor Bullfinch has created a radio telescope ("dish") for the government which will try to determine if extraterrestrials are trying to contact Earth. When Danny sneaks into the observatory, he hears non-random sounds coming from space. He then must figure out how to translate the sounds.The observatory described in the book is similar to the real life SETI project!

Professor Bullfinch and Doctor Grimes take Danny and his friends to the beginning of the Nile River in Africa to investigate local legends of a swamp monster. Despite unforeseen calamities, a new, rare species of electric catfish is discovered.