Professor Frances Fowle is the Chair of Nineteenth-Century Art at the University of Edinburgh and Senior Curator at the National Galleries of Scotland.Following a period at the Yale Center for British Art in Connecticut, Professor John Morrison joined the Art History Department at the University of Aberdeen in 1992 and went to be Head of the School of Divinity, History and Philosophy. From July 2019 he became Head of the School of History and Heritage at the University of Lincoln. Dr Freya Spoor is an art historian specialising in late nineteenth and early twentieth century Scottish and British art. She is a curator at the National Galleries of Scotland and co-curated the exhibition Lavery on Location on Glasgow Boy Sir John Lavery in 2024.Dr Elizabeth Cumming is a historian of Scottish art and design since 1870 and an Honorary Professor at the University of Edinburgh.

• Volume 1AcknowledgmentsList of IllustrationsGeneral IntroductionIntroduction to Volume 1Part 1. National Identity1. John Pinkerton An Enquiry into the History of Scotland Preceding the Reign of Malcolm III or the year 1056. Including the authentic history of that period. vol. 1 (London: John Nichols & John Bell Edinburgh 1789), pp. iii-xliii, 14-18.2. Patrick Fraser Tytler, History of Scotland, Vol.II (Edinburgh: William Tait, 1829), pp. 259-2753. Jane Porter, The Scottish Chiefs, Vol.1. (London: Longman Hurst Reece and Orme 1810), pp.1-84. Blind Harry, ‘The Battle of Biggar’, The History of the Life, Adventures and heroic Actions of the Celebrated Sir William Wallace. General and Governor of Scotland. ‘The Wallace’ (New York: William H. Crawford, 1820 edition), pp. 94-98.5. James Melville Memoirs of His Own Life, (Edinburgh: Bannatyne Club [no.18], 1827)6. James Kirkton The Secret and true History of the Church of Scotland from the Restoration to the year 1678. To which is added An account of the Murder of Archbishop Sharp by James Russell, an actor therein Charles Kirkpatrick Sharpe (ed.)(Edinburgh: John Ballantyne 1817), pp. 410-4227. Thomas McCrie, The Works of Thomas McCrie, D.D., vol. 4. ‘Review of Tales of my Landlord’ (Edinburgh: William Blackwood 1857), pp. 9-17Part 2. Walter Scott and Highlandism8. Sir Walter Scott, The Lay of the Last Minstrel, Canto 6th (London: Longman, Hurst, Rees and Orme, and Edinburgh: A. Constable and Co. 1805), pp. 161-163.9. Elizabeth Grant, Memoirs of a Highland Lady (London: John Murray 1898) pp. 203-21010. Anon. Edinburgh Review, ‘Art XI. Waverley, or ‘Tis Sixty Years Since’. Vol 24. Issue 47 (Edinburgh: A. Constable and London: Longman, Hurst, Rees, Orme and Brown 1814) pp. 208-214. 11. Robert Mudie, A Historical Account of His Majesty’s Visit to Scotland (Edinburgh: Oliver & Boyd 1822), pp. 30-34, 88-8912. John MacCulloch, The Highlands and Western Scenery of Scotland ….. in letters to Walter Scott: (London: Longman’ Hurst, Rees, Orme, Brown and Green 1824), pp. 1-14.13. William Hazlitt, ‘Sir Walter Scott’, in The Spirit of the Age or Contemporary Portraits, vol. 1, (Paris: A and W Galigani 1825), pp. 123-14514. W. Stirling Maxwell The Scott Exhibition. Catalogue of the Exhibition held at Edinburgh, in July and August 1871, on occasion of the commemoration of the centenary of the birth of Sir Walter Scott (Edinburgh 1872), pp. vii-xivPart 3. Romanticism and Scottish Landscape15. David Dreadnought, “Report on the Landscape Department” in Report of the Edinburgh Society of the Cognoscenti on the Exhibition of the Scottish Institution for Encouraging the Fine Arts (Edinburgh, 26 March 1822), pp. 8-21.16. Dorothy Wordsworth; John Campbell Shairp ed., Recollections of a Tour made in Scotland in 1803, second edition (New York: GP Putnam & Sons, 1874), pp. 81-87.17. Charles Cordiner, ‘The Greenloch in Glen-more’, in Remarkable Ruins and Romantic Prospects of North Britain, (London, 1788) 18. George Walker, Descriptive Catalogue of a choice assemblage of original pictures by some of the most esteemed masters of the Italian, French, Flemish, Dutch and British schools, selected during a period of thirty years, (Edinburgh: University Press, 1807), pp. 30-34.19. Joseph Swan and John M Leighton, ‘Preface: Remarks on the Scenery of the Highlands’, in Swan's Views of the Lakes of Scotland, (Glasgow: Joseph Swan, 1837), pp. i-ix.20. William Scrope, The Art of Deer-Stalking, (London, John Murrray, 1838), pp. 363-371.21. Adam and Charles Black, Black’s Picturesque Tourist of Scotland (Edinburgh: Charles and Adam Black, 1851), pp. 373-380.22. Alexander Fraser, The Life and Works of Horatio Macculloch, (Edinburgh, Andrew Elliot, 1872), pp. 9-29, 38-39.23. James Nasmyth and Samuel Smiles, LL.D. (ed), James Nasmyth, Engineer. An Autobiography (London: John Murray, 1883), pp. 35-42.Part 4. Social History and Customs24. John Gibson Lockhart, Peter’s Letters to his Kinsfolk (Edinburgh: W. Blackwood, 3 vols. 1819), pp. 301-330.25. D.K. Guthrie & C.J. Guthrie, Autobiography of Thomas Guthrie D.D. and Memoir, vol. 1 (London: W. Isbister 1874 2 vols), pp.33-36, 69-71, 137-14226. John Grant The Penny Wedding (London: Grant and Co. 1836), pp. 1-32.27. Hamilton Baird Timothy, ‘The Penny Wedding’, The Collected Poems of John Galt, 1779-1839 (London Ontario: no listed publisher, 1969 2 vols.), pp. 79-81.28. W. McCombie, Cattle and Cattle-Breeders, (Edinburgh: Blackwood 1875), pp. 49-5229. A.L. Simpson, Selections from the Works of George Harvey PRSA., (Edinburgh: Andrew Elliot, n.d.).30. Hugh Miller, My Schools and Schoolmasters. Or. The Story of My Education (Edinburgh: William P. Nimmo 1869. (12th edition)), pp. 303-310.Part 5. Education and Exhibiting31. ‘View of the Arts of Design in Britain’ in Edinburgh Annual Register for 1816 published in 1819. Reprinted in Scottish Art and National Encouragement: Containing a View of Existing Controversies, and Transactions during the last Twenty-Seven Years, Relative to Art in Scotland: With an Ample Appendix of Documents (Edinburgh & London. W. Blackwood and Sons), Appendix, pp. 1-432. Report from Mr. J. G. S. Lefevre to the Treasury, respecting the Erection of Galleries of Art at Edinburgh, 1850, pp. 4-13.33. James Ballantine, The Life of David Roberts, R.A. Compiled from his Journals and Other Sources. (Edinburgh: Adam and Charles Black 1866), pp. 2-20.34. ‘Proposals to Art Training’, W. Dyce letter to D. O. Hill, 15 December 1846.35. R. Roundrobin, Letter to the Directors and members of the Institution for the promotion of the fine arts in Scotland (Edinburgh: W. Tait & A. Black 1826). 36. G. Harvey Notes of the Early History of the Royal Scottish Academy, (Edinburgh: Edmoston and Douglas 1870), pp. 1-24.Part 6. Travel Beyond Scotland37. William B. Scott, Memoir of David Scott, R.S.A: containing his journal in Italy, notes on art and other papers: With seven illustrations (Edinburgh: A. & C. Black, 1850), pp. 57-12538. Anon. ‘Dinner to William Allan Esq. RA ‘, The Scotsman 14 March 1838,39. Allan Cunningham The Life of Sir David Wilkie. With His Journals, Tours, and Critical Remarks on Works of Art; And a Selection From His Correspondence, 3 vols. (London: John Murray 1843). vol.1, pp. 389-431.40. Anon. ‘The Fine Arts’, National Advocate (New York n.d. [late 1817])41. H. W. Williams, Travels in Italy Greece and the Ionian islands in a series of letter descriptive of the manners scenery and the fine arts by H. W. Williams Esq. 2 vols. (Edinburgh: A. Constable 1820), vol. 2, pp. 243-257, 316-323, 378-391.42. James Ballantine, The Life of David Roberts, R.A. Compiled from his Journals and Other Sources. (Edinburgh: Adam and Charles Black 1866), pp. 80-14343. Paper submitted by William Borthwick Johnstone to the RSA 1853.IllustrationsBibliographyIndexVolume 2AcknowledgementsList of IllustrationsGeneral IntroductionVolume 2 IntroductionPart 1. Art Education1. Martin Hardie, John Pettie R.A., (London: Adam and Charles Black, 1908) pp.5-182. John Lavery, The Life of a Painter, (London: Cassell & Co., 1940) pp.48-533. “Robert Brough – painter", The Art Journal, 1898, pp.146-1484. Alison Mowat, (trans. and ed.), James Cadenhead RSA RSW 1858-1927: His Letters Home as a Young Man, (Glasgow: Bell & Bain Ltd., 2013), pp. 97-1035. James Paterson, Art Student Life and Concluding part of a Lecture on Art Students in Paris MS lectures6. “Academy Art Exhibition – a fine display”, Perthshire Advertiser, 18 June 19007. Letter from Christina Stark to Fra Newbery 29th April 1905Part 2. Networking and Artists Colonies8. Sidney Gilpin, Sam Bough, R. S. A.; some account of his life and works, (London: G. Bell & sons, 1905), pp.86-889. Letters from John Pettie with William McTaggart10. Martin Hardie, John Pettie R.A., (London: Adam and Charles Black, 1908) pp. 4-5 11. Edward Pinnington, “Landscape” in George Paul Chalmers RSA and the Art of His Time, (Glasgow: T. & R. Annan & Sons, 1896) pp.134-135 12. Sir James L. Caw, Sir James Guthrie, P.R.S.A., LL.D.: A Biography, (London: Macmillan and Co., 1932) pp.21-2413. Morley Roberts, “A Colony of Artists”, The Scottish Art Review, vol.2, no.15, August 1889, pp. 72-7414. Robert Louis Stevenson, “Fontainebleau: Village Communities of Painters – IV", The Magazine of Art, vol.VII, (London: Cassell, Petter, Galpin & Co., 1884), pp. 340-345 15. Walter Shaw Sparrow, John Lavery and his Work (London: Kegan Paul, Trench, Trübner & Co, Ltd, 1911), pp. 43-4616. A.S. Hartrick, ‘The Glasgow School’, in A Painters Pilgrimage through Fifty Years, (Cambridge: University Press, 1939), pp. 54-61 17. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951) pp.65-72 18. Letters from Paterson and Hornel 189219. Letters from Bessie MacNicol to EA HornelPart 3. Art Institutions and Exhibition Culture20. Opening of the Tenth Exhibition of the Glasgow Institute of the Fine Arts, 30th January 1871, MS, Glasgow Institute of the Fine Arts Minute Book, vol.2, 1870 to 1879, pp. 16-2421. First Annual Report of the Paisley Art Institute, constituted 1876 (Paisley: J&J Cook, Steam Printers, 1878)22. “Paisley Art Exhibition”, Glasgow Evening News, 28 December 1888, p.223. “Aberdeen Artists Society – the forthcoming exhibition”, Aberdeen Evening Express, 4 July 188524. George R. Halkett, “Special Exhibition of Scottish Art”, The Magazine of Art, vol.IV, (London: Cassell, Petter, Galpin & Co., 1881), pp.102-10625. Anon., “How I became an A.R.S.A: A Chapter of Autobiography”, The Scottish Art Review, vol.2, no.18 November 1889, pp.163-16626. George Henry, “The Royal Scottish Society of Painters in Water Colours”, The Scottish Art Review, vol.1, no.6, November 1888, pp. 153-15427. C.P. Anstruther, “Woman’s Work in Art Industries”, The Scottish Art Review, part 1 and 2, vol.1, nos. 5 and 6, pp. 131-132, 158-15928. “Glasgow Lady Artists”, Glasgow Evening News (11 December 1893), p.229. A. K. Brown, The Glasgow Art Club: A Retrospect, privately published, 1918, pp.3-1830. Anon, ‘The Glasgow Art Club’, Art Journal, 1886, pp. 297-29931. Graphic Arts Association Annual Report 189132. “Art at the Glasgow International Exhibition. Painting”, The Scottish Art Review, vol.1, no.1, June 1888, pp. 4-633. Agnes McKay, Arthur Melville: A Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951) pp. 73-7834. “The Grosvenor Gallery”, Scots Observer, 24 May 1890, pp. 13-1435. Walter Armstrong, “Current Art. The Grosvenor Gallery”, The Magazine of Art, (London: Cassell, Petter, Galpin & Co., 1890), pp. 325-328Part 4. Evolving Styles 1850–190036. John Ruskin, Lectures on Architecture and Painting, Delivered at Edinburgh in November 1853 (London: George Routledge & Sons, 1854), pp. 224-23037. Letter fragment Robert Scott Lauder to unknown, [1853].38. John Ballantyne, What is Pre-Raphaelitism? (Edinburgh and London: William Blackwood and Sons, 1856) pp.12-2539. “The Thirty Eighth Exhibition of the Royal Scottish Academy”, The Daily Review, 18 February 186440. Iconoclast, Scottish Art and Artists in 1860, (Edinburgh: John Menzies, 1860), pp. 4-941. Veri Vindex (G. Reid and J.F. White), Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 1868, (Edinburgh 1868), pp. 22-24, 25-3142. Sydney Hodges, “Artists’ Haunts – Off the track in Scotland”, The Magazine of Art, (London: Cassell, Petter, Galpin & Co., 1878), pp. 209-21343. W.M. Gilbert, “The Life and Work of Peter Graham R.A”, The Art Annual (London: H Virtue & Co., 1899), pp. 26-2944. Edward Pinnington, “Aberdeen and Israels”, in George Paul Chalmers RSA and the Art of His Time, (Glasgow: T. & R. Annan & Sons, 1896), pp.142-14445. P. McOmish Dott, Notes Technical and Explanatory on the Art of Mr William McTaggart as displayed in his exhibition of 32 pictures, Scottish Gallery (Edinburgh: T & A Constable, 1901), pp.1-2046. RAM Stevenson, The Art of Velasquez (London: George Bell and Sons, 1895), pp.119-12447. J. L. Caw, “A Phase of Scottish Art”, The Art Journal (London: J. S. Virtue & Co., 1894), pp.75-7948. C. J. Holmes, “The Glasgow School at Knightsbridge”, The Dome, vol.3, 1899, pp.176-180Part 5. Scots Abroad49. ‘The Last Work of John Phillip, R.A.’, The Art-Journal, 29 (1867), 127, p.15350. Letter from George Reid to John Forbes White, 10 February 1869.51. William Robertson Smith and George Reid, Notes and Sketches, (Aberdeen, 1876)52. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951), pp. 60-6253. Letters between Thomas Millie Dow and Arthur Thayer54. E. A. Hornel, “Japan”, lecture delivered on his behalf to audience at the Corporation Art Galleries, Glasgow, 189555. James Paterson, Impressions of Tenerife, MS lecture.56. John Lavery, The Life of a Painter, (London: Cassell & Co., 1940), pp. 98-10157. Fritz von Ostini, translated, “Scottish Pictures – What the Germans think of them”, The Dundee Courier and Argus (27 September 1890), p.658. Charles M. Kurtz, “The Glasgow School: The Men and Their Work” Modern Art, Vol. 4, No. 2 (Spring, 1896), pp. 4-9Part 6. What is Scottish Art?59. “Scottish Art and Artists”, The Scottish Review vol.5, (1885) pp. 205-21660. G. Baldwin Brown, “Old and New in Art”, The Scottish Art Review, vol.1, no.3, August 1888, pp. 84-8761. James Stanley Little, W. Q. Orchardson: his Life and Work, (London: The Art Journal, 1897), pp.1-962. Veri Vindex [G. Reid and J.F. White], Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 1868, Edinburgh 1868 pp.11-1663. A.H. Millar, “Scottish Art”, The Art Journal, (London: JS Virtue & Co., 1880) pp. 81-8264. Anon, “The Scottish School of Painting”, Blackwood’s Edinburgh Magazine, vol. 157, no. 853 (March 1895), pp. 338-34565. James Paterson, Art in Scotland, dated 1876, MS lecture66. James L. Caw, “The Present Condition of Art in Scotland”, The Art Journal, (London: J. S. Virtue & Co., 1898), pp. 45-4867. Anon, “Varieties – Sir Daniel Macnee on Art”, The Leisure Hour, no.1414 (1 Feb 1879) pp.79-8068. “Sir William Fettes Douglas P.R.S.A. and the Edinburgh School of Art – Lady Artists”, The Scotsman, 23 January 1885, p.7 and “Letters to the Editor”, The Scotsman, 26 January 1885, p.669. Anon, “Art in the West of Scotland”, Scottish Art Review, volume 1, 1888, pp.146-14970. Richard Muther, “Whistler and the Scotch Artists”, The History of Modern Painting, vol. 4, (London 1907), pp.19-44.IllustrationsBibliographyIndexVolume 3AcknowledgmentsList of IllustrationsGeneral IntroductionVolume 3 - IntroductionPart 1. Rural Craft and Home Industry1. Robert Bryden, Prefatory Note, ‘The Blacksmith’ and ‘The Joiner’ from Etchings of ‘Workers’ or Waning Crafts (Ayr: the author, 1912)2. Ann Macbeth, Introduction to James A Morris, The Art of Ayrshire White Needlework (Ayr: privately printed 1916), p. 13. James L. Caw, ‘The Mortons of Darvel’, The Art Journal (New Series), London, 1900, pp. 7-11, 78-804. James A. Morris, ‘On the Application of Art to Industry, being a Lecture delivered before the art students of the evening continuation classes in Ayr’ (Ayr: published by the author, 1905), pp. 5-65. Alexander Ross, Scottish Home Industries by Provost Alexander Ross [of Dingwall] (Inverness: Scottish Home Industries Association, 1895), pp. 1-3, 616. Anon., ‘Highland Home Industries Association’, The Glasgow Herald, 20 September 1894, p. 107. Anon., ‘Aldourie Terra-Cotta Work’, The Evening Telegraph, Dundee, 30 July 1901, p. 28. Anon., ‘The Edinburgh Decorative Handiwork Exhibition: The Amateur Section’, The Scotsman, 29 November 1888, p. 59. Anon., ‘Arts and Crafts Exhibition: Address by Professor Baldwin Brown’, The Glasgow Herald, 8 April 1895, p. 1310. D.M. Sutherland, ‘The Guild of Women Binders’, The Magazine of Art, Vol. 23, No. 9, London, 1899, pp. 420-42311. Henry Taylor Wyse, Introduction to The Rudiments of Design based on Plant Form,2nd edition (Arbroath: the author, 1902), pp. 9-12, 14Part 2. William Morris and Scotland12. Letter from William Morris to Jenny Morris, 17 March 188713. Letter from William Morris to Jenny Morris, 26 March 188814. J. W. Mackail, The Life of William Morris (London: Longmans, Green and Co., 1899), pp. vii-viii15. James Leatham, ‘IV - Morris as Art Craftsman’, William Morris, Master of Many Crafts: A Study (Peterhead: Deveron Press, 1897, reprinted 1899), pp. 59-71, 7716. William Morris, ‘The Arts and Crafts of To-day’, Presidential Address, Section of Applied Art, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890).17. Alec Grieve and Stewart Carmichael, 'The Growlers' Club', The Labour Leader, (London: News and Book Co-operative Society and Glasgow: Labour Literature Society), 16 June 1894, p. 618. J. Bruce Glasier, William Morris and the Early Days of the Socialist Movement (London: Longmans, Green and Co., 1921), pp. 84-819. J. Bruce Glasier, William Morris and the Early Days of the Socialist Movement, (London: Longmans, Green and Co., 1921), pp. 89-90 and 91-9320. D’Arcy Wentworth Thompson, ‘Walter Biggar Blaikie LL.D., D.L.’ in Walter Biggar Blaikie 1847-1928 (Edinburgh: Edinburgh Academy, 1929), pp. 8-9 and 20-321. Robert Lorimer to Robin Dods, 22 December 189622. James Morton, William Morris. An Appreciation by James Morton of Darvel, Ayrshire. As read before the XL Club, Glasgow, March 4th 1901 (London: Chiswick Press, 1901), pp. 31-3423. William George Thomson, ‘Report on the Procedure of having Tapestries woven from Cartoons’, c.1910.Part 3. Urban Art and Design Education24. J. Forbes White and Mark H. Judge, ‘How can Art be best Introduced into the Houses of Persons of Limited Income?’, Transactions of the National Association for the Promotion of Social Science, Aberdeen Meeting, 1877 (London: National Association for the Promotion of Social Science, 1878), pp.738-751 25. Annual Report of the Glasgow Kyrle Society for the Year 1887-88 (Glasgow: Kyrle Society, 1888), pp.13-1426. Annual Report of the Glasgow Kyrle Society for the Year 1883-84 (Glasgow: Kryle Society, 1884), pp. 8-927. Annual Report of the Glasgow Kyrle Society for Year 1890-91 (Glasgow: Kyrle Society, 1891), pp. 8-928. ‘Edinburgh Social Union’, The Scotsman, 1 February 1887, p. 329. Gerard Baldwin Brown, ‘Some Recent Efforts in Mural Decoration’, The Scottish Art Review (Glasgow: Kerr & Richardson), January 1889, pp. 225–22830. Robert Lorimer, ‘The Decoration of the Song School of Saint Mary’s Cathedral’, unpublished manuscript, 189231. Phoebe Anna Traquair to her nephew Willie Moss, 11 December 189332. A. F. Morris, ‘A Versatile Art Worker: Mrs Traquair’, The Studio, Vol. 34, No. 146, London, 1905, pp. 339-34333. James L. Caw, ‘The Artwork of Mrs Traquair’, The Art Journal (New Series), 62, London, 1900, pp. 143–14834. Anon, ‘Decorative Art in Aberdeen: The Trades Council Hall’, The Scots Pictorial, 1 October 1898, pp. 96-9835. Douglas Strachan to William Kelly, 15 May 191036. Douglas Strachan to William Kelly, 8 January 191137. W.S. Black, ‘On Hindrance to the Progress of Applied Art’, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890), pp. 241-24338. John Maitland Talbot, Paper by a ‘practical jeweller on his attempt to improve his craft through the aid of art schools and museums’, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890), pp. 471-47439. Francis H. Newbery, ‘The Place of Art Schools in the Economy of Applied Art’, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890), pp. 447-451Part 4. Uncovering the Past40. Daniel Wilson, The Archaeology and Prehistoric Annals of Scotland (Edinburgh: Sutherland and Knox,1851), pp. 220-22141. James Drummond, ‘Notes made during a Wandering in the West Highlands; With Remarks upon the Style of Art of Some Monumental Stones at Iona, and in other Localities’, Proceedings of the Society of Antiquaries of Scotland, Vol. 8 (Edinburgh: Society of Antiquaries of Scotland, 1871), pp. 117-12042. John Stuart, ‘Preface’, Sculptured Stones of Scotland, Aberdeen, Vol. I (Aberdeen: Spalding Club, 1856), pp. i-iii43. Joseph Anderson, Scotland in Early Christian Times (Second Series): The Rhind Lectures in Archaeology for 1880) (Edinburgh: David Douglas, 1881), pp.1-644. J. Romilly Allen and Joseph Anderson, The Early Christian Monuments of Scotland, Vol.1 (Edinburgh: Society of Antiquaries of Scotland, 1903), Vol.1 pp.363-364, 375-37645. W. Matthews Gilbert, ‘The Decoration of the Scottish National Portrait Gallery’, The Art Journal, 1902, pp. 55-5946. Anon, ‘The Pageant and Masque’, The Scotsman,11 June 1908, pp. 6-747. The Scottish National War Memorial at The Castle, Edinburgh: A Record and Appreciation by Sir Lawrence Weaver K.B.E., Supplement to Country Life 18 July 1927 (London: Country Life), pp.18-19Part 5. The Celtic Renascence48. Daniel Wilson, The Archaeology and Prehistoric Annals of Scotland (Edinburgh: Sutherland and Knox,1851) pp. 504-50549. F.R. Coles, ‘The Recent Cup and Ring Mark Discoveries in Kirkcudbrightshire’, Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, DGNHAS, Dumfries, Series II, Vol. 5, 1886-87, pp. 41-52 (extract)50. Patrick Geddes, ‘The Work of the Art School’, draft manuscript for the Old Edinburgh School of Art report 1893–9451. Margaret Armour, ‘Mural Decoration in Scotland – Part I’, The Studio, Vol. X, No. 48, 1897, pp. 100-10652. Patrick Geddes, Introduction to The Interpreter: Of Seven Pictures, of Black and White (Patrick Geddes & Colleagues, Edinburgh, 1898)53. Annotated proof copy of Patrick Geddes and J. Arthur Thomson, The Interpreter, April, 1896, p. 1354. Patrick Geddes, ‘The Scots Renascence’, The Book of Spring, The Evergreen: A Northern Seasonal, (Patrick Geddes & Colleagues, Edinburgh 1895), pp. 131, 135-13755. William Sharp to Patrick Geddes 15 May 1895 re The Evergreen56. H. G. Wells, ‘Bio-Optimism: The Evergreen, A Northern Seasonal’, Nature, Vol.52, No.1348, London, pp. 410-41157. Israel Zangwill, ‘Here, There and Somewhere Else: Philosophic Excursions - Edinburgh’, Pall Mall Gazette: republished in Without Prejudice (London: T. Fisher Unwin, 1896), pp. 289-29358. John Duncan to Patrick Geddes, 5 May 189859. Stewart Carmichael, ‘Unaesthetic Dundee – The Sin of Ugliness’, Dundee Advertiser, 29 January 1907, p. 760. ‘Critical Note by John Duncan’, George Dutch Davidson 1879-1901, A Memorial Volume (Dundee: Dundee Graphic Arts Association, 1902), p. 6361. John Duncan, extracts from his notebook62. E. and A. Ritchie, ‘The Teaching of Celtic Art’, An Deo-gréine, Vol. II No. 8 (Stirling: Eneas Mackay, 1907), pp. 122-123Part 6. Modernity63. Gleeson White, ‘Some Glasgow Designers and their Work – I’, The Studio, Vol. XI, No.52, London, 1897, pp. 86-10064. Herbert MacNair to Thomas Howarth, 8 June 194465. Edwin Lutyens to Lady Emily Lytton, 17 June 1897 and 1 June 189866. Robert Lorimer to Robin Dods, 11 August 189767. ‘Hugh Foulis’ (Neil Munro), ‘XXII: Erchie in an Art Tea-Room’, Erchie, My Droll Friend (Edinburgh and London: William Blackwood and Sons, 1904), pp. 138-14368. Gleeson White, ‘Some Glasgow Designers and their Work – II’, The Studio, Vol. XI, No.54, London, 1897, pp. 227-22869. Gleeson White, ‘Some Glasgow Designers and their Work – III’, The Studio, Vol. XII, No. 55, London, 1897, pp. 47-5170. ‘M’, ‘The New Woman in Art’, Glasgow Evening News, 13 November 1894, p. 471. Anon., ‘Women as Decorative Artists’, The Scots Pictorial, 26 November 1898, p. 30272. Walter R. Watson, ‘Miss Jessie M. King and her Work’, The Studio, Vol. XXVI, No. 113, London, 1902, pp. 177-18873. George Logan, ‘A Colour Symphony’, The Studio, Vol. XXXVI, No.152, London, November 1905, pp. 118-12274. ‘An Appreciation of the Work of Ann Macbeth by F.H. Newbery’, The Studio, Vol. XXVII, No. 115, London, October 1902, pp. 40-4775. Henry Taylor Wyse, ‘Some Remarks on Simplicity in Furniture’, in Simple Furniture, Henry Taylor Wyse, Designer, W. Middleton Cabinetmaker, Arbroath N.B., Arbroath, c.1901, pp. 1-376. Charles Rennie Mackintosh, Lecture on ‘Seemliness’, 190277. Margaret McMillan, Preface to Margaret Swanson and Ann Macbeth, Educational Needlecraft (London: Longmans & Company, 1910), pp. v-x78. Douglas Strachan, A Lecture on Design and Craft delivered by Douglas Strachan, Head of Section of Crafts at the Edinburgh College of Art, on the Occasion of the Opening of the Craft Workshops at Edinburgh College of Art, 2nd March 1910, Edinburgh College of Art, Edinburgh, 1910 (extracts)79. J.T. [John Taylor], ‘Studio Talk: Glasgow’, The Studio, Vol. 56, London, 1912, pp.318-321IllustrationsBibliographyIndexVolume 4AcknowledgmentsList of IllustrationsGeneral IntroductionVolume 4 - IntroductionPart 1: Artists’ Societies and Exhibitions1. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The First (Edinburgh: J. Pillans & Son, 1827), pp. 3-72. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Second (Edinburgh: J. Pillans & Son, 1828), pp. 3-73. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Third (Edinburgh: J. Pillans & Son, 1829), pp. 3-6.4. George R. Halkett, ‘Glasgow Institute of the Fine Arts’, The Magazine of Art (London, Paris & New York: Cassel, Petter, Galpin & Co, 1880), pp. 341-344. 5. Anon, ‘West of Scotland Fine Art Exhibition’, Greenock Advertiser, 2 July 18616. Anon, ‘An Art Exhibition in Dundee’, The Dundee Courier and Argus, 26 May 18647. T.S. Robertson, ‘Provost Orchar of Broughty Ferry’, The Dundee Courier and Argus, 26 June 19058. Anon, ‘The Opening of the Arts Exhibition’, Aberdeen Journal, 6 August 18739. Anon, ‘The Arts Exhibition’, Aberdeen Journal, 13 August 1873.10. Anon, ‘The Arts Exhibition’, Aberdeen Journal, 20 August 1873.11. First Annual Report of the Paisley Art Institute, constituted 1876 (Paisley: J & J Cook, 1878)Part 2. Scotland’s Art Galleries and Museums: Collecting and Philanthropy12. Gustav Waagen, extract from letter XXVIII, ‘Edinburgh’, Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS &c, 3 vols, 1854, Vol. 3, pp. 266-279. 13. Gustav Waagen, extract from letter XXVIII, ‘Glasgow’, Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS &c, 3 vols, 1854, Vol. 3, pp. 286-291.14. James Paterson, ‘Episodes in the Art Life of the West of Scotland’ 15. James Paton, ‘Public Art in Glasgow’, The Fine Art Collection of Glasgow, (Glasgow: James Maclehose & Sons, 1906), pp. 1-44.16. J. C. Robinson, ‘Report on the Art Collections, Corporation Galleries, Glasgow’, Parks and Galleries Trust, Glasgow, 1882. 17. Anon, ‘Death of Provost Orchar: Sketch of his Career’, Dundee Advertiser, 16 May 1898. 18. Anon, ‘The Victoria Art Galleries’, The Dundee Courier & Argus, 21 October, 1889.19. Edward Pinnington, ‘Art Collections of Dundee and District’, 1: Corporation Galleries, Dundee Advertiser, 24 April 1909 20. Anon, ‘Aberdeen Fine Art Exhibition Opening Ceremony’, Aberdeen Journal, 8 July, 1885 Part 3. Loan Shows and International Exhibitions 21. ‘Fine Art Loan Exhibition in Glasgow’, The Scotsman, 10 May, 1878, p. 522. James Craik, John Eadie, James Galbraith, ‘Alexander Bannatyne Stewart 1836-1880’, Memoirs and Portraits of 100 Glasgow Men who have Died During the Last Thirty Years, and in their Lives did Much to Make the City what it Now is, two vols, 1886, no.86.23. Anon, ‘The Edinburgh 1886 International Exhibition: The Fine Art Section’, The Art Journal, 1886, pp.255-256. 24. Robert A. M. Stevenson, ‘French and Dutch Pictures in Edinburgh’, Magazine of Art, 1886, pp. 482-484. 25. W. E. Henley, Preface in A Century of Artists: A Memorial of the Loan Collection of Painting and Sculpture, International Exhibition, Glasgow, Glasgow 1889, pp. ix-xii. 26. Robert Walker, Robert and Davison, T. Raffles, ‘The Fine Arts’, Pen-and-Ink Notes at the Glasgow Exhibition, (London: J.S. Virtue & Co, 1888), pp.77-101Part 4. Art and Commerce: The Rise of the Market27. William Buchanan, ‘Mr Gordon’s Collection’, in Memoirs of painting: with a chronological history of the importation of pictures by the great masters into England since the French Revolution (Vol.1) (London 1824), pp. 80-94 28. Jeremy Maas, Gambart: Prince of the Victorian Art World (London: Barrie & Jenkins, 1975), pp. 81-87 29. Ronald Pickvance, Introduction to A Man of Influence: Alex Reid 1854-1928 (Scottish Arts Council, Edinburgh 1967), pp. 5-16 30. Alex Reid, ‘Joseph Crawhall Junior’, introduction to the Catalogue of the Collected Works of Joseph Crawhall, Jr., 1894, La Société des Beaux-Arts, Glasgow 31. Letter dated 14 January 1946, from Sir William Burrell, Hutton Castle, Berwick on Tweed to A.J. McNeill Reid 32. Letter from W.B. Paterson to Charles M. Kurtz, Director of the St Louis Exposition, 1895 33. Letter from Alex Reid to Charles M. Kurtz, Director of the St Louis Exposition, 1895 34. Undated letter from Bessie MacNicol, 175 St Vincent Street, Glasgow, to John W. Beatty, first Director of the Carnegie Museum of Art, 1895. 35. The Purchase of Pictures, The Wizard of the North, 30 Nov 1894, p. 95.Part 5. Collecting and Patronage in Glasgow and the West of Scotland36. R. A. M. Steveson, ‘A Representative Scottish Collection’, The Art Journal, 1894, pp. 257-261. 37. Robert Walker, ‘Private Picture Collections in Glasgow and West of Scotland I – Mr James Reid’s Collection’, Magazine of Art 1894, pp.153-159. 38. James Craik, John Eadie and James Galbraith, et al, ‘John McGavin 1816-1881’, Memoirs and portraits of one hundred Glasgow Men, two vols, Glasgow 1886, no. 56. 39. Robert Walker, ‘Private Picture Collections in Glasgow and West of Scotland II – Mr Andrew Maxwell’s Collection, Magazine of Art 1894, pp. 221-227. 40. Robert Walker, ‘Private Picture Collections in Glasgow and West of Scotland – Mr. A.J. Kirkpatrick’s Collection’, Magazine of Art, 1895, pp. 41-47. 41. Robert Walker, ‘The Collection of J. Carfrae Alston, Esq.’, Magazine of Art, 1900, pp.193-199. 42. A.L. Baldry, ‘The Collection of George McCulloch, Esq.’, The Art Journal 1897, pp. 373-376. 43. Arthur Kay, A Treasure Trove in Art (Edinburgh and London: Oliver & Boyd, 1939), pp. 27-30. 44. Anon, ‘Late Arthur Kay: Art Collector and Connoisseur’, The Scotsman, 2 January 1939, p.8. Part 6. Art Collections in Dundee and Aberdeen45. A.H. Millar, ‘The Collection of I. John Julius Weinberg Esq., Dundee’, The Art Journal, 1898, pp. 16-20, 84-89.46. Anon, ‘The Late Mr J.C. Bell: Reminiscences by an Old Friend’, The Dundee Advertiser, 30 August 1897.47. Edward Pinnington, ‘Art Collections of Dundee and District II: The Orchar Gallery’, Dundee Advertiser, 1 May 190948. Anon, ‘Dispersal of Mr. G.B. Simpson’s Art Collection’, The Dundee Advertiser, 29 November 1880.49. George Hay (ed.), extract from The Book of Hospitalfield: A Memorial of Patrick Allan-Fraser, The Hospital Trust, 1894 (privately printed), pp. 32-38, 42-4650. Ina Mary Harrower, John Forbes White (Edinburgh and London: T. Foulis, 1918), pp.51. Charles Carter, ‘Art Patronage in Scotland: John Forbes White, 1831-1904’, Scottish Art Review, vol. VI, no.2, 1957, pp. 27-30.52. Charles Carter, ‘Alexander Macdonald 1837-1884: Aberdeen Art Collector’, Scottish Art Review, 1963, pp. 23-28IllustrationsBibliographyIndex

Professor Frances Fowle is the Chair of Nineteenth-Century Art at the University of Edinburgh and Senior Curator at the National Galleries of Scotland.Following a period at the Yale Center for British Art in Connecticut, Professor John Morrison joined the Art History Department at the University of Aberdeen in 1992 and went to be Head of the School of Divinity, History and Philosophy. From July 2019 he became Head of the School of History and Heritage at the University of Lincoln. Dr Freya Spoor is an art historian specialising in late nineteenth and early twentieth century Scottish and British art. She is a curator at the National Galleries of Scotland and co-curated the exhibition Lavery on Location on Glasgow Boy Sir John Lavery in 2024.Dr Elizabeth Cumming is a historian of Scottish art and design since 1870 and an Honorary Professor at the University of Edinburgh.

• Volume 1AcknowledgmentsList of IllustrationsGeneral IntroductionIntroduction to Volume 1Part 1. National Identity1. John Pinkerton An Enquiry into the History of Scotland Preceding the Reign of Malcolm III or the year 1056. Including the authentic history of that period. vol. 1 (London: John Nichols & John Bell Edinburgh 1789), pp. iii-xliii, 14-18.2. Patrick Fraser Tytler, History of Scotland, Vol.II (Edinburgh: William Tait, 1829), pp. 259-2753. Jane Porter, The Scottish Chiefs, Vol.1. (London: Longman Hurst Reece and Orme 1810), pp.1-84. Blind Harry, ‘The Battle of Biggar’, The History of the Life, Adventures and heroic Actions of the Celebrated Sir William Wallace. General and Governor of Scotland. ‘The Wallace’ (New York: William H. Crawford, 1820 edition), pp. 94-98.5. James Melville Memoirs of His Own Life, (Edinburgh: Bannatyne Club [no.18], 1827)6. James Kirkton The Secret and true History of the Church of Scotland from the Restoration to the year 1678. To which is added An account of the Murder of Archbishop Sharp by James Russell, an actor therein Charles Kirkpatrick Sharpe (ed.)(Edinburgh: John Ballantyne 1817), pp. 410-4227. Thomas McCrie, The Works of Thomas McCrie, D.D., vol. 4. ‘Review of Tales of my Landlord’ (Edinburgh: William Blackwood 1857), pp. 9-17Part 2. Walter Scott and Highlandism8. Sir Walter Scott, The Lay of the Last Minstrel, Canto 6th (London: Longman, Hurst, Rees and Orme, and Edinburgh: A. Constable and Co. 1805), pp. 161-163.9. Elizabeth Grant, Memoirs of a Highland Lady (London: John Murray 1898) pp. 203-21010. Anon. Edinburgh Review, ‘Art XI. Waverley, or ‘Tis Sixty Years Since’. Vol 24. Issue 47 (Edinburgh: A. Constable and London: Longman, Hurst, Rees, Orme and Brown 1814) pp. 208-214. 11. Robert Mudie, A Historical Account of His Majesty’s Visit to Scotland (Edinburgh: Oliver & Boyd 1822), pp. 30-34, 88-8912. John MacCulloch, The Highlands and Western Scenery of Scotland ….. in letters to Walter Scott: (London: Longman’ Hurst, Rees, Orme, Brown and Green 1824), pp. 1-14.13. William Hazlitt, ‘Sir Walter Scott’, in The Spirit of the Age or Contemporary Portraits, vol. 1, (Paris: A and W Galigani 1825), pp. 123-14514. W. Stirling Maxwell The Scott Exhibition. Catalogue of the Exhibition held at Edinburgh, in July and August 1871, on occasion of the commemoration of the centenary of the birth of Sir Walter Scott (Edinburgh 1872), pp. vii-xivPart 3. Romanticism and Scottish Landscape15. David Dreadnought, “Report on the Landscape Department” in Report of the Edinburgh Society of the Cognoscenti on the Exhibition of the Scottish Institution for Encouraging the Fine Arts (Edinburgh, 26 March 1822), pp. 8-21.16. Dorothy Wordsworth; John Campbell Shairp ed., Recollections of a Tour made in Scotland in 1803, second edition (New York: GP Putnam & Sons, 1874), pp. 81-87.17. Charles Cordiner, ‘The Greenloch in Glen-more’, in Remarkable Ruins and Romantic Prospects of North Britain, (London, 1788) 18. George Walker, Descriptive Catalogue of a choice assemblage of original pictures by some of the most esteemed masters of the Italian, French, Flemish, Dutch and British schools, selected during a period of thirty years, (Edinburgh: University Press, 1807), pp. 30-34.19. Joseph Swan and John M Leighton, ‘Preface: Remarks on the Scenery of the Highlands’, in Swan's Views of the Lakes of Scotland, (Glasgow: Joseph Swan, 1837), pp. i-ix.20. William Scrope, The Art of Deer-Stalking, (London, John Murrray, 1838), pp. 363-371.21. Adam and Charles Black, Black’s Picturesque Tourist of Scotland (Edinburgh: Charles and Adam Black, 1851), pp. 373-380.22. Alexander Fraser, The Life and Works of Horatio Macculloch, (Edinburgh, Andrew Elliot, 1872), pp. 9-29, 38-39.23. James Nasmyth and Samuel Smiles, LL.D. (ed), James Nasmyth, Engineer. An Autobiography (London: John Murray, 1883), pp. 35-42.Part 4. Social History and Customs24. John Gibson Lockhart, Peter’s Letters to his Kinsfolk (Edinburgh: W. Blackwood, 3 vols. 1819), pp. 301-330.25. D.K. Guthrie & C.J. Guthrie, Autobiography of Thomas Guthrie D.D. and Memoir, vol. 1 (London: W. Isbister 1874 2 vols), pp.33-36, 69-71, 137-14226. John Grant The Penny Wedding (London: Grant and Co. 1836), pp. 1-32.27. Hamilton Baird Timothy, ‘The Penny Wedding’, The Collected Poems of John Galt, 1779-1839 (London Ontario: no listed publisher, 1969 2 vols.), pp. 79-81.28. W. McCombie, Cattle and Cattle-Breeders, (Edinburgh: Blackwood 1875), pp. 49-5229. A.L. Simpson, Selections from the Works of George Harvey PRSA., (Edinburgh: Andrew Elliot, n.d.).30. Hugh Miller, My Schools and Schoolmasters. Or. The Story of My Education (Edinburgh: William P. Nimmo 1869. (12th edition)), pp. 303-310.Part 5. Education and Exhibiting31. ‘View of the Arts of Design in Britain’ in Edinburgh Annual Register for 1816 published in 1819. Reprinted in Scottish Art and National Encouragement: Containing a View of Existing Controversies, and Transactions during the last Twenty-Seven Years, Relative to Art in Scotland: With an Ample Appendix of Documents (Edinburgh & London. W. Blackwood and Sons), Appendix, pp. 1-432. Report from Mr. J. G. S. Lefevre to the Treasury, respecting the Erection of Galleries of Art at Edinburgh, 1850, pp. 4-13.33. James Ballantine, The Life of David Roberts, R.A. Compiled from his Journals and Other Sources. (Edinburgh: Adam and Charles Black 1866), pp. 2-20.34. ‘Proposals to Art Training’, W. Dyce letter to D. O. Hill, 15 December 1846.35. R. Roundrobin, Letter to the Directors and members of the Institution for the promotion of the fine arts in Scotland (Edinburgh: W. Tait & A. Black 1826). 36. G. Harvey Notes of the Early History of the Royal Scottish Academy, (Edinburgh: Edmoston and Douglas 1870), pp. 1-24.Part 6. Travel Beyond Scotland37. William B. Scott, Memoir of David Scott, R.S.A: containing his journal in Italy, notes on art and other papers: With seven illustrations (Edinburgh: A. & C. Black, 1850), pp. 57-12538. Anon. ‘Dinner to William Allan Esq. RA ‘, The Scotsman 14 March 1838,39. Allan Cunningham The Life of Sir David Wilkie. With His Journals, Tours, and Critical Remarks on Works of Art; And a Selection From His Correspondence, 3 vols. (London: John Murray 1843). vol.1, pp. 389-431.40. Anon. ‘The Fine Arts’, National Advocate (New York n.d. [late 1817])41. H. W. Williams, Travels in Italy Greece and the Ionian islands in a series of letter descriptive of the manners scenery and the fine arts by H. W. Williams Esq. 2 vols. (Edinburgh: A. Constable 1820), vol. 2, pp. 243-257, 316-323, 378-391.42. James Ballantine, The Life of David Roberts, R.A. Compiled from his Journals and Other Sources. (Edinburgh: Adam and Charles Black 1866), pp. 80-14343. Paper submitted by William Borthwick Johnstone to the RSA 1853.IllustrationsBibliographyIndexVolume 2AcknowledgementsList of IllustrationsGeneral IntroductionVolume 2 IntroductionPart 1. Art Education1. Martin Hardie, John Pettie R.A., (London: Adam and Charles Black, 1908) pp.5-182. John Lavery, The Life of a Painter, (London: Cassell & Co., 1940) pp.48-533. “Robert Brough – painter", The Art Journal, 1898, pp.146-1484. Alison Mowat, (trans. and ed.), James Cadenhead RSA RSW 1858-1927: His Letters Home as a Young Man, (Glasgow: Bell & Bain Ltd., 2013), pp. 97-1035. James Paterson, Art Student Life and Concluding part of a Lecture on Art Students in Paris MS lectures6. “Academy Art Exhibition – a fine display”, Perthshire Advertiser, 18 June 19007. Letter from Christina Stark to Fra Newbery 29th April 1905Part 2. Networking and Artists Colonies8. Sidney Gilpin, Sam Bough, R. S. A.; some account of his life and works, (London: G. Bell & sons, 1905), pp.86-889. Letters from John Pettie with William McTaggart10. Martin Hardie, John Pettie R.A., (London: Adam and Charles Black, 1908) pp. 4-5 11. Edward Pinnington, “Landscape” in George Paul Chalmers RSA and the Art of His Time, (Glasgow: T. & R. Annan & Sons, 1896) pp.134-135 12. Sir James L. Caw, Sir James Guthrie, P.R.S.A., LL.D.: A Biography, (London: Macmillan and Co., 1932) pp.21-2413. Morley Roberts, “A Colony of Artists”, The Scottish Art Review, vol.2, no.15, August 1889, pp. 72-7414. Robert Louis Stevenson, “Fontainebleau: Village Communities of Painters – IV", The Magazine of Art, vol.VII, (London: Cassell, Petter, Galpin & Co., 1884), pp. 340-345 15. Walter Shaw Sparrow, John Lavery and his Work (London: Kegan Paul, Trench, Trübner & Co, Ltd, 1911), pp. 43-4616. A.S. Hartrick, ‘The Glasgow School’, in A Painters Pilgrimage through Fifty Years, (Cambridge: University Press, 1939), pp. 54-61 17. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951) pp.65-72 18. Letters from Paterson and Hornel 189219. Letters from Bessie MacNicol to EA HornelPart 3. Art Institutions and Exhibition Culture20. Opening of the Tenth Exhibition of the Glasgow Institute of the Fine Arts, 30th January 1871, MS, Glasgow Institute of the Fine Arts Minute Book, vol.2, 1870 to 1879, pp. 16-2421. First Annual Report of the Paisley Art Institute, constituted 1876 (Paisley: J&J Cook, Steam Printers, 1878)22. “Paisley Art Exhibition”, Glasgow Evening News, 28 December 1888, p.223. “Aberdeen Artists Society – the forthcoming exhibition”, Aberdeen Evening Express, 4 July 188524. George R. Halkett, “Special Exhibition of Scottish Art”, The Magazine of Art, vol.IV, (London: Cassell, Petter, Galpin & Co., 1881), pp.102-10625. Anon., “How I became an A.R.S.A: A Chapter of Autobiography”, The Scottish Art Review, vol.2, no.18 November 1889, pp.163-16626. George Henry, “The Royal Scottish Society of Painters in Water Colours”, The Scottish Art Review, vol.1, no.6, November 1888, pp. 153-15427. C.P. Anstruther, “Woman’s Work in Art Industries”, The Scottish Art Review, part 1 and 2, vol.1, nos. 5 and 6, pp. 131-132, 158-15928. “Glasgow Lady Artists”, Glasgow Evening News (11 December 1893), p.229. A. K. Brown, The Glasgow Art Club: A Retrospect, privately published, 1918, pp.3-1830. Anon, ‘The Glasgow Art Club’, Art Journal, 1886, pp. 297-29931. Graphic Arts Association Annual Report 189132. “Art at the Glasgow International Exhibition. Painting”, The Scottish Art Review, vol.1, no.1, June 1888, pp. 4-633. Agnes McKay, Arthur Melville: A Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951) pp. 73-7834. “The Grosvenor Gallery”, Scots Observer, 24 May 1890, pp. 13-1435. Walter Armstrong, “Current Art. The Grosvenor Gallery”, The Magazine of Art, (London: Cassell, Petter, Galpin & Co., 1890), pp. 325-328Part 4. Evolving Styles 1850–190036. John Ruskin, Lectures on Architecture and Painting, Delivered at Edinburgh in November 1853 (London: George Routledge & Sons, 1854), pp. 224-23037. Letter fragment Robert Scott Lauder to unknown, [1853].38. John Ballantyne, What is Pre-Raphaelitism? (Edinburgh and London: William Blackwood and Sons, 1856) pp.12-2539. “The Thirty Eighth Exhibition of the Royal Scottish Academy”, The Daily Review, 18 February 186440. Iconoclast, Scottish Art and Artists in 1860, (Edinburgh: John Menzies, 1860), pp. 4-941. Veri Vindex (G. Reid and J.F. White), Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 1868, (Edinburgh 1868), pp. 22-24, 25-3142. Sydney Hodges, “Artists’ Haunts – Off the track in Scotland”, The Magazine of Art, (London: Cassell, Petter, Galpin & Co., 1878), pp. 209-21343. W.M. Gilbert, “The Life and Work of Peter Graham R.A”, The Art Annual (London: H Virtue & Co., 1899), pp. 26-2944. Edward Pinnington, “Aberdeen and Israels”, in George Paul Chalmers RSA and the Art of His Time, (Glasgow: T. & R. Annan & Sons, 1896), pp.142-14445. P. McOmish Dott, Notes Technical and Explanatory on the Art of Mr William McTaggart as displayed in his exhibition of 32 pictures, Scottish Gallery (Edinburgh: T & A Constable, 1901), pp.1-2046. RAM Stevenson, The Art of Velasquez (London: George Bell and Sons, 1895), pp.119-12447. J. L. Caw, “A Phase of Scottish Art”, The Art Journal (London: J. S. Virtue & Co., 1894), pp.75-7948. C. J. Holmes, “The Glasgow School at Knightsbridge”, The Dome, vol.3, 1899, pp.176-180Part 5. Scots Abroad49. ‘The Last Work of John Phillip, R.A.’, The Art-Journal, 29 (1867), 127, p.15350. Letter from George Reid to John Forbes White, 10 February 1869.51. William Robertson Smith and George Reid, Notes and Sketches, (Aberdeen, 1876)52. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951), pp. 60-6253. Letters between Thomas Millie Dow and Arthur Thayer54. E. A. Hornel, “Japan”, lecture delivered on his behalf to audience at the Corporation Art Galleries, Glasgow, 189555. James Paterson, Impressions of Tenerife, MS lecture.56. John Lavery, The Life of a Painter, (London: Cassell & Co., 1940), pp. 98-10157. Fritz von Ostini, translated, “Scottish Pictures – What the Germans think of them”, The Dundee Courier and Argus (27 September 1890), p.658. Charles M. Kurtz, “The Glasgow School: The Men and Their Work” Modern Art, Vol. 4, No. 2 (Spring, 1896), pp. 4-9Part 6. What is Scottish Art?59. “Scottish Art and Artists”, The Scottish Review vol.5, (1885) pp. 205-21660. G. Baldwin Brown, “Old and New in Art”, The Scottish Art Review, vol.1, no.3, August 1888, pp. 84-8761. James Stanley Little, W. Q. Orchardson: his Life and Work, (London: The Art Journal, 1897), pp.1-962. Veri Vindex [G. Reid and J.F. White], Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 1868, Edinburgh 1868 pp.11-1663. A.H. Millar, “Scottish Art”, The Art Journal, (London: JS Virtue & Co., 1880) pp. 81-8264. Anon, “The Scottish School of Painting”, Blackwood’s Edinburgh Magazine, vol. 157, no. 853 (March 1895), pp. 338-34565. James Paterson, Art in Scotland, dated 1876, MS lecture66. James L. Caw, “The Present Condition of Art in Scotland”, The Art Journal, (London: J. S. Virtue & Co., 1898), pp. 45-4867. Anon, “Varieties – Sir Daniel Macnee on Art”, The Leisure Hour, no.1414 (1 Feb 1879) pp.79-8068. “Sir William Fettes Douglas P.R.S.A. and the Edinburgh School of Art – Lady Artists”, The Scotsman, 23 January 1885, p.7 and “Letters to the Editor”, The Scotsman, 26 January 1885, p.669. Anon, “Art in the West of Scotland”, Scottish Art Review, volume 1, 1888, pp.146-14970. Richard Muther, “Whistler and the Scotch Artists”, The History of Modern Painting, vol. 4, (London 1907), pp.19-44.IllustrationsBibliographyIndexVolume 3AcknowledgmentsList of IllustrationsGeneral IntroductionVolume 3 - IntroductionPart 1. Rural Craft and Home Industry1. Robert Bryden, Prefatory Note, ‘The Blacksmith’ and ‘The Joiner’ from Etchings of ‘Workers’ or Waning Crafts (Ayr: the author, 1912)2. Ann Macbeth, Introduction to James A Morris, The Art of Ayrshire White Needlework (Ayr: privately printed 1916), p. 13. James L. Caw, ‘The Mortons of Darvel’, The Art Journal (New Series), London, 1900, pp. 7-11, 78-804. James A. Morris, ‘On the Application of Art to Industry, being a Lecture delivered before the art students of the evening continuation classes in Ayr’ (Ayr: published by the author, 1905), pp. 5-65. Alexander Ross, Scottish Home Industries by Provost Alexander Ross [of Dingwall] (Inverness: Scottish Home Industries Association, 1895), pp. 1-3, 616. Anon., ‘Highland Home Industries Association’, The Glasgow Herald, 20 September 1894, p. 107. Anon., ‘Aldourie Terra-Cotta Work’, The Evening Telegraph, Dundee, 30 July 1901, p. 28. Anon., ‘The Edinburgh Decorative Handiwork Exhibition: The Amateur Section’, The Scotsman, 29 November 1888, p. 59. Anon., ‘Arts and Crafts Exhibition: Address by Professor Baldwin Brown’, The Glasgow Herald, 8 April 1895, p. 1310. D.M. Sutherland, ‘The Guild of Women Binders’, The Magazine of Art, Vol. 23, No. 9, London, 1899, pp. 420-42311. Henry Taylor Wyse, Introduction to The Rudiments of Design based on Plant Form,2nd edition (Arbroath: the author, 1902), pp. 9-12, 14Part 2. William Morris and Scotland12. Letter from William Morris to Jenny Morris, 17 March 188713. Letter from William Morris to Jenny Morris, 26 March 188814. J. W. Mackail, The Life of William Morris (London: Longmans, Green and Co., 1899), pp. vii-viii15. James Leatham, ‘IV - Morris as Art Craftsman’, William Morris, Master of Many Crafts: A Study (Peterhead: Deveron Press, 1897, reprinted 1899), pp. 59-71, 7716. William Morris, ‘The Arts and Crafts of To-day’, Presidential Address, Section of Applied Art, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890).17. Alec Grieve and Stewart Carmichael, 'The Growlers' Club', The Labour Leader, (London: News and Book Co-operative Society and Glasgow: Labour Literature Society), 16 June 1894, p. 618. J. Bruce Glasier, William Morris and the Early Days of the Socialist Movement (London: Longmans, Green and Co., 1921), pp. 84-819. J. Bruce Glasier, William Morris and the Early Days of the Socialist Movement, (London: Longmans, Green and Co., 1921), pp. 89-90 and 91-9320. D’Arcy Wentworth Thompson, ‘Walter Biggar Blaikie LL.D., D.L.’ in Walter Biggar Blaikie 1847-1928 (Edinburgh: Edinburgh Academy, 1929), pp. 8-9 and 20-321. Robert Lorimer to Robin Dods, 22 December 189622. James Morton, William Morris. An Appreciation by James Morton of Darvel, Ayrshire. As read before the XL Club, Glasgow, March 4th 1901 (London: Chiswick Press, 1901), pp. 31-3423. William George Thomson, ‘Report on the Procedure of having Tapestries woven from Cartoons’, c.1910.Part 3. Urban Art and Design Education24. J. Forbes White and Mark H. Judge, ‘How can Art be best Introduced into the Houses of Persons of Limited Income?’, Transactions of the National Association for the Promotion of Social Science, Aberdeen Meeting, 1877 (London: National Association for the Promotion of Social Science, 1878), pp.738-751 25. Annual Report of the Glasgow Kyrle Society for the Year 1887-88 (Glasgow: Kyrle Society, 1888), pp.13-1426. Annual Report of the Glasgow Kyrle Society for the Year 1883-84 (Glasgow: Kryle Society, 1884), pp. 8-927. Annual Report of the Glasgow Kyrle Society for Year 1890-91 (Glasgow: Kyrle Society, 1891), pp. 8-928. ‘Edinburgh Social Union’, The Scotsman, 1 February 1887, p. 329. Gerard Baldwin Brown, ‘Some Recent Efforts in Mural Decoration’, The Scottish Art Review (Glasgow: Kerr & Richardson), January 1889, pp. 225–22830. Robert Lorimer, ‘The Decoration of the Song School of Saint Mary’s Cathedral’, unpublished manuscript, 189231. Phoebe Anna Traquair to her nephew Willie Moss, 11 December 189332. A. F. Morris, ‘A Versatile Art Worker: Mrs Traquair’, The Studio, Vol. 34, No. 146, London, 1905, pp. 339-34333. James L. Caw, ‘The Artwork of Mrs Traquair’, The Art Journal (New Series), 62, London, 1900, pp. 143–14834. Anon, ‘Decorative Art in Aberdeen: The Trades Council Hall’, The Scots Pictorial, 1 October 1898, pp. 96-9835. Douglas Strachan to William Kelly, 15 May 191036. Douglas Strachan to William Kelly, 8 January 191137. W.S. Black, ‘On Hindrance to the Progress of Applied Art’, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890), pp. 241-24338. John Maitland Talbot, Paper by a ‘practical jeweller on his attempt to improve his craft through the aid of art schools and museums’, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890), pp. 471-47439. Francis H. Newbery, ‘The Place of Art Schools in the Economy of Applied Art’, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 1889 (London: NAAAAI, 1890), pp. 447-451Part 4. Uncovering the Past40. Daniel Wilson, The Archaeology and Prehistoric Annals of Scotland (Edinburgh: Sutherland and Knox,1851), pp. 220-22141. James Drummond, ‘Notes made during a Wandering in the West Highlands; With Remarks upon the Style of Art of Some Monumental Stones at Iona, and in other Localities’, Proceedings of the Society of Antiquaries of Scotland, Vol. 8 (Edinburgh: Society of Antiquaries of Scotland, 1871), pp. 117-12042. John Stuart, ‘Preface’, Sculptured Stones of Scotland, Aberdeen, Vol. I (Aberdeen: Spalding Club, 1856), pp. i-iii43. Joseph Anderson, Scotland in Early Christian Times (Second Series): The Rhind Lectures in Archaeology for 1880) (Edinburgh: David Douglas, 1881), pp.1-644. J. Romilly Allen and Joseph Anderson, The Early Christian Monuments of Scotland, Vol.1 (Edinburgh: Society of Antiquaries of Scotland, 1903), Vol.1 pp.363-364, 375-37645. W. Matthews Gilbert, ‘The Decoration of the Scottish National Portrait Gallery’, The Art Journal, 1902, pp. 55-5946. Anon, ‘The Pageant and Masque’, The Scotsman,11 June 1908, pp. 6-747. The Scottish National War Memorial at The Castle, Edinburgh: A Record and Appreciation by Sir Lawrence Weaver K.B.E., Supplement to Country Life 18 July 1927 (London: Country Life), pp.18-19Part 5. The Celtic Renascence48. Daniel Wilson, The Archaeology and Prehistoric Annals of Scotland (Edinburgh: Sutherland and Knox,1851) pp. 504-50549. F.R. Coles, ‘The Recent Cup and Ring Mark Discoveries in Kirkcudbrightshire’, Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, DGNHAS, Dumfries, Series II, Vol. 5, 1886-87, pp. 41-52 (extract)50. Patrick Geddes, ‘The Work of the Art School’, draft manuscript for the Old Edinburgh School of Art report 1893–9451. Margaret Armour, ‘Mural Decoration in Scotland – Part I’, The Studio, Vol. X, No. 48, 1897, pp. 100-10652. Patrick Geddes, Introduction to The Interpreter: Of Seven Pictures, of Black and White (Patrick Geddes & Colleagues, Edinburgh, 1898)53. Annotated proof copy of Patrick Geddes and J. Arthur Thomson, The Interpreter, April, 1896, p. 1354. Patrick Geddes, ‘The Scots Renascence’, The Book of Spring, The Evergreen: A Northern Seasonal, (Patrick Geddes & Colleagues, Edinburgh 1895), pp. 131, 135-13755. William Sharp to Patrick Geddes 15 May 1895 re The Evergreen56. H. G. Wells, ‘Bio-Optimism: The Evergreen, A Northern Seasonal’, Nature, Vol.52, No.1348, London, pp. 410-41157. Israel Zangwill, ‘Here, There and Somewhere Else: Philosophic Excursions - Edinburgh’, Pall Mall Gazette: republished in Without Prejudice (London: T. Fisher Unwin, 1896), pp. 289-29358. John Duncan to Patrick Geddes, 5 May 189859. Stewart Carmichael, ‘Unaesthetic Dundee – The Sin of Ugliness’, Dundee Advertiser, 29 January 1907, p. 760. ‘Critical Note by John Duncan’, George Dutch Davidson 1879-1901, A Memorial Volume (Dundee: Dundee Graphic Arts Association, 1902), p. 6361. John Duncan, extracts from his notebook62. E. and A. Ritchie, ‘The Teaching of Celtic Art’, An Deo-gréine, Vol. II No. 8 (Stirling: Eneas Mackay, 1907), pp. 122-123Part 6. Modernity63. Gleeson White, ‘Some Glasgow Designers and their Work – I’, The Studio, Vol. XI, No.52, London, 1897, pp. 86-10064. Herbert MacNair to Thomas Howarth, 8 June 194465. Edwin Lutyens to Lady Emily Lytton, 17 June 1897 and 1 June 189866. Robert Lorimer to Robin Dods, 11 August 189767. ‘Hugh Foulis’ (Neil Munro), ‘XXII: Erchie in an Art Tea-Room’, Erchie, My Droll Friend (Edinburgh and London: William Blackwood and Sons, 1904), pp. 138-14368. Gleeson White, ‘Some Glasgow Designers and their Work – II’, The Studio, Vol. XI, No.54, London, 1897, pp. 227-22869. Gleeson White, ‘Some Glasgow Designers and their Work – III’, The Studio, Vol. XII, No. 55, London, 1897, pp. 47-5170. ‘M’, ‘The New Woman in Art’, Glasgow Evening News, 13 November 1894, p. 471. Anon., ‘Women as Decorative Artists’, The Scots Pictorial, 26 November 1898, p. 30272. Walter R. Watson, ‘Miss Jessie M. King and her Work’, The Studio, Vol. XXVI, No. 113, London, 1902, pp. 177-18873. George Logan, ‘A Colour Symphony’, The Studio, Vol. XXXVI, No.152, London, November 1905, pp. 118-12274. ‘An Appreciation of the Work of Ann Macbeth by F.H. Newbery’, The Studio, Vol. XXVII, No. 115, London, October 1902, pp. 40-4775. Henry Taylor Wyse, ‘Some Remarks on Simplicity in Furniture’, in Simple Furniture, Henry Taylor Wyse, Designer, W. Middleton Cabinetmaker, Arbroath N.B., Arbroath, c.1901, pp. 1-376. Charles Rennie Mackintosh, Lecture on ‘Seemliness’, 190277. Margaret McMillan, Preface to Margaret Swanson and Ann Macbeth, Educational Needlecraft (London: Longmans & Company, 1910), pp. v-x78. Douglas Strachan, A Lecture on Design and Craft delivered by Douglas Strachan, Head of Section of Crafts at the Edinburgh College of Art, on the Occasion of the Opening of the Craft Workshops at Edinburgh College of Art, 2nd March 1910, Edinburgh College of Art, Edinburgh, 1910 (extracts)79. J.T. [John Taylor], ‘Studio Talk: Glasgow’, The Studio, Vol. 56, London, 1912, pp.318-321IllustrationsBibliographyIndexVolume 4AcknowledgmentsList of IllustrationsGeneral IntroductionVolume 4 - IntroductionPart 1: Artists’ Societies and Exhibitions1. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The First (Edinburgh: J. Pillans & Son, 1827), pp. 3-72. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Second (Edinburgh: J. Pillans & Son, 1828), pp. 3-73. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Third (Edinburgh: J. Pillans & Son, 1829), pp. 3-6.4. George R. Halkett, ‘Glasgow Institute of the Fine Arts’, The Magazine of Art (London, Paris & New York: Cassel, Petter, Galpin & Co, 1880), pp. 341-344. 5. Anon, ‘West of Scotland Fine Art Exhibition’, Greenock Advertiser, 2 July 18616. Anon, ‘An Art Exhibition in Dundee’, The Dundee Courier and Argus, 26 May 18647. T.S. Robertson, ‘Provost Orchar of Broughty Ferry’, The Dundee Courier and Argus, 26 June 19058. Anon, ‘The Opening of the Arts Exhibition’, Aberdeen Journal, 6 August 18739. Anon, ‘The Arts Exhibition’, Aberdeen Journal, 13 August 1873.10. Anon, ‘The Arts Exhibition’, Aberdeen Journal, 20 August 1873.11. First Annual Report of the Paisley Art Institute, constituted 1876 (Paisley: J & J Cook, 1878)Part 2. Scotland’s Art Galleries and Museums: Collecting and Philanthropy12. Gustav Waagen, extract from letter XXVIII, ‘Edinburgh’, Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS &c, 3 vols, 1854, Vol. 3, pp. 266-279. 13. Gustav Waagen, extract from letter XXVIII, ‘Glasgow’, Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS &c, 3 vols, 1854, Vol. 3, pp. 286-291.14. James Paterson, ‘Episodes in the Art Life of the West of Scotland’ 15. James Paton, ‘Public Art in Glasgow’, The Fine Art Collection of Glasgow, (Glasgow: James Maclehose & Sons, 1906), pp. 1-44.16. J. C. Robinson, ‘Report on the Art Collections, Corporation Galleries, Glasgow’, Parks and Galleries Trust, Glasgow, 1882. 17. Anon, ‘Death of Provost Orchar: Sketch of his Career’, Dundee Advertiser, 16 May 1898. 18. Anon, ‘The Victoria Art Galleries’, The Dundee Courier & Argus, 21 October, 1889.19. Edward Pinnington, ‘Art Collections of Dundee and District’, 1: Corporation Galleries, Dundee Advertiser, 24 April 1909 20. Anon, ‘Aberdeen Fine Art Exhibition Opening Ceremony’, Aberdeen Journal, 8 July, 1885 Part 3. Loan Shows and International Exhibitions 21. ‘Fine Art Loan Exhibition in Glasgow’, The Scotsman, 10 May, 1878, p. 522. James Craik, John Eadie, James Galbraith, ‘Alexander Bannatyne Stewart 1836-1880’, Memoirs and Portraits of 100 Glasgow Men who have Died During the Last Thirty Years, and in their Lives did Much to Make the City what it Now is, two vols, 1886, no.86.23. Anon, ‘The Edinburgh 1886 International Exhibition: The Fine Art Section’, The Art Journal, 1886, pp.255-256. 24. Robert A. M. Stevenson, ‘French and Dutch Pictures in Edinburgh’, Magazine of Art, 1886, pp. 482-484. 25. W. E. Henley, Preface in A Century of Artists: A Memorial of the Loan Collection of Painting and Sculpture, International Exhibition, Glasgow, Glasgow 1889, pp. ix-xii. 26. Robert Walker, Robert and Davison, T. Raffles, ‘The Fine Arts’, Pen-and-Ink Notes at the Glasgow Exhibition, (London: J.S. Virtue & Co, 1888), pp.77-101Part 4. Art and Commerce: The Rise of the Market27. William Buchanan, ‘Mr Gordon’s Collection’, in Memoirs of painting: with a chronological history of the importation of pictures by the great masters into England since the French Revolution (Vol.1) (London 1824), pp. 80-94 28. Jeremy Maas, Gambart: Prince of the Victorian Art World (London: Barrie & Jenkins, 1975), pp. 81-87 29. Ronald Pickvance, Introduction to A Man of Influence: Alex Reid 1854-1928 (Scottish Arts Council, Edinburgh 1967), pp. 5-16 30. Alex Reid, ‘Joseph Crawhall Junior’, introduction to the Catalogue of the Collected Works of Joseph Crawhall, Jr., 1894, La Société des Beaux-Arts, Glasgow 31. Letter dated 14 January 1946, from Sir William Burrell, Hutton Castle, Berwick on Tweed to A.J. McNeill Reid 32. Letter from W.B. Paterson to Charles M. Kurtz, Director of the St Louis Exposition, 1895 33. Letter from Alex Reid to Charles M. Kurtz, Director of the St Louis Exposition, 1895 34. Undated letter from Bessie MacNicol, 175 St Vincent Street, Glasgow, to John W. Beatty, first Director of the Carnegie Museum of Art, 1895. 35. The Purchase of Pictures, The Wizard of the North, 30 Nov 1894, p. 95.Part 5. Collecting and Patronage in Glasgow and the West of Scotland36. R. A. M. Steveson, ‘A Representative Scottish Collection’, The Art Journal, 1894, pp. 257-261. 37. Robert Walker, ‘Private Picture Collections in Glasgow and West of Scotland I – Mr James Reid’s Collection’, Magazine of Art 1894, pp.153-159. 38. James Craik, John Eadie and James Galbraith, et al, ‘John McGavin 1816-1881’, Memoirs and portraits of one hundred Glasgow Men, two vols, Glasgow 1886, no. 56. 39. Robert Walker, ‘Private Picture Collections in Glasgow and West of Scotland II – Mr Andrew Maxwell’s Collection, Magazine of Art 1894, pp. 221-227. 40. Robert Walker, ‘Private Picture Collections in Glasgow and West of Scotland – Mr. A.J. Kirkpatrick’s Collection’, Magazine of Art, 1895, pp. 41-47. 41. Robert Walker, ‘The Collection of J. Carfrae Alston, Esq.’, Magazine of Art, 1900, pp.193-199. 42. A.L. Baldry, ‘The Collection of George McCulloch, Esq.’, The Art Journal 1897, pp. 373-376. 43. Arthur Kay, A Treasure Trove in Art (Edinburgh and London: Oliver & Boyd, 1939), pp. 27-30. 44. Anon, ‘Late Arthur Kay: Art Collector and Connoisseur’, The Scotsman, 2 January 1939, p.8. Part 6. Art Collections in Dundee and Aberdeen45. A.H. Millar, ‘The Collection of I. John Julius Weinberg Esq., Dundee’, The Art Journal, 1898, pp. 16-20, 84-89.46. Anon, ‘The Late Mr J.C. Bell: Reminiscences by an Old Friend’, The Dundee Advertiser, 30 August 1897.47. Edward Pinnington, ‘Art Collections of Dundee and District II: The Orchar Gallery’, Dundee Advertiser, 1 May 190948. Anon, ‘Dispersal of Mr. G.B. Simpson’s Art Collection’, The Dundee Advertiser, 29 November 1880.49. George Hay (ed.), extract from The Book of Hospitalfield: A Memorial of Patrick Allan-Fraser, The Hospital Trust, 1894 (privately printed), pp. 32-38, 42-4650. Ina Mary Harrower, John Forbes White (Edinburgh and London: T. Foulis, 1918), pp.51. Charles Carter, ‘Art Patronage in Scotland: John Forbes White, 1831-1904’, Scottish Art Review, vol. VI, no.2, 1957, pp. 27-30.52. Charles Carter, ‘Alexander Macdonald 1837-1884: Aberdeen Art Collector’, Scottish Art Review, 1963, pp. 23-28IllustrationsBibliographyIndex