John Morrison – författare

Modern Physics with Modern Computational Methods, Third Edition presents the ideas that have shaped modern physics and provides an introduction to current research in the different fields of physics. Intended as the text for a first course in modern physics following an introductory course in physics with calculus, the book begins with a brief and focused account of experiments that led to the formulation of the new quantum theory, while ensuing chapters go more deeply into the underlying physics.In this new edition, the differential equations that arise are converted into sets of linear equation or matrix equations by making a finite difference approximation of the derivatives or by using the spline collocation method. MATLAB programs are described for solving the eigenvalue equations for a particle in a finite well and the simple harmonic oscillator and for solving the radial equation for hydrogen. The lowest-lying solutions of these problems are plotted using MATLAB and the physical significance of these solutions are discussed.Each of the later chapters conclude with a description of modern developments. Makes critical topics accessible by illustrating them with simple examples and figures Presents modern quantum mechanical concepts systematically and applies them consistently throughout the book Utilizes modern computational methods with MATLAB programs to solve the equations that arise in physics, and describes the programs and solutions in detail Covers foundational topics, including transition probabilities, crystal structure, reciprocal lattices, and Bloch theorem to build understanding of applications, such as lasers and semiconductor devices Features expanded exercises and problems at the end of each chapter as well as multiple appendices for quick reference

At Easter of 1916 an armed insurrection, launched by paramilitary republicans, took place in Ireland. When the General Post Office in Dublin was seized on Easter Monday, the rebels declared a free Irish Republic, independent from Great Britain. In the century that has passed since the Easter Rising, each generation of Irish republicans has mounted their own paramilitary campaign to bring about an independent united Ireland, from the War of Independence, to The Troubles, and right up to the modern-day dissident republican violence. By bringing together a range of researchers, from across a variety of academic disciplines, this edited volume analyses the one hundred years of Irish republican violence from 1916 to 2016. The assembled authors assess the evolution of paramilitary violence through a variety of themes, including the IRA from 1919-21, the case of ‘the Disappeared’, the relationship between counterterrorism killings and Provisional IRA bombings, and the analysis of modern-day violent dissident republican statements. Bringing the volume to a close are two long-form interviews with two key actors within the Troubles, Danny Morrison and Billy Hutchinson. In these interviews they discuss their own perspective on one hundred years of Irish republican paramilitary violence. This book was originally published as a special issue of Terrorism and Political Violence.

In recent years, in the context of the War on Terror and globalization, there has been an increased interest in terrorism and organized crime in academia, yet historical research into such phenomena is relatively scarce. This book resets the balance and emphasizes the importance of historical research to understanding terrorism and organized crime.This book explores historical accounts of organized crime and terrorism, drawing on research from around the world in such areas as the USA, UK, Ireland, France, Colombia, Somalia, Burma, Turkey and Trinidad and Tobago. Combining key case studies with fresh conceptualizations of organized crime and terrorism, this book reinvigorates scholarship by comparing and contrasting different historical accounts and considering their overlaps. Critical ‘lessons learned’ are drawn out from each chapter, providing valuable insights for current policy, practice and scholarship. This book is an indispensable guide for understanding the wider history of terrorism and organized crime. It maps key historical changes and trends in this area and underlines the vital importance of history in understanding critical contemporary issues.Taking an interdisciplinary approach and written by leading criminologists, historians and political scientists, this book will be of particular interest to students of terrorism/counter-terrorism, organized crime, drug policy, criminology, security studies, politics, international relations, sociology and history.

A must-have for every Boyz II Men fan, this unofficial and unauthorized handsome volume traces forty years of the groundbreaking group through stunning photography, fascinating facts, and interviews with fans and industry pros.Philly’s own Boyz II Men is an iconic boy band that jumped to the top of the charts (and into the hearts of millions of global fans) in the 1980s. Though the band came to prominence in a time when acts like New Kids On The Block, Backstreet Boys, and NSYNC were surging in popularity, Boyz II Men was truly a transitional group, with a unique sound that took cues from both pop and R&B and brought together audiences across the world. Today, Boyz II Men is the bestselling R&B group of all time, having sold over 60 million albums worldwide, with a highly anticipated biopic in the works. In the unofficial and unauthorized Boyz II Men 40th Anniversary Celebration, music journalist John Morrison delves into the band’s origins—from their beginning in high school and their earliest influences—to their biggest successes in the ’80s and ’90s, to their continued achievements today and the lasting legacy they’ve left in the boy-band canon. Along the way, readers will also explore the creation of Boyz II Men’s biggest hits, such as “End of the Road” and “Motownphilly”; the fan culture that built up around the band, from the small gigs and mall tours of their earliest years to their national anthem performance in 2022 and tour and album plans for their anniversary year in 2025; Boyz II Men’s influences, from R&B to a cappella, and their place in a boy-band history that begins with the Jackson 5 and continues in the modern day with bands like One Direction and BTS; and the lasting legacy of a band proudly celebrating their fortieth anniversary.The book features interviews with icons of the music world and leading music historians and journalists, including:Singer-songwriter and record producer Kenneth “Babyface” EdmondsSinger-songwriter Loren Davis-StroudMusic journalist Michael Gonzales Music producer Joe “The Butcher” NicoloMusician and studio manager Daria Marmaluk-HajioannouAudio engineer George HajioannouBassist Reggie HamiltonAuthor and historian Dart AdamsLongtime music journalist and entertainment industry professional Karas LambWith stunning photographs and recollections from fans throughout, fans can relive their most precious memories of their favorite crossover band and learn about hidden gems and new tidbits from famous friends and collaborators. This is far from the end of the road for this groundbreaking group, and this book is the perfect companion to your everlasting love for “Nate, Mike, Shawn, and Wan”!

This four-volume collection of primary sources examines art in Scotland during the nineteenth century. During the nineteenth century, Scotland developed as a powerful industrial nation, eventually leading the world in areas such as textiles, shipbuilding and iron and steel production. As a result, a new generation of businessmen began to take an interest in buying art, as a symbol of their new-found wealth and status. The same period saw the establishment of art institutes and artists’ societies in major centres such as Glasgow and Edinburgh, providing artists not only with opportunities to exhibit their work, but also to see the work of European artists. This period saw the transformation of Scottish art from a period when visual culture was dominated by a retrogressive, romanticised image of the nation, to the modern era, when Scotland’s artists travelled abroad and embraced the latest avant-garde ideas, eventually enjoying an international reputation. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.

This volume examines the ways in which Scottish identity was expressed through visual and material culture in the early to mid-nineteenth centuries, culminating in Victoria’s romanticisation of Scotland, or ‘Balmorality’. Key artists included Sir David Wilkie, Alexander Nasmyth and Henry Raeburn and later Horatio McCulloch who helped to perpetuate the myth of Scotland as a retrogressive, highland nation. In 1826, the Royal Scottish Academy was established in Edinburgh, providing artists with the opportunity to train and exhibit their work. Under Robert Scott Lauder at the Trustee’s Academy, a new generation of artists emerged, among them William McTaggart, who continued to engage with historical subjects, but who was more experimental in their approach. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.

A distinctive and direct guide to legitimacy in business, focusing on the new benchmark of a 'Social License to Operate'. Featuring case studies of what is and isn't working, this book explains how business owners and CSR professionals can integrate legitimacy into the heart of their company strategy, beyond CSR and good PR.

At Easter of 1916 an armed insurrection, launched by paramilitary republicans, took place in Ireland. When the General Post Office in Dublin was seized on Easter Monday, the rebels declared a free Irish Republic, independent from Great Britain. In the century that has passed since the Easter Rising, each generation of Irish republicans has mounted their own paramilitary campaign to bring about an independent united Ireland, from the War of Independence, to The Troubles, and right up to the modern-day dissident republican violence. By bringing together a range of researchers, from across a variety of academic disciplines, this edited volume analyses the one hundred years of Irish republican violence from 1916 to 2016. The assembled authors assess the evolution of paramilitary violence through a variety of themes, including the IRA from 1919-21, the case of ‘the Disappeared’, the relationship between counterterrorism killings and Provisional IRA bombings, and the analysis of modern-day violent dissident republican statements. Bringing the volume to a close are two long-form interviews with two key actors within the Troubles, Danny Morrison and Billy Hutchinson. In these interviews they discuss their own perspective on one hundred years of Irish republican paramilitary violence. This book was originally published as a special issue of Terrorism and Political Violence.

Painting Labour in Scotland and Europe, 1850-1900 explores hitherto unrecognized European variations in the phenomena of rural labour imagery, particularly in Scotland. In exploring these distinctions relative to Scotland and Europe it looks to develop a new understanding of the commonalities and idiosyncrasies of rural labour imagery which have often been treated as homogenous. Lacking the detailed analysis that has been accorded other images, writing about Scottish painting has often been appended to analyses of English or French imagery. It has generally been understood as intellectually divorced from the sometimes brutal realities of evolving Scottish nineteenth-century urbanism, or simply ignored. Painting Labour in Scotland and Europe, 1850-1900 sets out systematically to discuss the Scottish rural painting in relation to its particular Scottish historical context, both sociological and aesthetic and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many hitherto under researched and unconsidered paintings by nineteenth-century Scottish artists, and considers them in relation to major English and Continental Realist and Romantic painters. The juxtaposition of J.F. Millet with W.D. McKay, and Edwin Landseer with George Reid makes for a volume that will appeal both to an academic audience and to one interested in European art history more generally.

In recent years, in the context of the War on Terror and globalization, there has been an increased interest in terrorism and organized crime in academia, yet historical research into such phenomena is relatively scarce. This book resets the balance and emphasizes the importance of historical research to understanding terrorism and organized crime.This book explores historical accounts of organized crime and terrorism, drawing on research from around the world in such areas as the USA, UK, Ireland, France, Colombia, Somalia, Burma, Turkey and Trinidad and Tobago. Combining key case studies with fresh conceptualizations of organized crime and terrorism, this book reinvigorates scholarship by comparing and contrasting different historical accounts and considering their overlaps. Critical ‘lessons learned’ are drawn out from each chapter, providing valuable insights for current policy, practice and scholarship. This book is an indispensable guide for understanding the wider history of terrorism and organized crime. It maps key historical changes and trends in this area and underlines the vital importance of history in understanding critical contemporary issues.Taking an interdisciplinary approach and written by leading criminologists, historians and political scientists, this book will be of particular interest to students of terrorism/counter-terrorism, organized crime, drug policy, criminology, security studies, politics, international relations, sociology and history.

A distinctive and direct guide to legitimacy in business, focusing on the new benchmark of a 'Social License to Operate'. Featuring case studies of what is and isn't working, this book explains how business owners and CSR professionals can integrate legitimacy into the heart of their company strategy, beyond CSR and good PR.

Painting Labour in Scotland and Europe, 1850-1900 explores hitherto unrecognized European variations in the phenomena of rural labour imagery, particularly in Scotland. In exploring these distinctions relative to Scotland and Europe it looks to develop a new understanding of the commonalities and idiosyncrasies of rural labour imagery which have often been treated as homogenous. Lacking the detailed analysis that has been accorded other images, writing about Scottish painting has often been appended to analyses of English or French imagery. It has generally been understood as intellectually divorced from the sometimes brutal realities of evolving Scottish nineteenth-century urbanism, or simply ignored. Painting Labour in Scotland and Europe, 1850-1900 sets out systematically to discuss the Scottish rural painting in relation to its particular Scottish historical context, both sociological and aesthetic and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many hitherto under researched and unconsidered paintings by nineteenth-century Scottish artists, and considers them in relation to major English and Continental Realist and Romantic painters. The juxtaposition of J.F. Millet with W.D. McKay, and Edwin Landseer with George Reid makes for a volume that will appeal both to an academic audience and to one interested in European art history more generally.