Marco Piccolino – författare

This book looks at how three kinds of strongly electric fishes literally became "electrical", and how they helped to change the sciences and medicine. These fishes are the flat torpedo rays common to the Mediterranean, the electric catfishes of Africa, and an "eel" from South America. The discovery of the electrical nature of these fishes in the second half of the 18th century was the starting point of the two fundamental advances in the sciences: on the physiological side, the demonstration that nerve conduction and muscle excitation are electrical phenomena, and on the physical side, the invention of the electric battery. Starting with catfish tomb drawings from Ancient Egypt and colorful descriptions of torpedoes from the Classical Era, the authors show how these fishes were both fascinating and mysterious to the ancients. After all, not only could they produce torpor and temporary numbness when touched, they could stun through intermediaries, such as wet nets and spears. Various explanations were given for these remarkable actions in ancient times, including the idea that they might release some sort of cold venom. Through the Renaissance, they also tended to be associated with occult and magical qualities. During the 1600s, natural philosophers speculated that rapid movements of specialized muscles could account for their actions. This idea was widely accepted until the 1750s, when the possibility that their shocks might be electrical began to be discussed. Showing how researchers set forth to provide support for fish electricity is a major focus of this book. Here the authors transport us into the jungles of South America and later show how some live eels were transported to London, where John Walsh demonstrated in1776 that they can actually spark. Subsequent chapters deal with further evidence for specialized fish electricity and how electric fishes helped to change ideas about even our own physiology. The authors also show how these fish remained a part of medicine, and how Volta modeled his revolutionary "pile" or electric battery on their anatomy.From beginning to end, this drama is firmly anchored in the philosophy and science of the day. Moreover, with biographical information about the key players, readers can fully appreciate what they were thinking as they tried to understand one of Nature's greatest puzzles - a mystery that would transform nerve and muscle physiology in ways that earlier generations could not have anticipated. Although a scholarly volume, the book's style is generally narrative and, with its hundreds of magnificent illustrations, it should appeal to a large audience.

Galileo is known as a pioneer of science - especially of mechanics and astronomy - but far less attention has been paid to his work on the senses generally, and more specifically on vision. In this book, two experts on the history of science look at the novel ways in which Galileo looked at the heavens through his telescope, and, in the process, emphasised the importance of contrast phenomena and visual resolution for all observations. He also described the senses and perception in terms that found an echo in doctrines advanced by nineteenth century sensory physiologists. In a fascinating and accessible style, Marco Piccolino and Nick Wade analyse the scientific and philosophical work of Galileo Galilei from the particular viewpoint of his approach to the senses (and especially vision) as a means of acquiring trustworthy knowledge about the constitution of the world. For Galileo evidence from the senses was potentially ambiguous, hence reliable information capable of penetrating the complexity of reality could only be obtained by interpreting the sensory data critically. The philosophical background of Galileo's attitude to the senses was his awareness that nature had not developed a specific language aimed at communicating with senses generally and human senses in particular. Galileo's analysis of the senses corresponded closely to a fundamental tenet of modern sensory physiology and psychophysics - the absence in the world of specific sensory signals like sounds, colours, tastes, and odours.Fully illustrated throughout, this book is an important contribution to psychology and the vision sciences, but more broadly to our knowledge of a pioneering figure in the history of science.

"... and still we could never suppose that fortune were to be so friendly to us, such as to allow us to be perhaps the first in handling, as it were, the electricity concealed in nerves, in extracting it from nerves, and, in some way, in putting it under everyone's eyes." With these words, Luigi Galvani announced to the world in 1791 his discovery that nervous conduction and muscle excitation are electrical phenomena. The result of more than years of intense experimental work, Galvani's milestone achievement concluded a thousand-year scientific search, in a field long dominated by the antiquated beliefs of classical science. Besides laying the grounds for the development of the modern neurosciences, Galvani's discovery also brought to light an invention that would forever change humankind's everyday life: the electric battery of Alessandro Volta. In an accessible style, written for specialists and general readers alike, Shocking Frogs retraces the steps of both scientific discoveries, starting with the initial hypotheses of the Enlightenment on the involvement of electricity in life processes. So doing, it also reveals the inconsistency of the many stereotypes that an uncritical cultural tradition has imparted to the legacies of Galvani and Volta, and proposes a decidedly new image of these monumental figures.

Dante’s Visions: Crossing Sights on Natural Philosophy, Theory of Vision, and Medicine in the Divine Comedy and Beyond offers a fascinating insight into Dante’s engagement with the science of his time, particularly with visual perception and neurological disorders. The relationship between the soul and the body and the bond between human beings and their natural environment were significant areas of interest in the medieval world. In Dante’s Divine Comedy, as well as in his Vita Nuova and Convivio, these connections are enhanced to the fullest, expressing feelings and sensations, pain and ecstasy, and physical and spiritual passions under exceptional psychological and environmental stimuli.Based on the research of a multidisciplinary group of scholars – including experts in Dante, the culture and history of medieval literature and philosophy, historians of science, neuroscientists, and specialists in vision and visual illusions – this book explores the poet’s psychophysical descriptions of sense perception, the theory of vision, optical illusions and deceptions of sight, neurological phenomena, and the anatomy and physiology of the human nervous system. It highlights the Aristotelian sources of his scientific culture and the influence of the Arabic sciences on their dissemination in the Western world.In addition to illustrating the cultural background of a poetic genius, with specific reference to the rich scientific reflections in Italy at Dante’s time, this book brings out the many opportunities for future research at the intersection of science and literature in the past.