Martin Lang – författare

This volume draws on a unique dataset to answer pressing questions about human religiosity. Building upon the first volume in this series, it presents results from the second phase of the Evolution of Religion and Morality (ERM) project.The second volume investigates key questions in the evolutionary and cognitive sciences of religion and highlights cultural variability and context specificity of diverse religious systems. Chapters draw on a dataset comprising 2,228 participants from 15 ethnographically diverse societies that stretch from Africa and India through Oceania to South America, and include hunter-gatherers, pastoralists, horticulturalists, subsistence farmers and wage laborers. Four chapters using the full dataset answer the following questions:What are the general predictors of commitment to supernatural agents?Is there a gender gap in religiosity?Does belief in punitive gods facilitates cooperation?Are supernatural agents implicitly associated with moral concerns?Chapters from individual field sites further explore the distinction between moralizing and local gods, the potentially disruptive role of belief in local gods on cooperation with anonymous co-religionists, and the relationship between belief in moralizing gods, cooperation, and differential access to material resources. Above these empirical studies, the book also includes an informed discussion with specialists on the challenges of running such a large cross-cultural project and gives concrete recommendations for future projects.The Evolution of Religion and Morality: Volume II will be a key resource for scholars and researchers of religious studies, human evolutionary biology, psychology, anthropology, the cultural evolution of religion and the sociology of religion. This book was originally published as a special issue of Religion, Brain & Behavior.

This volume draws on a unique dataset to answer pressing questions about human religiosity. Building upon the first volume in this series, it presents results from the second phase of the Evolution of Religion and Morality (ERM) project.The second volume investigates key questions in the evolutionary and cognitive sciences of religion and highlights cultural variability and context specificity of diverse religious systems. Chapters draw on a dataset comprising 2,228 participants from 15 ethnographically diverse societies that stretch from Africa and India through Oceania to South America, and include hunter-gatherers, pastoralists, horticulturalists, subsistence farmers and wage laborers. Four chapters using the full dataset answer the following questions:What are the general predictors of commitment to supernatural agents?Is there a gender gap in religiosity?Does belief in punitive gods facilitates cooperation?Are supernatural agents implicitly associated with moral concerns?Chapters from individual field sites further explore the distinction between moralizing and local gods, the potentially disruptive role of belief in local gods on cooperation with anonymous co-religionists, and the relationship between belief in moralizing gods, cooperation, and differential access to material resources. Above these empirical studies, the book also includes an informed discussion with specialists on the challenges of running such a large cross-cultural project and gives concrete recommendations for future projects.The Evolution of Religion and Morality: Volume II will be a key resource for scholars and researchers of religious studies, human evolutionary biology, psychology, anthropology, the cultural evolution of religion and the sociology of religion. This book was originally published as a special issue of Religion, Brain & Behavior.

In 2008 an Iraqi artist was waterboarded as performance art. In 2010 artists upturned police cars in Russia. But what exactly do we mean by militant art and aesthetics? Bringing together the philosophy of art and politics, Martin Lang provides a comprehensive examination of militant art activism: its history, its advocates and the aesthetic theory behind it. Protest art is not a new concept and yet this book argues that after the terrorist attacks of 9/11 distinctly 21st-century forms of art activism emerged. On the one hand these became militant as artists retained belief in the possibility of radical political change through art. On the other hand, this belief developed in a hostile environment, when anti-terror legislations reclassified activists and artists as terrorists. Through first-hand interviews and experiences, Militant Aesthetics sheds light on numerous international case studies of modern art activism and the different ways they can be classified as militant. Many artists and collectives, including Grupo Etcétera in Buenos Aries, are prepared to break the law and risk arrest for their art. Others like Thomas Bresolin’s Militant Training Camp utilise military uniforms in violent performances that connect with public anger, and artists such as Zthoven in the Czech Republic occupy, hack, antagonise and disrupt in increasingly militant ways. Combining these examples with the pioneering thought of Badiou, Žižek, Rancière and Mouffe, as well as up-to-date scholarship from Bishop, Léger and others, Lang investigates the instances, attributes and rules of militant art in order to introduce a new overall theory of 21st-century militant aesthetics.

In 2008 an Iraqi artist was waterboarded as performance art. In 2010 artists upturned police cars in Russia. But what exactly do we mean by militant art and aesthetics? Bringing together the philosophy of art and politics, Martin Lang provides a comprehensive examination of militant art activism: its history, its advocates and the aesthetic theory behind it. Protest art is not a new concept and yet this book argues that after the terrorist attacks of 9/11 distinctly 21st-century forms of art activism emerged. On the one hand these became militant as artists retained belief in the possibility of radical political change through art. On the other hand, this belief developed in a hostile environment, when anti-terror legislations reclassified activists and artists as terrorists. Through first-hand interviews and experiences, Militant Aesthetics sheds light on numerous international case studies of modern art activism and the different ways they can be classified as militant. Many artists and collectives, including Grupo Etcétera in Buenos Aries, are prepared to break the law and risk arrest for their art. Others like Thomas Bresolin’s Militant Training Camp utilise military uniforms in violent performances that connect with public anger, and artists such as Zthoven in the Czech Republic occupy, hack, antagonise and disrupt in increasingly militant ways. Combining these examples with the pioneering thought of Badiou, Žižek, Rancière and Mouffe, as well as up-to-date scholarship from Bishop, Léger and others, Lang investigates the instances, attributes and rules of militant art in order to introduce a new overall theory of 21st-century militant aesthetics.

Embark on a journey that transcends the boundaries of art and technology in the groundbreaking realm of Creative Convergence: The AI Renaissance in Art and Design. Explore real-world case studies that showcase AI's practical impact on 3D design, drawing, digital art, and even web design.

Embark on a journey that transcends the boundaries of art and technology in the groundbreaking realm of Creative Convergence: The AI Renaissance in Art and Design. Explore real-world case studies that showcase AI's practical impact on 3D design, drawing, digital art, and even web design.