Kuei-fen Chiu - Böcker

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

Migration has transformed Taiwanese society in the last 20 years. The main inflows have been temporary workers from Southeast Asian countries and female spouses from Southeast Asia and China marrying Taiwanese husbands. The main outflow has been migration to China, as a result of increased economic integration across the Taiwan Strait. These changes have significantly altered Taiwan?€?s ethnic structure and have profound social and political implications for this new democracy. As large numbers of these migrants take Taiwanese citizenship and their offspring gain voting rights, the impact of these new Taiwanese will continue to increase. This book showcases some of the leading researchers working on migration to and from Taiwan. The chapters approach migration from a range of disciplinary perspectives, including international relations, sociology, social work, film studies, political science, gender studies, geography and political economy and so the book has great appeal to scholars and students interested in the politics of Taiwan, Taiwanese society and ethnic identity as well as those focusing on migration in East Asia and comparative migration studies.

Documentary filmmaking is one of the most vibrant areas of media activity in the Chinese world, with many independent filmmakers producing documentaries that deal with a range of sensitive socio-political problems, bringing to their work a strongly ethical approach. This book identifies notable similarities and crucial differences between new Chinese-language documentaries in mainland China and Taiwan. It outlines how documentary filmmaking has developed, contrasts independent documentaries with dominant official state productions, considers how independent documentary filmmakers go about their work, including the work of exhibiting their films and connecting with audiences, and discusses the content of their documentaries, showing how the filmmakers portray a wide range of subject matter regarding places and people, and how they deal with particular issues including the underprivileged, migrants and women in an ethical way. Throughout the book demonstrates how successful Chinese-language independent documentary filmmaking is, with many appearances at international film festivals and a growing number of award-winning titles.

Migration has transformed Taiwanese society in the last 20 years, and this edited volume showcases some of the leading researchers working on migration to and from Taiwan. The chapters approach migration from a range of disciplinary perspectives, including international relations, sociology, social work, film studies, political science, gender studies, geography and political economy and so the book will have great appeal to scholars and students interested in the politics of Taiwan, Taiwanese society and ehtnic identity as well as those focusing on migration in East Asia and comparative migration studies.

Documentary filmmaking is one of the most vibrant areas of media activity in the Chinese world, with many independent filmmakers producing documentaries that deal with a range of sensitive socio-political problems, bringing to their work a strongly ethical approach. This book identifies notable similarities and crucial differences between new Chinese-language documentaries in mainland China and Taiwan. It outlines how documentary filmmaking has developed, contrasts independent documentaries with dominant official state productions, considers how independent documentary filmmakers go about their work, including the work of exhibiting their films and connecting with audiences, and discusses the content of their documentaries, showing how the filmmakers portray a wide range of subject matter regarding places and people, and how they deal with particular issues including the underprivileged, migrants and women in an ethical way. Throughout the book demonstrates how successful Chinese-language independent documentary filmmaking is, with many appearances at international film festivals and a growing number of award-winning titles.

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.