Jennifer V Evans – författare

Sexuality in Modern German History offers both a detailed survey of this key subject and a new intervention in the history of sexuality in modern Germany. It investigates the diverse and often contradictory ways in which individuals, activists, doctors, politicians, artists, church leaders, reform movements and cultural commentators have defined ‘normal’ or ‘natural’ sexuality in Germany over the past two centuries. Katie Sutton explores how these definitions have been used to shape identities, behaviours, bodies and practices, from norms of heterosexual, marital, reproductive sex to ideas around the policing and categorisation of ‘unnatural’ or ‘deviant’ bodies and practices.Covering a range of crucial themes, including birth control, prostitution, queer and trans rights and heterosexual intimacy, this important text comes with 30 illustrations and a wealth of primary source extracts and secondary literature, helpfully integrated to enable further insight and analysis.This is a vital volume for all students and scholars with an interested in modern Germany or the history of sexuality in modern Europe.

Eva Bischoff’s Imperialism in Modern German History is the first comprehensive, English-language exploration of the history of German imperialism. It follows German colonial aspirations from their imaginary beginnings in the 1880s through to the plans of the Nazi regime to create a territorial empire in Eastern Europe and the lingering colonial legacies of postcolonial Germany in the 20th and 21st centuries. In addition, the volume introduces its readers to key aspects of research debates centring on class, race, sexuality and Nazism that shape the way historians see German imperialism today.Examining Germany’s past from a transnational and global perspective, this is a vital text for all students of modern German history and the history of European empires.

Eva Bischoff’s Imperialism in Modern German History is the first comprehensive, English-language exploration of the history of German imperialism. It follows German colonial aspirations from their imaginary beginnings in the 1880s through to the plans of the Nazi regime to create a territorial empire in Eastern Europe and the lingering colonial legacies of postcolonial Germany in the 20th and 21st centuries. In addition, the volume introduces its readers to key aspects of research debates centring on class, race, sexuality and Nazism that shape the way historians see German imperialism today.Examining Germany’s past from a transnational and global perspective, this is a vital text for all students of modern German history and the history of European empires.

Andrew G. Bonnell’s innovative survey examines the history of revolution in modern Germany by focusing on key revolutionary developments in the German states. There is coverage of Germany and the French Revolution, the 1848 revolutions, the Industrial Revolution, the 1918-19 revolution, the Nazi ‘revolution’ of 1933, the revolution from above in Eastern Germany 1945-49, and the revolution in East Germany in 1989-90.Revolutions in Modern German History sheds new light on the subject by stressing the continuity of conflicts between revolution and counter-revolution in German history, thereby restoring a sense of the dramatic social conflicts that punctuated the history of the country. It also reveals the significance of wider European and transnational developments of revolutionary and counter-revolutionary movements and events. Bonnell even reconstructs a sense of the participants’ changing ‘horizon of expectations’ during these events by looking in-depth at the lives of men and women who lived and experienced these tumultuous times.

This is a comprehensive study of Holocaust memory in the digital age of social media. Focusing on the five most popular digital platforms in use today: Flickr, Instagram, YouTube, Twitter and Facebook, it examines how social technology affects the way history is made and circulated online.Social media has become a place where memories of the Holocaust take shape through user-driven content shared in elaborately interconnected communication networks. Alongside curated exhibits, documentaries and scholarly research, smartphone photos, short videos and online texts act as windows into the popular consciousness. They document how everyday people make sense of the crime of genocide, presenting unique challenges to historians. Does participatory media create a different understanding of genocide than more traditional forms of writing? How does expertise manifest in the digital public sphere? Do YouTube tourist videos and concentration camp selfies undermine the seriousness of the Holocaust and Holocaust Studies by extension? Holocaust Memory in the Digital Mediascape provides valuable answers to these questions and much more.The book comes with a range of helpful images and it also analyzes the way vernacular memory around the Holocaust and postwar reckoning and reconciliation is mobilized as well as contested in the digital sphere. It is an important volume for all scholars and students of the Holocaust, its history and memory.

Queer Cities, Queer Cultures examines the formation and make-up of urban subcultures and situates them against the stories we typically tell about Europe and its watershed moments in the post 1945 period. The book considers the degree to which the iconic events of 1945, 1968 and 1989 influenced the social and sexual climate of the ensuing decades, raising questions about the form and structure of the 1960s sexual revolution, and forcing us to think about how we define sexual liberalization - and where, how and on whose terms it occurs.An international team of authors explores the role of America in shaping particular forms of subculture; the significance of changes in legal codes; differing modes of queer consumption and displays of community; the difficult fit of queer (as opposed to gay and lesbian) politics in liberal democracies; the importance of mobility and immigration in modulating queer urban life; the challenge of AIDS; and the arrival of the internet.By exploring the queer histories of cities from Istanbul to Helsinki and Moscow to Madrid, Queer Cities, Queer Cultures makes a significant contribution to our understanding of urban history, European history and the history of gender and sexuality.

Through a series of urban case studies, this book examines the articulation of particular subcultures and forms of expression with the broader stories we tell about postwar Europe and particular watershed moments. It considers queer life in the selected cities in relation to the advent and end of Cold War polarization, and considers the degree to which the iconic events of 1945, 1968, and 1989 influenced the social and sexual climate of the ensuing decades. It raises questions about the form and structure of the 1960s sexual revolution, and forces us to think about how we define sexual liberalization and where, how and on whose terms it occurs. The book also explores the role of America in shaping particular forms of subculture; the significance of changes in legal codes; modes of queer consumption and displays of community; the difficult fit of queer (as opposed to gay and lesbian) politics in liberal democracies; the challenge of AIDS; and the arrival of the internet.

Queer Cities, Queer Cultures examines the formation and make-up of urban subcultures and situates them against the stories we typically tell about Europe and its watershed moments in the post 1945 period. The book considers the degree to which the iconic events of 1945, 1968 and 1989 influenced the social and sexual climate of the ensuing decades, raising questions about the form and structure of the 1960s sexual revolution, and forcing us to think about how we define sexual liberalization - and where, how and on whose terms it occurs.An international team of authors explores the role of America in shaping particular forms of subculture; the significance of changes in legal codes; differing modes of queer consumption and displays of community; the difficult fit of queer (as opposed to gay and lesbian) politics in liberal democracies; the importance of mobility and immigration in modulating queer urban life; the challenge of AIDS; and the arrival of the internet.By exploring the queer histories of cities from Istanbul to Helsinki and Moscow to Madrid, Queer Cities, Queer Cultures makes a significant contribution to our understanding of urban history, European history and the history of gender and sexuality.

Queer Cities, Queer Cultures examines the formation and make-up of urban subcultures and situates them against the stories we typically tell about Europe and its watershed moments in the post 1945 period. The book considers the degree to which the iconic events of 1945, 1968 and 1989 influenced the social and sexual climate of the ensuing decades, raising questions about the form and structure of the 1960s sexual revolution, and forcing us to think about how we define sexual liberalization - and where, how and on whose terms it occurs.An international team of authors explores the role of America in shaping particular forms of subculture; the significance of changes in legal codes; differing modes of queer consumption and displays of community; the difficult fit of queer (as opposed to gay and lesbian) politics in liberal democracies; the importance of mobility and immigration in modulating queer urban life; the challenge of AIDS; and the arrival of the internet.By exploring the queer histories of cities from Istanbul to Helsinki and Moscow to Madrid, Queer Cities, Queer Cultures makes a significant contribution to our understanding of urban history, European history and the history of gender and sexuality.

This is a comprehensive study of Holocaust memory in the digital age of social media and an important examination of how social technology affects the way history is made and circulated online. Social media has become a place where memories of the Holocaust take shape through user-driven content shared in elaborately interconnected communication networks. Curated exhibits, documentaries and scholarly research, smartphone photos, short videos and online texts act as windows into the popular consciousness. They document how everyday people make sense of the crime of genocide, presenting unique challenges to historians. Does participatory media create a different understanding of genocide than more traditional forms of writing? How does expertise manifest in the digital public sphere? Do YouTube tourist videos and concentration camp selfies undermine the seriousness of the Holocaust and Holocaust studies by extension? Holocaust Memory in the Digital Mediascape provides valuable answers to these questions and much more.The book comes with a range of helpful images and it also analyzes the way vernacular memory around the Holocaust and postwar reckoning and reconciliation is mobilized as well as contested in the digital sphere. It is an important volume for all scholars and students of the Holocaust, its history and memory.

In The Queer Art of History Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a practice of queer history that moves beyond bounded concepts and narratives of identity. Drawing on Black feminism, queer of color critique, and trans studies, Evans points out that although many rights for LGBTQI people have been gained in Germany, those rights have not been enjoyed equally. There remain fundamental struggles around whose bodies, behaviors, and communities belong. Evans uses kinship as an analytic category to identify the fraught and productive ways that Germans have confronted race, gender nonconformity, and sexuality in social movements, art, and everyday life. Evans shows how kinship illuminates the work of solidarity and intersectional organizing across difference and offers an openness to forms of contemporary and historical queerness that may escape the archive’s confines. Through forms of kinship, queer and trans people test out new possibilities for citizenship, love, and public and family life in postwar Germany in ways that question claims about liberal democracy, the social contract, and the place of identity in rights-based discourses.

In The Queer Art of History Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a practice of queer history that moves beyond bounded concepts and narratives of identity. Drawing on Black feminism, queer of color critique, and trans studies, Evans points out that although many rights for LGBTQI people have been gained in Germany, those rights have not been enjoyed equally. There remain fundamental struggles around whose bodies, behaviors, and communities belong. Evans uses kinship as an analytic category to identify the fraught and productive ways that Germans have confronted race, gender nonconformity, and sexuality in social movements, art, and everyday life. Evans shows how kinship illuminates the work of solidarity and intersectional organizing across difference and offers an openness to forms of contemporary and historical queerness that may escape the archive’s confines. Through forms of kinship, queer and trans people test out new possibilities for citizenship, love, and public and family life in postwar Germany in ways that question claims about liberal democracy, the social contract, and the place of identity in rights-based discourses.

In The Queer Art of History Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a practice of queer history that moves beyond bounded concepts and narratives of identity. Drawing on Black feminism, queer of color critique, and trans studies, Evans points out that although many rights for LGBTQI people have been gained in Germany, those rights have not been enjoyed equally. There remain fundamental struggles around whose bodies, behaviors, and communities belong. Evans uses kinship as an analytic category to identify the fraught and productive ways that Germans have confronted race, gender nonconformity, and sexuality in social movements, art, and everyday life. Evans shows how kinship illuminates the work of solidarity and intersectional organizing across difference and offers an openness to forms of contemporary and historical queerness that may escape the archive’s confines. Through forms of kinship, queer and trans people test out new possibilities for citizenship, love, and public and family life in postwar Germany in ways that question claims about liberal democracy, the social contract, and the place of identity in rights-based discourses.

Jean Quataert’s former students, colleagues, and collaborators come together in Gender in Germany and Beyond to not only celebrate Quataert’s shaping of the field of modern German, Women’s and transnational history, but also to expand on that scholarship, setting a precedent for the future of the field.

Jean Quataert redefined the boundaries of at least five historical fields including European socialism, women’s history and gender history, and international law and human rights. In this volume dedicated to her pioneering work, established and emerging scholars showcase the signature ways in which Quataert, as one of the discipline’s first women’s historians, has influenced how subsequent generations think about history writing as a form of intellectual activism. Gender in Germany and Beyond presents cutting edge historiographical commentary alongside new work which address subjects such as the history of German colonialism and women’s colonial leagues, human rights advocacy during the Cold War, and the complexities of turn of the century gay and lesbian rights organizing.

Bringing forth new perspectives previously unrepresented in Holocaust studiesLessons and Legacies, Volume XVI: Rethinking Paradigms does the difficult but crucial work of thinking through new methods and modes of representation that speak to where we find ourselves in Holocaust studies today, responding to—and developing new tools to analyze—the shifting shape of Holocaust memory: spatially, temporally, and in and across diverse media. The collection foregrounds the challenges visual sources pose to how we think about the Holocaust, including how it is represented differently in visual media, from photography to graphic novels, and establishes translation as a crucial concept for reframing Holocaust testimony and memory. The contributing authors also model ethical, nuanced ways to conduct comparative, connective work that challenges Eurocentric narratives of the Holocaust. The volume concludes with a section on memory work and activism that approaches the subject of post-1945 memory through different lenses to surface lesser-known aspects of Holocaust history.