Katie Jones – författare

Exam Board: Pearson BTECAcademic Level: BTEC NationalSubject: Sport and Exercise ScienceFirst teaching: September 2016First Exams: Summer 2017

For all four of the externally assessed units 1, 2, 3 and 13. Builds confidence with scaffolded practice questions. Unguided questions that allow students to test their own knowledge and skills in advance of assessment. Clear unit-by-unit correspondence between this Workbook and the Revision Guide and ActiveBook.

Exam Board: Pearson BTECAcademic Level: BTEC NationalSubject: Sport and Exercise ScienceFirst teaching: September 2016First Exams: Summer 2017 

The Revision Guide is accompanied by an ActiveBook (eBook) so that learners have the choice and flexibility to access materials anytime or anywhere. The visually engaging format breaks the content down into easily-digestible sections for students and provides hassle-free instant-access revision for learners. Clear specification fit, with revision activities and annotated sample responses for each unit to show students how to tackle the assessed tasks. Written with students in mind - in an informal voice that talks directly to them. Designed to be used alongside the Workbook with clear unit-by-unit correspondence to make it easy to use the books together.

Underlining (and undermining) the notion of literary merit, this book focuses on noncanonical works and asks: what happens when we look away from modernism?Seeking an alternative history of British literature from 1890 to 1945, this book reflects on the processes by which canonicity happens by studying less familiar authors, othered by genre, gender and form. This book deliberately looks away from the British modernist canon of the late nineteenth and early twentieth century, bringing into sharp relief the problematic nature of discussions about literary merit.Engaging with topics such as politics, nation and identity in bestsellers, work straddling art and literature, the complex relationships between conservatism and progressive movements such as suffragism, and the importance of popular science writing, in authors such as Stella Benson, Dorothy Edwards, Violet Hunt and Hugh Walpole, it brings to bear valuable new perspectives on the cultural history of this period.

Men and masculinities provides an engaging, accessible and provocative introduction to histories of masculinity for all readers interested in contemporary gender politics. The book offers a critical overview of ongoing historiographical debates and the historical making of men’s lives and identities and ideas of masculinity between the 1890s and the present day. In setting out a new agenda for the field, it makes an ambitious argument for the importance of writing histories which are present-centred and politically engaged. This means that the book engages head-on with ferocious debates about men’s social position and the status of masculinity in contemporary public life. In establishing a critical genealogy for the proliferation of this crisis talk, it sets out new ways of understanding how men’s lives and ideas of masculinity have changed over time while patriarchy and male power have persisted.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

With Hip to Be Square learn how to transform five simple granny squares into 20 bold and bright designs featuring size-inclusive garments, stylish accessories, and beautiful homewares.All five granny squares can be completed in a wide range of yarn weights, colours, and types; they can be extended to create bigger blocks, and they are interchangeable within the pattern designs, giving the reader unlimited options and inspiration.As well as the easy-to-follow instructions and step-by-step illustrations, Katie also includes tips on how to care for your makes, so they stand the test of time – the perfect antidote to fast fashion.

Learn how to crochet simple shape motifs that you can mix and match to create 15 amazing crochet projects, including garments, homewares and accessories.Crochet Shapes features granny squares, triangles, hexagons and octagons that can be easily joined together to complete stunning designs, from a cardigan and jumper to a cushion and blanket. As well as instructions and charts for the motifs and projects, there is also helpful information on sizing garment patterns up and down to make the book truly inclusive. Simple information on selecting your hook, yarn and colour palette is also featured so readers can adapt the patterns as they wish and they will also discover how to care for their creations and keep them looking fab! Handy instructional QR codes are included for the six motifs, giving readers another way to learn how to make the building blocks for their projects. Katie Jones's bright and beautiful designs are sure to inspire readers to pick up their yarn and get hooking!

Disgust is a strong, immediate visceral reaction. While it may feel like a purely instinctive response, the cultural meanings ascribed to particular objects, bodies or behaviours play a significant role in determining whether or not they are experienced as disgusting. This interplay between bodies and ideas makes disgust a powerful source of metaphor in narrative fiction. For women’s writing, disgust is particularly problematic due to a misogynistic tradition in which the female body has often been coded as disgusting.This book offers a comparative study of recently published texts by eight female authors writing in French and German – Marie Darrieussecq, Amélie Nothomb, Lorette Nobécourt, Alina Reyes, Sibylle Berg, Jenny Erpenbeck, Monika Maron and Charlotte Roche – in terms of an aesthetics of disgust and asks to what extent disgust can be seen as a useful tool for feminist criticism. Since the late 1990s there have been increasing levels of academic interest in disgust in various disciplines, ranging from clinical psychology to aesthetics and moral philosophy. As one of the first full-length studies to consider literary uses of disgust, this book both contributes to the emerging field of disgust theory and offers a new contribution to the study of women’s writing.