Juhani Pallasmaa – författare

rootedness Discover the insights and lessons of architect Juhani Pallasmaa In Rootedness: Reflections for Young Architects, Juhani Pallasmaa delivers an insightful and expansive collection of his most compelling ideas into architecture’s position among arts and culture. Pallasmaa speaks to architecture students and young professionals, discussing each topic with sincerity and openness, suggesting what can be learned from areas of culture beyond the boundaries of familiar professional disciplines. He outlines the growing need for an architecture based in self-awareness, reconnection to the environment, and a sense of ethical responsibility. Each essay in Rootedness was initially conceived and presented as an educational lecture and has been carefully edited with clarifications, refinements, and valuable expansions. Accompanying sketches by the author emphasize the personal and intimate nature of the essays. The book also includes: Explorations of perception, creative practice, and the need for an ethical stance Thoughts, meditations, and challenges emerging from the author’s search for identity and purpose in his architectural work A wealth of references within the essays, as well as recommendations for books and films from which readers may draw further inspiration Designed for students of architecture at any age, Rootedness: Reflections for Young Architects will also inspire professional architects, designers, and those in other creative professions.

In our current global networked culture that puts so much emphasis on the virtual and the visual, the mind and the body have become detached and ultimately disconnected. Though physical appearance is idolised for its sexual appeal and its social identity, the role of the body in developing a full understanding of the physical world and the human condition has become neglected. The potential of the human body as a knowing entity – with all our senses as well as our entire bodily functions being structured to produce and maintain silent knowledge together – fails to be recognised. It is only through the unity of mind and body that craftsmanship and artistic work can be fully realised. Even those endeavours that are generally regarded as solely intellectual, such as writing and thinking, depend on this union of mental and manual skills.In The Thinking Hand, Juhani Pallasmaa reveals the miraculous potential of the human hand. He shows how the pencil in the hand of the artist or architect becomes the bridge between the imagining mind and the emerging image. The book surveys the multiple essences of the hand, its biological evolution and its role in the shaping of culture, highlighting how the hand–tool union and eye–hand–mind fusion are essential for dexterity and how ultimately the body and the senses play a crucial role in memory and creative work. Pallasmaa here continues the exploration begun in his classic work The Eyes of the Skin by further investigating the interplay of emotion and imagination, intelligence and making, theory and life, once again redefining the task of art and architecture through well-grounded human truths.

The Embodied Image The Embodied Image: Imagination and Imagery in Architecture Juhani Pallasmaa All artistic and architectural effects are evoked, mediated and experienced through poeticised images. These images are embodied and lived experiences that take place in ‘the flesh of the world’, becoming part of us, at the same time that we unconsciously project aspects of ourselves on to a conceived space, object or event. Artistic images have a life and reality of their own and they develop through unexpected associations rather than rational and causal logic. Images are usually thought of as retinal pictures but profound poetic images are multi-sensory and they address us in an embodied and emotive manner. Architecture is usually analysed and taught as a discipline that articulates space and geometry, but the mental impact of architecture arises significantly from its image quality that integrates the various aspects and dimensions of experience into a singular, internalised and remembered entity. The material reality is fused with our mental and imaginative realm. The book is organised into five main parts that look at in turn: the image in contemporary culture; language, thought and the image; the many faces of the image; the poetic image; and finally the architectural image. The Embodied Image is illustrated with over sixty images in pairs, which are diverse in subject. They range from scientific images to historic artistic and architectural masterpieces. Artworks span Michelangelo and Vermeer to Gordon Matta- Clark and architecture takes in Modern Masters such as Mies van der Rohe, Le Corbusier and Alvar Aalto, as well as significant contemporary works by Steven Holl and Daniel Libeskind.

The Embodied Image The Embodied Image: Imagination and Imagery in Architecture Juhani Pallasmaa All artistic and architectural effects are evoked, mediated and experienced through poeticised images. These images are embodied and lived experiences that take place in ‘the flesh of the world’, becoming part of us, at the same time that we unconsciously project aspects of ourselves on to a conceived space, object or event. Artistic images have a life and reality of their own and they develop through unexpected associations rather than rational and causal logic. Images are usually thought of as retinal pictures but profound poetic images are multi-sensory and they address us in an embodied and emotive manner. Architecture is usually analysed and taught as a discipline that articulates space and geometry, but the mental impact of architecture arises significantly from its image quality that integrates the various aspects and dimensions of experience into a singular, internalised and remembered entity. The material reality is fused with our mental and imaginative realm. The book is organised into five main parts that look at in turn: the image in contemporary culture; language, thought and the image; the many faces of the image; the poetic image; and finally the architectural image. The Embodied Image is illustrated with over sixty images in pairs, which are diverse in subject. They range from scientific images to historic artistic and architectural masterpieces. Artworks span Michelangelo and Vermeer to Gordon Matta- Clark and architecture takes in Modern Masters such as Mies van der Rohe, Le Corbusier and Alvar Aalto, as well as significant contemporary works by Steven Holl and Daniel Libeskind.

This book, first published in Finnish in 1985 under the title Aalto, is a critical introduction to Finnish architect Alvar Aalto (1898–1976), written by one of Aalto’s Finnish architectural contemporaries, Kirmo Mikkola (1934–1986). The book is divided into six sections dealing with different aspects of Aalto’s architecture, from his classical beginnings to urban planning, as well as his various professional and intellectual associates.Mikkola debunks the common opinion of a reticent Aalto to determine the roots of his thinking, seeing him as a mediator of influences from a wide variety of sources. The book was originally targeted at a Finnish audience, and so its translation requires ‘interpreters’, two architect-scholars who knew Mikkola well, Juhani Pallasmaa, and Aino Niskanen. The book also sheds light on a young generation of Finnish architects that distanced itself from Aalto as a role model, pinpointed here by the inclusion of the essay ‘Snowballs’ (1948) by Aulis Blomstedt.Often quoted by Finnish architectural scholars, the publication finally of an English translation of Mikkola’s book will appeal to those international scholars and students who have been aware of the lack of critical perspectives from Aalto’s Finnish architect contemporaries.

A collection of the writing of the highly influential architect, Juhani Pallasmaa, presented in short, easily accessible, and condensed ideas ideal for studentsJuhani Pallasmaa is one of Finland’s most distinguished architects and architectural thinkers, publishing around 60 books and several hundred essays and shorter pieces over his career. His influential works have inspired undergraduate and postgraduate students of architecture and related disciplines for decades. In this compilation of excerpts of his writing, readers can discover his key concepts and thoughts in one easily accessible, comprehensive volume.Inseminations: Seeds for Architectural Thought is a delightful collection of thoughtful ideas and compositions that float between academic essay and philosophical reflection. Wide in scope, it offers entries covering: atmospheres; biophilic beauty; embodied understanding; imperfection; light and shadow; newness and nowness; nostalgia; phenomenology of architecture; sensory thought; silence; time and eternity; uncertainty, and much more. Makes the wider work of Pallasmaa accessible to students across the globe, introducing them to his key concepts and thoughtsExposes students to a broad range of issues on which Pallasmaa has a viewFeatures an alphabetized structure that makes serendipitous discovery or linking of concepts more likelyPresents material in short, condensed manner that can be easily digested by studentsInseminations: Seeds for Architectural Thought will appeal to undergraduate students in architecture, design, urban studies, and related disciplines worldwide.

THE EYES OF THE SKIN Explore the relationship between architecture and the sensory experience with the fourth edition of this groundbreaking work First published in 1996, The Eyes of the Skin is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense—sight—so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical since the first edition’s publication. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing. For a student reading this text for the first time, The Eyes of the Skin is a revelation. It provides a fresh, compelling insight into architectural culture which continues to inspire more than a quarter-century after its initial publication. The fourth edition of The Eyes of the Skin also features: The author’s latest views on the emphasis of place, unfocused perception and existential experienceUpdates and clarifications throughout, to reinforce how our sense of self in the world remains our most important sense with the greatest architectural impactAn updated Foreword that touches on the current understanding of the seminal importance of the existential senseThe Eyes of the Skin is a must-read for all architecture students, who will find its insights transformative.

Brings together timeless reflections on architecture's deepest foundations Eight Meditations on Architecture offers a rare and illuminating dialogue between two of Europe's most reflective architectural voices—Juhani Pallasmaa and Alberto Campo Baeza. Through a series of eight essays, the book examines eternal architectural themes—Beauty, Light, Time, Memory, Universality, Wisdom, Sacred, and Essentiality—revealing how enduring values shape the practice of building and the meaning of space. More than an academic treatise, this unique work underscores the necessity of cultural reflection and philosophical grounding in architectural practice. Written by architects whose writings are already essential reading in architectural education, these meditations offer a rigorous yet poetic inquiry into the discipline. Richly illustrated with contributions that interweave theory and personal insight, Eight Meditations on Architecture provides a space for reflection that is increasingly rare in contemporary discourse—one where theory and practice are not opposites but mutually reinforcing paths toward meaningful design. A rich intellectual resource that engages deeply with the question of how architecture should be conceived, taught, and lived, Eight Meditations on Architecture: Offers a unique dual-authored format that fosters comparison, contrast, and layered interpretationPresents an intergenerational perspective grounded in architectural education and practiceFeatures beautiful full-color imagery that complements and deepens the essaysBridges diverse cultural and geographical traditions in European architectureIncludes meditations that transcend architectural trends, focusing instead on timeless valuesThoughtfully edited to support both individual reflection and academic discussion, Eight Meditations on Architecture is a must-read for architecture students from undergraduate through graduate levels, particularly in courses such as Architectural Design, Theory of Architectural Design, and Design Thinking. It also serves as a thoughtful companion for architects and educators seeking to reconnect practice with enduring theoretical questions.

In Extremis is a cartography of contemporary global architecture, focusing upon the close relationship between different building types and the landscapes in which they are situated, illuminating the resonances and contrasts, continuities and discontinuities between new work and the natural or urban environment. With essays by Alessio Assonitis, Kenneth Frampton, Juhani Palaasma, Dimitri Philippidis, Jeannette Plaut, Jilly Traganou.

The Franco-Swiss photographer Hélène Binet (b. 1959) is renowned for making images that express an intimate experience of architecture. Using a combination of analogue and digital techniques, her photographs are both a representation and a discovery of her subjects, all of them buildings that break the mould, pushing daringly at the boundaries of their time. In this selection of some ninety of her photographs – ranging from the baroque London churches of Nicholas Hawksmoor and the Jantar Mantar Observatory in Jaipur through to buildings of contemporary architects Le Corbusier, Peter Zumthor, John Hejduk, Daniel Libeskind and Zaha Hadid – her work is revealed in all its subtlety and quiet sensitivity.

This book captures the insights and moments of discovery gained from their encounters with the land. The Fields’ responsive approach and meticulous execution extends to every element of their architectural practice, from considering the way that a tree casts a shadow on a wall to carefully orchestrating a project to minimize the impact of construction on a site. The book includes a Q&A with Stan Field; an essay by Jess Field on his sources of inspiration; sketches and models that they use as design tools; and a portfolio of 10 exquisitely crafted houses shaped by the imprint of the natural world and beautifully documented by acclaimed photographers Joe Fletcher and Matthew Millman.

This book captures the insights and moments of discovery gained from encounters with the land. The Fields’ responsive approach and meticulous execution extends to every element of their architectural practice, from considering the way that a tree casts a shadow on a wall to carefully orchestrating a project to minimize the impact of construction on a site. The book includes a Q&A with Stan Field; an essay by Jess Field on his sources of inspiration; sketches and models that they use as design tools; and a portfolio of 10 exquisitely crafted houses shaped by the imprint of the natural world and beautifully documented by acclaimed photographers Joe Fletcher and Matthew Millman.

In K2S Beyond the Wall of Sound, the architecture oeuvre of renowned young Finnish architects K2S is at last published in its entirety from the ovoid, remarkable Kamppi Chapel to the large-scale, complex development of the now iconic Olympic Stadium canopy. The work of K2S is based on the conviction that good architecture touches the human soul, and does not submit to dogmas or a signature style. To Mikko Summanen, Kimmo Lintula and Niko Sirola, the Finnish word for roots juuret is essential. Their design philosophy is guided by principles of materiality and its sensory aspects, the notion of context, Finnish building traditions and a fourth, innovative dimension. Edited by Salka Hallström Bornold and designed by Dalston Creative, the volume also includes texts by the group's mentors, Pritzker Prize winner Toyo Ito and esteemed architecture thinkers Juhani Pallasmaa and Hans Ibelings.