Kuei-fen Chiu is Professor of Taiwan Literature and Transnational Cultural Studies at National Chung Hsing University, Taiwan.Ming-yeh T. Rawnsley is a Research Associate in the Centre of Taiwan Studies at the School of Oriental and African Studies, University of London, UK.Gary Rawnsley is Professor of Public Diplomacy in the Department of International Politics at Aberystwyth University, UK.

• 1. From Taiwan New Cinema to Post-New Cinema: An Introduction, Kuei-fen ChiuPart I: International Reception and Taiwan Cinema2. Taiwan Cinema across the Globe: A Brazilian Perspective3. Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng4. Taiwan Cinema at the Venice Film Festival: From Cultural Discovery to Cultural Diplomacy5. Contesting the National, Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s6. Programming Taiwan Cinema: A View from the International Film Festival Circuit7. Interventions on Cultural Margins: The Case of the Chinese Film Forum UK and the Presence of Taiwan Cinema in the UKPart II: Taiwan Cinema and Social Change8. Becoming a Nation: The Shaping of Taiwan’s Native Consciousness in Wei Te-sheng’s Post-Millennium Films9. Imagine There’s No China: Wei Te-sheng and Taiwan’s ‘Japan Complex’10. Kano and Taiwanese Baseball: Playing with Transregionality and Postcoloniality11. Seediq Bale as History12. Violence and Indigenous Visual History: Interventional Historiography in Seediq Bale and Wushe, Chuanzhong Island13. Archiving an Historical Incident: The Making of Seediq Bale as a Socio-Political Event14. Mona Rudao’s Scar: Two Kinds of Epic Identity in Seediq BalePart III: Interview and Supplement15. A Conversation with Taiwanese Filmmaker Wei Te-sheng